Best in Show

It's not often that I laugh out loud at a movie, but this one made me several times. I fell in love with Parker Posey in this movie. I don't really know why since she's completely mean and pretty much unlikeable, but she's just so good. The "busy-bee" exchange with the guy in the pet shop makes me crack-up every time. And what can you say about Fred Willard and Eugene Levy...

It's a mockumentary about a dog show and a bunch of wacky dog owners. Don't expect to be moved in some epiphanatical (I might have just made up a word) way after watching this movie, but if you just let yourself get caught up in the absurdity, you'll probably have a few good laughs.

Before the lights went out and the movie Best in Show began, the representative from Warner Bros. asked the audience two questions: "Any Spinal Tap fans?" and "Any dog fans?" The audience responded affirmatively in both instances, and such began the movie. If you answer yes to both of these questions, this is a must-see movie. If you answered no, you should still see this satirical romp following the actions of the Mayflower Dog Show in Philadelphia. The director, writer and star of Best in Show, Christopher Guest, is no newcomer to fake documentaries. As the lead guitarist in the aforementioned This Is Spinal Tap (1984) and the director, writer and star of Waiting for Guffman (1997), he is perhaps the master of the field, exploring a common theme, as reflected in the Guffman tag line: "There's a good reason some talent remains undiscovered." Guest explores this theme further in Best in Show, looking at ordinary people not mockingly but almost tenderly. You understand the characters' fears and insecurities, and you can only see too much of people you know or yourself in them. More importantly, you like these characters. When Eugene Levy's character Gerry Fleck reacts to his wife Cookie's (Catherine O'Hara) past wild sex life, you know that this is a man who loves his wife and whom his wife loves, despite his huge dorkiness and her having slept with almost every man they meet. "Pookie and I work as a team," he says, and they do, singing in harmony about their beloved terrier. The other characters are as banal and human as they can be; the braces-wearing yuppie couple, played with aplomb by Parker Posey and Michael Hitchcock, take their dog to a therapist because the dog is depressed and angry about having seen the couple in the Congress of the Cow Kama Sutra position. They wax poetic about having been "raised amongst catalogues," extolling the virtues of J. Crew and L.L. Bean, and describe their similarities as loving "soup, outdoors, snowpeas, talking and not talking." These two are perhaps the most caricaturistic and one-dimensional of the characters in the film, but you feel sad for them for their transference of parental instinct onto their woeful dog. Best in Show has its share of comedic highs, most notably, the interplay between Buck Laughlin (Fred Willard), the hopelessly clueless commentator, and Trevor Beckwith (Jim Piddock), the British dog expert. As Buck barrages Trevor with inane and hilarious questions, Trevor brings up the most specific detail about the different breeds and the particular judges. Buck reminds me of my Uncle Bob, the man who doesn't know anything about anything but talks about it anyway, and it's perhaps the funniest part of the movie. This movie is kind to its characters while making fun of them, and the result is hilarity. While I'm curious about the new Tim Meadows' vehicle The Ladies Man, this is the most original and, arguably, the funniest comedy out right now.

Christopher Guest is a comedic treasure. Not only does he know just how to "mockument" the truly mundane (in this case, the show-dogs and their weirdo owners) but his characters are always so run-of-the-mill yet bizarre; they're either out of touch or wacky Midwesterner; people you can't help but laugh at. With Best In Show, it feels like he's playing that to the hilt and I think it's my favorite movie of his as a result

This is an ensemble cast in the best sense, a group of people perfectly at home with the material -- clumsy, ordinary and awkward -- yet they utter some of the most ridiculous things. I don't think I could stand to be around any of these people, but they kept me in stitches the entire time. The only person I can really single out is Fred Willard, and it's because (I have no doubt) he was let loose as the competition's sportscaster and improv'd the whole thing. The guy doesn't let up!

