The Third Alibi

This is a super thriller!

First rate story, with an excellent cast and a well devised plot, from beginning to end.

A writer of musicals is in a troubled marriage, so he plots a way to get rid of his wife so he can continue his relationship with her sister.

Some outstanding performances especially from the errand husband, his wife and the policeman in charge of the investigation.

Modern film makers should study the way this movie is presented: no unnecessary sub-plots yet a spider's web of intrigue with a climax that is brilliant.

Many of these so-called British B movies are far better than most modern-day new releases: 8/10.

A woman (Patricia Dainton) hears her murder being planned by her husband and sister in "The Third Alibi," a British film from 1961, directed by Montgomery Tully.

Dainton is Helen Martell, a woman with a weak heart, whose composer husband Norman (Laurence Payne) is having an affair with her sister Peggy (Jane Griffiths).

While he's rehearsing his new sure to bomb musical, with wonderful Cleo Laine singing a horrendous song, Peggy drops by the theater to tell him she's pregnant. She insists that he must divorce Helen, who flatly refuses.

Norman plans the murder carefully, including Peggy's alibi. Since Helen overhears the whole thing, she's not home to be murdered. Norman, however, discovers Peggy dead later that evening.

Neat film with a fabulous twist, and it's not what you think.

Its outline may remind you of "sudden fear" starring Joan Crawford,Jack Palance and Gloria Grahame : the victim knows her husband and his mistress are going to kill her for she eavesdropped on their conversation which revealed their ominous plans.Besides ,a tape recorder plays a prominent part in the plot.But it's a good murder mystery on its own :the screenplay (based on a play) is well constructed ,and even the manslaughter on the road has its raison d'être(the final picture packs a real wallop) .Even the title is well chosen .

The sisters ' feud is a little derivative: it's once again the "my kid sister was spoilt , they had only eyes for her " well-known tale ;but the film is short , tense ,and there's never a dull moment .Directing is not very inventive ,but the suspenseful script will keep you glued to your seat till the very end.

This is now one of my favourite films. As a writer, you come across a story once in a while that you wish you wrote... this is one of mine.

Marriage isn't going well for Norman Martell (Payne), though his wife, Helen (Dainton), has no idea about how he feels. Norman is so discouraged that he has an affair with Helen's stepsister, Peggy Hill (Griffiths). Upon hearing the news that Peggy is pregnant he tells Helen he wants a divorce. Unfortunately for Helen, when he can't get a separation he and Peggy form a plan to kill her...

Even though the twist is telegraphed early on it's not the climax, that you know is coming, that sells this film. It's the story, acting, and direction. All the cast give solid, credible and realistic performances. No one actor or actress is better than the rest. And even though the pace is steady throughout it's the combination of timing, writing, and great characterisations that makes the ending perfect. All the pivotal and important elements weave together at precisely the right time.

One of the best things for me is the ending itself which is delivered like a punchline. Which is fitting, especially if you like dark humour and believe in karma. I admit to actually saying, "Oh Yeah," out loud, along with the closing line, which is really easy to figure out... with a huge grin on my face.

I loved this film... actually, loved this film.

It's with that affirmation in my heart that I recommend this murder mystery to all out there. If you don't enjoy it then there's summat up wit'ya.

You even get a free song from the marvellous voice of Cleo Lane - you can't get any better.

What a clever little mystery this is, it is incredible how many of these forgotten gems are out there. I would have imagined this was made as a low budget b movie, but it is fully deserving of praise. Very good performances all round, Laurence Payne and Jane Griffiths are both very good, but it's the performance of Patricia Dainton that stole the show in her final on screen performance, a truly natural beauty, she plays a very soft, frail and dutiful wife, who possesses more then is shown on the surface. I love how complex the plot is, it is full of knots, twists and turns, it's a film you watch and have no idea which way it's going to go, you are guessing until the very (shock) end. It features a small cameo for Cleo Laine.

The plot is so good it could quite easily be remade into some cosy modern day mystery. It starts fairly slowly, and you could be forgiven for losing interest, but it's one of those that if you stick with you will totally get caught up in, the ending is so good too. I love a good mystery and this ticks all the boxes.

I'm glad I found it, 8/10