CALIFICACIÓN DE IMDb
7.1/10
12 k
TU CALIFICACIÓN
Harry conoció a Michel en la escuela secundaria; se reencuentran por accidente, Harry se inserta en la vida de Michel y las cosas toman un giro siniestro.Harry conoció a Michel en la escuela secundaria; se reencuentran por accidente, Harry se inserta en la vida de Michel y las cosas toman un giro siniestro.Harry conoció a Michel en la escuela secundaria; se reencuentran por accidente, Harry se inserta en la vida de Michel y las cosas toman un giro siniestro.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 7 premios ganados y 15 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
While on holiday, a drab harried family man meets up with a forgotten high school chum who proceeds to alter the course of his life through a re-awakening of his school-day aspirations; and through murder!
I like this, alot. It didn't fall into the trap of terrorizing simply to satisfy the filmakers psychosis. Everything followed a logical progression, which in itself has become novel in films which all tend to bend over backwards to be innovative and end up more often than not aggravating us. This was interesting, and sorta believable. A few holes here and there, like why in the world would the parents follow Michael in the middle of the night. But all in all, you could see it happening and identified with the characters, Michael included. Dont buy the figment of his imagination theory, for its bunk. I detest dubbings, but all in all the films a welcome diversion from the same ole same ole.
I like this, alot. It didn't fall into the trap of terrorizing simply to satisfy the filmakers psychosis. Everything followed a logical progression, which in itself has become novel in films which all tend to bend over backwards to be innovative and end up more often than not aggravating us. This was interesting, and sorta believable. A few holes here and there, like why in the world would the parents follow Michael in the middle of the night. But all in all, you could see it happening and identified with the characters, Michael included. Dont buy the figment of his imagination theory, for its bunk. I detest dubbings, but all in all the films a welcome diversion from the same ole same ole.
The major flaw with this film is that Harry's motivation for his patronage of Michel and Claire is never fully disclosed. It obviously has something to do with wanting Michel to start writing again, but I was waiting for the entire film to find out what Harry is really after and I never did. Character-driven stories are all about motivations and desires, and these are lacking in this, a very character-driven film, which harms rather than helps it.
When the film begins, Michel is in the hot car with his wife and three small kids. It's summer and there's no air conditioning...and it's not surprising the kids are behaving like brats and Michel is at his wit's ends. When the family stops for a break, Michel goes to the bathroom and there an old acquaintance, Harry, recognizes him...though Michel cannot recall the guy. It seems that Harry is a major fan of Michel and has lots of fond memories of the guy...and Michel is just dumbfounded. Despite this, when Harry invites himself and his girlfriend to their home, Michel agrees and they all have a lovely evening together.
During this evening, Harry inexplicably recalls a poem that Michel wrote when he was a teen. Despite decades having passes, he even remembers this poem word-for-word and Harry decides to take on a new project--to get Michel to begin writing once again. While this seems like a laudable goal, it soon gets strange. First, Harry decides that the hot car isn't what a writer needs and when it breaks down, he impulsively buys Michel and his family a new SUV with air conditioning!! Given that they barely know each other, this is very strange. Second, Harry isn't about to stop at just buying his old colleague a car...he'll remove all the distractions from Michel's life...whatever they might be!
This is a very dark and enjoyable film. It's also, in a sick way, a bit of a comedy. Fortunately, it's unique and keeps your attention- -and it's well worth seeing--especially for the strange yet satisfying ending. The film is taut, unusual and well written.
During this evening, Harry inexplicably recalls a poem that Michel wrote when he was a teen. Despite decades having passes, he even remembers this poem word-for-word and Harry decides to take on a new project--to get Michel to begin writing once again. While this seems like a laudable goal, it soon gets strange. First, Harry decides that the hot car isn't what a writer needs and when it breaks down, he impulsively buys Michel and his family a new SUV with air conditioning!! Given that they barely know each other, this is very strange. Second, Harry isn't about to stop at just buying his old colleague a car...he'll remove all the distractions from Michel's life...whatever they might be!
