A Storm in Summer

Despite uneven acting at times, this film still had its heart in the right place. Peter Falk (Jewish in real life) gives the best performance of the entire cast. Aaron Meeks (Herman D. Washington) had natural acting promise, but still needed a few more acting lessons. The scene where he cries was simply not convincing at all. If his adult IMDb credit list is any indication to the above, he never applied whatever talent he may have had, as his adult credits were all relegated to bit roles. Natassja Kinski was terribly miscast. Hokey acting throughout. Nice to see Andrew McCarthy with somewhat long, hippie hair. Overall, a nice tightknit film that focused on storyline rather than most of the unoriginal CGI-laded shlock of today.

What a terrific good little surprise this poignant drama starring Peter Falk, one decade before his death. This is also the last film from director Robert Wise. His only TV feature !!! I watched it mainly because it was his. Bob Wise was my all time favourite film maker, because he was damn excellent in any movie, any genre: crime, adventure, horror, science fiction, drama.... And what a wonderful way to close, finish a so long career; he who began his filmography in 1944, and finished it in 2000. Rarely a film maker will have had a so prestigious "statement". Yes, this plot may be cheesy, destined to make audiences weep and weep, but from Robert Wise, I like it. We owe him at least this.

This was a very powerful and touching film. Touching upon what makes a human a better person. Peter Falk and Aaron Meeks are an excellent duo. Robert Wise proves again his timeless directing sense. I do believe everyone should watch this movie and just take in what it has to offer. It will make you laugh, and cry, and appreciate life and what it offers.

This is well worth the investment just to see Falk doing what he does best, creating a character who has a history far beyond the spoken words. Robert Wise directs with an eye toward showing us people behaving in natural and very human ways. (Just watch Ruby Dee's short scene in the bus station with her grandson.) The Rod Serling teleplay shows its age with Serling's penchant for inserting a moral in each moment. And yet, it all goes down smoothly. No surprises, no major revelations. Just a reaffirmation of what we all know to be true.

This is a movie I had read about in my TV and movie guides, got curious about, and today watched the 2000 version. A real gem. Not surprising, when you consider it was originally created by the legendary Rod Serling. Peter Falk is masterful as the curmudgeonly deli owner. His fancy-free cousin (Andrew McCarthy) meets Nastassja Kinski at a country club, and agrees to adopt a city kid for a few weeks of fresh air and fishing. Kinski tries to explain the situation to Falk, but he will have none of it. The next thing you know, little Herman Washington has arrived at the bus station. But of course, McCarthy has to zip off to Atlantic City, leaving Herman with the testy uncle. How it unfolds is a work of wonder. Falk meets his philosophical match, while still fondly remembering his own son, fallen in war. They enjoy some perilous fishing, and also manage to maintain dignity over the country-club set. If you aren't moved by this personal character drama, you had better check yourself for a heartbeat! Three and a half stars.