Best in Show (2000) Directed by Christopher Guest. Written by Guest and Eugene Levy. Starring Parker Posey, Michael Hitchcock, Levy, Catherine O'Hara, John Michael Higgins, Michael McKean, Guest and Fred Willard. Running Time: 90 minutes Rated PG-13

Dog people, and the dogs that own them, are often amusing in real life. But in the hands of master mock documentarist Christopher Guest, the amusement is marvelously magnified. (Guest practically invented the "mockumentary" with his 1984 rock band send-up, "This is Spinal Tap.")

In the days leading up to the Mayfair Kennel Club Dog Show, several sets of contestants make their way to Philadelphia to realize a dream of being "Best in Show." There's a pair of New York yuppies (Posey and Hitchcock) who are even higher strung than their willful weimaraner. A gay couple (Higgins and McKean) shows up to show off their shih tzu. A Florida husband and wife (Levy and O'Hara) make the trip with their terrier, discovering along the way that every man they meet is one of her former lovers. And finally, springing fully-grown from a country music song, lonely guy Harlan Pepper (Guest) arrives from North Carolina in a pickup truck with his droop-faced bloodhound. Once at the show, the odd assortment of owners conduct their canines toward a "best in show" showdown, where brilliantly inept color commentary is provided by Buck Laughlin (Willard).

Even though fairly well known actors play the primary roles, Guest achieves a documentary feel, mainly because much of the dialogue seems improvised. As writer-director, he deserves credit, either for writing sharp dialogue, or for directing in a way that inspires creativity in his actors.

Some of the best lines come from Posey and Hitchcock, the yuppie couple who met when their eyes locked as they sipped coffee at separate but close-by Starbucks, and whose pooch becomes paranoid whenever they get intimate in its presence. The other cast members ably deliver lines that define their quirky characters. Especially good is O'Hara as a woman with a past who is nonetheless devoted to spouse Levy, who literally has two left feet. Even the background extras, probably real-life dog handlers, are fascinating to watch, and seem to inhabit their own documentaries, waiting for their own close-ups.

The last third of the film brings the entire cast together for the "Best in Show" competition. This is where Willard, who seems to have wandered in from a slow day at the XFL, delivers his wildly comic commentary, which amazes and befuddles his more serious partner. (For a while, there was actually some Oscar buzz for Willard's performance here.) Though the film pokes fun at the dog show circuit, it also reveals a fondness for the people involved. It may not inspire you to become a dog show person, but it just may have you looking in the classifieds to see when the next real-life show is coming to your town.

Rating: 3.5 stars out of 4

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You would almost have to have seen the dog show world first hand to understand all the delicious inside jokes, but even if the extent of your dog show experience is an occasional glimpse of the Westminster Dog Show telecast, you'll howl with laughter.

Conformation dog showing is a world of illusion in which everyone tries to make perfect dogs out of something less. Best in Show strips the illusion away in a brutal satire that undoubtedly had every dog person on the planet cringing in horror and delight. "Isn't that just like so-and-so?" and "I'm nothing like that!"

Christopher Guest may have topped his supreme masterpiece "Spinal Tap" with this signature mockumentary in which he skewers all of dogdom. You will recognize Fred Willard's vapid and obnoxious television host as none other than Joe what's his name from Westminster, and the tension between him and Trevor Beckwith (Jim Piddock) is a thinly veiled roman a clef of David and Joe at the Big Show.

There are a few gaffs, like the fact at all the dogs at the Show are supposed to be champions before entry, but that doesn't detract from the fun. John Michael Higgins, who steals the show as the uninhibited handler, and Michael McKean are hilarious as the gay couple going out of their way to be outre. Co-writer Eugene Levy (American Pie) is perfect as the husband finding out that his wife Catherine O'Hara might be Miss Congeniality of all time. I also loved Parker Posey and Michael Hitchcock as the overwrought yuppie couple who project all their angst on their poor dog. Larry Miller turns in a great cameo as one of the countless men in O'Hara's past.

A lot of people didn't get this gem. To them I can only say Bad Dog, Bad Dog! For the rest of us, it's Sit, Stay, and Enjoy!