An Everlasting Piece

Colin gets a new job as a barber working as the "new Catholic" barber in a Belfast mental institution. His colleague is George – a protestant with a love of poetry who is also a barber. A chance meeting with a mad wig salesman known as the scalper sees them getting their hands on his leads list and the pair decide to dip their feet into the toupee market. Calling themselves the Piece Men, they start following the leads even though it takes their mixed-faith business into dangerous areas.

The general humour in Northern Ireland tends to be quite a dry and cynical affair that has grown out of the decades of terrorism that we've had to endure. As with many places the same, a certain gallows humour grows out to help deal with the violence and it is strange therefore that we haven't had more Northern Irish comedies that use the troubles as a background while trading on this darkly rich style of humour. One reason may be seen here though, because this isn't that good a film and it is very uneven in the laughter stakes. The unlikely plot doesn't help either and, although it touches on the problem of living in Northern Ireland and the community struggles, it never seems to have much substance to it consistently – meaning that when it tries to, it doesn't really work.

The laughs are very thinly (sorry) scattered throughout the film and mostly it trades on a sort of Oirish charm that generally the US wants from all Irish films. Being from Northern Ireland I found this push towards that approach to be quite annoying and demeaning and it didn't actually seem to benefit the film in anyway. The cast are OK but they cannot get the laughs and they cannot make characters against the onslaught of "Irish" sentimentality from the music and the tone of the script. McEvoy and O'Byrne lead the film pretty well although it would have been nicer if both had been more relaxed into the comedy and more able to deal with the dramatic sides. As it is, they rest somewhere in-between, doing alright but not that great. Friel is a strange find but she does well enough in support alongside nice turns from people like Convey, McAleer and McLynn – although what Billy Connolly was doing was beyond me.

Overall this is a so-so comedy but not a great one and certainly not one that does justice to the humour of Northern Ireland. The cast are OK but the problems run deeper – the material isn't that funny and isn't as interesting as the community conflicts could have been. Perhaps worth a look but really not that good.

I have to disagree with some of the other comments on this film. In my opinion it is one of the cleverest satires that I have seen but you have to concentrate on it and not expect it to be obviously realistic. It is very well written, acted and directed with an extremely clever ending. Reminiscent of the ability of Noel Coward or Oscar Wilde to depict human frailty in a comical light (but missing the blistering dialogue of the latter). The word "wry" comes to mind and its only faults are some slowness in building up to the ending and, while most of the characters are deliberately portrayed as rather childish and naive, some are a little overdone. In particular, Colm's definition of when an action is "a gesture" is absolutely superb satire. This film is wit, not comedy in the rather obvious sense which so often prevails these days. I would give it a "much better than average" rating for a discerning viewer who wants something better than what is mostly on offer.

Everyone I've told about this movie loves it. It says a lot about friendship, love (parental, fraternal, egocentric, altruistic) and about a country bifurcated by war and misunderstanding. As usual, with movies made in Ireland and Britain, the humor is broad and subtle at the same time and even the very minor characters are fully drawn. If ever there was a time for this film it's now. With surreal humor (although what is surreal these days?) it explores the meaning of hate, love, war and forgiveness. It is a movie about common lives that are circumscribed by conflict and about the way people cope with impossible and untenable situations: with the way, in short, that they survive. And it's funny! Billy Connelly as "Scalper" is, as usual, over the top in the best sense.

An Everlasting Piece is definitely one of the better Irish comedies I've seen in a long time. Though not on par with the Barrytown Trilogy or Divorcing Jack, the three leading characters are witty and strong. I'm very partial to Brian F. O'Byrne's thoughtful, subdued yet humorous portrayal of Protestant George Post. His best line is arguably, "He's as Orange as that chair." The film features many funny and poignant moments that make the film enjoyable to anyone who appreciates Ireland and its people.

A very funny comedy set in Belfast. It's always an challenge to find humor in very serious situations but writer and star does a fine job in combining the two. The plot is clever with a number of nice twists. The acting is good all around. I feel the movie is quite well done and worth seeing - it's one I'd recommend to friends.