This is a very dark and enjoyable film. It's also, in a sick way, a bit of a comedy. Fortunately, it's unique and keeps your attention- -and it's well worth seeing--especially for the strange yet satisfying ending. The film is taut, unusual and well written.
There is something alarming and off-kilter about Harry from the moment we meet him; his casual way of speaking about orgasms and forgotten childhood poems to (essentially) complete strangers just a few hours after their first meeting only intensifies our suspicions. Sergi Lopez gives a brilliantly unnerving yet subtle performance as Harry, and he's the best reason to see the film. But not the only one. The director is able to present characters, situations and family tensions that are thoroughly believable, thereby drawing us deeply into the story. The acting is first-rate, the camerawork excellent; what the film needed to help it move into the realm of "great" was a little more snap. (***)
One of the first moments of this movie makes inevitably think of "Shining" (1980) by Stanley Kubrick and "Funny Games" (1997) by Michael Haneke: an aerial shot which follows a car on the highway. Inside it, a typical French family who goes on holiday in their country house hoping to find some peace. It's particularly true for the parents, Michel and his wife who seem to be all keyed up because of their restless children. On a rest area, Michel meets an old school friend: Harry who proposes Michel to come and spend a couple of days to his country house. The latter accepts. From the beginning, Harry appears as a charismatic and mysterious character. Who is he? Where does he come from? What does he want? We learn very few things about him or just vague facts. The director Dominik Voll preferred to leave high and dry Harry's origins and it's better this way because the spectator can imagine whatever he wants about him. Be that as it may, we can bring a beginning of answer to the third quoted question: Harry wishes Michel well and he's ready to do anything for this, even to kill...
After a six-year absence (his last movie was "intimacy" in 1994), Dominik Voll made a successful comeback with "With a Friend like Harry" (2000). He seduced both the critics and the public and won 4 French Oscars in 2001 including Best Actor for Sergi Lopez. It's funny to note down that the basic idea for his second feature-length film came to him from a holiday memory when, just like Michel he met an old school friend which he hadn't seen for years. This trivial detail inspired him to focus his movie on the theme of the double. Besides, the first apparition of the two main protagonists happens in front of a mirror. Harry can be considered the incarnation of Michel's repressed drives and buried desires. In a way, he's what Michel would like to be or to do (consciously or not). I think there are numerous examples in Voll's opus and I will retain the three following points: Harry enjoys a perfect sexual life (eating a raw egg after an orgasm is good for health!) and perhaps Michel would like to know something similar to this. Then, Harry kills Michel's parents and every time the latter invites them for lunch or dinner, he has to fetch them: his father can't drive for medical reasons. Perhaps, Michel has hidden death wishes about his parents. At last, by congratulating Michel about the writings he made in high school, Harry probably wakes in Michel hidden desires of writer. Roughly, Harry wants to help his friend to advance in life, no matter what the price is.
"With a friend like Harry" is Voll's second film in six years but his making is absolutely awesome. If the beginning of the movie turns out to be a little trite:how many times in cinema have we seen the trick of the helpful character invading a so far peaceful universe? But fortunately, once this moment passed, the rest makes forget this weakness. The movie adopts a slow rhythm without hastes and opts for the unexpected to play with the spectator's nerves. Dominik Voll weaves a more and more heavy even stifling atmosphere marked out by Michel's psychological changing who seems to become a little unrecognizable to his wife. Besides, she tells to Harry: "you've got a bad influence on Michel". This heavy atmosphere is reinforced by a precise and rigorous making which favors close-up shots and the length of quite numerous sequences. Overrall the director achieved a tour de force by mixing several cinema genres in a coherent story. What is close to comedy in the beginning of the story ends up turning to drama and thriller and the abrupt changes of tone follow on from each other with a diabolical logic. Moreover, Voll knows how to use black humor and certain moments give sometimes to the work an eccentric side.
Needless to say that the cast is largely equal to the story. Already remarked in the invigorating "Western" (1997) by Manuel Poirier (whose he is one of his favorite actors), Sergi Lopez finds the role of his life in Harry. It will certainly be hard for him to equal his performance in the future.
