Premonición

Nang Nak is the first Thai film that has got Thai people back watching Thai films. It is Director Nonzee Nimibutr's second film.

Unfortunately foreigners will not understand the legend behind this film. It is a true story and the legend is very much alive in every Thai person's mind. The Temple (Wat MahaWoot) is still an active temple and even today people flock to the temple to get good luck (lucky numbers) for their lottery tickets.

The story has been told many times in film and also for television - but it still has a great impact on the Thai.

The film is well worth watching. The sound is excellent. There are a few problems with English sub titles but overall the Director did an excellent job. Small budget, good casting, excellent sound.

When I first studied in the university for movie productions, I was taken away by Bram Stoker's Dracula, the beautiful settings and play of shadows. I thought that all such romantic horror films should take on similar cinematography to make the film beautiful.

However, when I watched Nang Nak after graduation, I really salute to the director for making such a beautiful story. The story behind the legend was true, and it was the perfect choice of the director to choose the production of this film as a love-story instead of a horror movie.

Basically it all started out of love, the love of a woman to her man, bearing his child and yet, before they could get together again as a family, they had to be separated by heaven and earth as she dies during child birth. The female lead did a wonderful job to be so constrained, so soft and almost to the point of pitiful loving which makes it truly understandable why she could not leave her husband despite her death.

To intensify her longing to be with her husband, we saw how she was robbed off her belongings at the point of her death while she was giving birth, a young woman who had to bear the pain of childbirth without the support of her husband by her side. During that time, there were no modern hospital facilities and giving birth in itself is a dangerous labor of love. Her courage beaten, her life taken, and yet she had not been able to see her husband for the last time.

It is no wonder that such a loving woman would bring her child along with her to meet with her husband once more, just so that they can live together again as a happy family. Everyone in this world hopes for such a happy family life and yet this very basic human right had been taken away from her. Despite her coming back to haunt the village, as a viewer I can only pity her for her everlasting love for her husband and her strong will to keep herself within this realm of existence just to be with him, defying all laws of nature.

As always, I never bothered to check any movies that would force me to READ - the subtitle that is any foreign language other than English. Nang Nak was introduced to me by my wife... It is because the publicity in the newspaper telling about how this movie has made an impact at one of the European countries movie awards - it's a horror movie but with strong love story message. (How scary, indeed!).

Infact for a moment (till the labouring scene)... I was still doing my work while my wife kept on yelling at me every five minutes to join her...

So, I was kind of surprised how good the movie was. Especially the scene when Mak took a refuge in the monastery and Nak followed him there. The most scary part is when she hung on the ceiling....

Me and my wife had a trouble for a moment to even try to glance at our own house ceiling!

Nang nak.... is GOOD! (I'll watch it from the beginning this sunday...) FROM : LELAKILAH

There is a lot more to this film than immediately meets the eye. Most Thai historicals or ghost stories are loaded with anachronistic pop culture cliches. This one wasn't; people spoke with their mouths filled with betel (maak), the lead actress didn't have lipstick, the houses were quite realistic, etc. In addition, the rural monks switched between high-level speech and country slang. The point is that this film is a serious attempt to do justice to both the original tale and the time period it is set in.

The empathy for Nak far surpassed the scariness. What stood out for me is that Nak's justification for her actions seemed quite defensible, adding to the anguished poignancy of the situation.

Asian ghost stories, when done well, have a strongly moral character. This is one of the finest examples I have seen.

It's not often you're going to see a horror film that leaves you crying. This is a beautiful movie about the undying love between a young man conscripted into the army, and the devoted and pregnant wife he leaves behind. The photography alone, under Nattawut Kittikhun, is so delicately executed that you would think the film must be printed on rice paper.Though not essential to enjoyment of the movie, it helps to understand that its basis is the Buddhist concept of "Hungry Ghosts," souls that have become so attached to this world that they cannot make the transition to their next incarnation. In fact, the whole story is suffused with Buddhist ritual and belief -- in particular that attachment to the transitory and illusory must only result in pain. Director Nonzee Nimibutr has created a work of art that I believe will stand the test of time. If "Nang Nak" is indicative of Thai cinema's potential, then I hope we see a lot more of it.