Ripley Under Ground

This film is entertaining. Just imagine the character of Barry Pepper as someone else and not Ms. Patricia Highsmith's Thomas Ripley, you will be engrossed and not so disappointed. For me, I can't do that. I have already been impressed by both Matt Damon's and John Malkovich's Ripley, whose performances are so right one can't help feeling that they really play the same person at different ages, despite two completely different look and totally separate productions. I am not so sure who gets it wrong between Barry Pepper who plays him or Roger Spottiswoode the director. Thomas Ripley is not an accidental psychopath. He is a professional one who is completely conscious of all his actions and perfectly comfortable with them. He has excellent taste equipped with the vast knowledge of everything beyond his means, so he cheats, steals, and kills for such yearning. Tom Ripley never protests or acts against the mainstream. He simply has his own ways and means, and executes them rather effectively. Pepper's Ripley is not even close. His Ripley is boringly human, ordinary, and commonplace. He is supposed to be a genuinely evil spirit who lives well and excels among the sophistication of all kinds. Being an American does not stop him from being well-cultivated and subtle. Ripley's creator, Ms. Highsmith, was a big fan of him. She protested against people who made so much fuss about "a little murder" around them. See, Ripley is not a criminal but an artist of the most devious kind. This film does not get it. Furthermore, it is a poor choice of either the director or the script writer, or both, to apply comedic tone to this story. Ripley can be fun, but never comedic. Relief moments in Ripley's stories usually come with arts, good life, and stylishness. If your wish is to penetrate Mr. Ripley's mind, one of the most unique characters in the literary world, watch "The Talented Mr. Ripley" and "Ripley's Game" instead.

I randomly watched the movie in the TV,having no idea what i was going to see. Not bad but pretty fake at some point but even with the the cliché' of trying to be unpredictable,i enjoyed it.Tom Ripley with his friends are trying to hide the death of their talented painter-artist friend and make money out of his name pretending that he is alive but this isn't an easy job to do,Tom Ripley in his try to not be revealed is willing to do anything.....It is an average movie but it keeps your interest to watch it till the end,Barry Pepper's (Tom Ripley)acting was good and Claire Forlani(Cynthia) was the hottest in the movie,i enjoyed her sexy scenes and dialogs the most.So just fine to watch it but yet there is anything great to remember from the movie

This is very good thriller.

I like very much black humor what make film in second level.

I'm always like Patricia Highsmith novel, but it's very hard make movie because filmmaker not always understand the humor what Patricia make in characters

But this films understand that very well.

CAST is PERFECT!

Barry Pepper is a good Tom Ripley!

Claire Forlani and Alan Cumming acting travesty in art people. it's very funny

I bought this, cheap on second hand DVD - and I didn't expect much. I had seen: "The talented Mr Ripley" and "Ripleys game" before - so I was a bit curious as to how this one would go down, because I haven't heard anything about it and that is usually a bad sign. - But.... I absolutely LOVED it. The plot was intriguing, and I loved the actors - and the ending - just perfect ! This is a movie I,m gonna watch again in a years time. At the end of this movie I actually raised my arms up and shouted: "Bloody hell!!! GREAT movie !!! There is also a bit of music in the middle of the movie when Tom goes to France I think for the first time - anyone know what music that is? Its beautiful.

Filmed back in 2004, but left on the shelf for 3 years, 'Ripley Under Ground' aka 'White On White' has been released on DVD in Europe.

Barry Pepper plays Ripley as something of a low-key rock-star - long hair, a close shave and charisma to burn – and the tone of the thing is far lighter than any of the previous incarnations - 'Purple Noon' ,'The American Friend', 'The Talented Mr. Ripley', 'Ripley's Game', etc.

Some early reviewers have referred to it as a 'comedy', but it's not, really. Unfortunately, the lighter tone actually hurts the film a bit, because this outing paints Mr. Ripley as less of a menace and sociopath than any of the Ripley films that have preceded it.

This interpretation apparently sprang from a comment that Ms. Highsmith made about the films adapted of her novels: She apparently felt that the films missed the humor of her character and the droll wit of her dark plots. But the humor in this effort tends to undermines the suspense.

Beside having freed Mr. Pepper from the short-haired grunt roles that he usually plays, the film really allows Alan Cumming and Claire Forlani to shine in ways that they usually aren't allowed to when they are shoe-horned into American accents. She is officially excused from having participated in 'Meet Joe Black'.

It's a good, but not great film. The delight was seeing Barry Pepper stretch-out in the kind of role he's seldom given.

I typically enjoy the Ripley films and novels for their psychopathy, but this was different enough to be enjoyable. If you come across it on cable or the Shanghai bootleg carrels try not to overlook it.

*** out of *****