Highly recommended, "With a Friend like Harry" is a work that can be understood on several levels. It's a fascinating work and however we come out of the projection with a little uneasiness because of Michel's disturbing face. Harry's influence has altered him and he looks threatening as if he was going to commit something bad. As for Harry, in the domain of the pain in the neck characters, he is, in the long run, not exactly like Seraphin Lampion in "the adventures of Tintin"!
After a six-year absence (his last movie was "intimacy" in 1994), Dominik Voll made a successful comeback with "With a Friend like Harry" (2000). He seduced both the critics and the public and won 4 French Oscars in 2001 including Best Actor for Sergi Lopez. It's funny to note down that the basic idea for his second feature-length film came to him from a holiday memory when, just like Michel he met an old school friend which he hadn't seen for years. This trivial detail inspired him to focus his movie on the theme of the double. Besides, the first apparition of the two main protagonists happens in front of a mirror. Harry can be considered the incarnation of Michel's repressed drives and buried desires. In a way, he's what Michel would like to be or to do (consciously or not). I think there are numerous examples in Voll's opus and I will retain the three following points: Harry enjoys a perfect sexual life (eating a raw egg after an orgasm is good for health!) and perhaps Michel would like to know something similar to this. Then, Harry kills Michel's parents and every time the latter invites them for lunch or dinner, he has to fetch them: his father can't drive for medical reasons. Perhaps, Michel has hidden death wishes about his parents. At last, by congratulating Michel about the writings he made in high school, Harry probably wakes in Michel hidden desires of writer. Roughly, Harry wants to help his friend to advance in life, no matter what the price is.
"With a friend like Harry" is Voll's second film in six years but his making is absolutely awesome. If the beginning of the movie turns out to be a little trite:how many times in cinema have we seen the trick of the helpful character invading a so far peaceful universe? But fortunately, once this moment passed, the rest makes forget this weakness. The movie adopts a slow rhythm without hastes and opts for the unexpected to play with the spectator's nerves. Dominik Voll weaves a more and more heavy even stifling atmosphere marked out by Michel's psychological changing who seems to become a little unrecognizable to his wife. Besides, she tells to Harry: "you've got a bad influence on Michel". This heavy atmosphere is reinforced by a precise and rigorous making which favors close-up shots and the length of quite numerous sequences. Overrall the director achieved a tour de force by mixing several cinema genres in a coherent story. What is close to comedy in the beginning of the story ends up turning to drama and thriller and the abrupt changes of tone follow on from each other with a diabolical logic. Moreover, Voll knows how to use black humor and certain moments give sometimes to the work an eccentric side.
Needless to say that the cast is largely equal to the story. Already remarked in the invigorating "Western" (1997) by Manuel Poirier (whose he is one of his favorite actors), Sergi Lopez finds the role of his life in Harry. It will certainly be hard for him to equal his performance in the future.
Highly recommended, "With a Friend like Harry" is a work that can be understood on several levels. It's a fascinating work and however we come out of the projection with a little uneasiness because of Michel's disturbing face. Harry's influence has altered him and he looks threatening as if he was going to commit something bad. As for Harry, in the domain of the pain in the neck characters, he is, in the long run, not exactly like Seraphin Lampion in "the adventures of Tintin"!
¿Sabías que…?
- TriviaMiramax Films released U.S. version in theaters.
- Citas
[on how to deal with difficult parents]
Harry Ballestero: You have to overreact.
- Créditos curiososIn the opening credit sequence, a straight-down aerial shot, the letters of the credits cast shadows on the ground (with realistic penumbras) as if they were actually suspended in mid-air.
- ConexionesEdited into Making of 'Harry un ami qui vous veut du bien' (2001)
- Bandas sonorasRamona
Music by Mabel Wayne
Lyrics by L. Wolfe Gilbert
Performed by Dolores Del Río
Publishing 1927 by EMI Catalogue Partnership
By permission of Editions EMI Catalogue Partnership France
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- With a Friend Like Harry...
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 3,830,441
- Fin de semana de estreno en EE. UU. y Canadá
- USD 29,495
- 22 abr 2001
- Total a nivel mundial
- USD 15,476,522
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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