CALIFICACIÓN DE IMDb
5.9/10
131 k
TU CALIFICACIÓN
Un hombre conoce a su propio clon y desvela una gran conspiración sobre clones que pretenden conquistar el mundo.Un hombre conoce a su propio clon y desvela una gran conspiración sobre clones que pretenden conquistar el mundo.Un hombre conoce a su propio clon y desvela una gran conspiración sobre clones que pretenden conquistar el mundo.
- Dirección
- Guionistas
- Elenco
- Premios
- 8 nominaciones en total
Rodney Rowland
- P. Wiley
- (as Rod Rowland)
Taylor Reid
- Clara Gibson
- (as Taylor Anne Reid)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The 6th Day had the potential to be a classic Schwarzenegger sci-if action film in the realm of Total Recall or Terminator, if only it aspired that high. The B-movie vibe is hard to escape with generic action scenes and wooden dialogue. Arnie is his usual entertaining self though and does most of the heavy lifting (pun intended). This film puts forth some genuinely interesting ethical dilemmas, just don't think too hard about the plot.
I recently had the pleasure of teaching the wonders of film criticism to an English composition class at Marietta College in Marietta, Ohio. The experience was enjoyable, and the class posed a number of questions. One of the more interesting questions concerned the films I had seen that I believed had potential, but ultimately failed in execution. While I have seen a number of films that fit into this category, I couldn't think of a decent example. This was because I hadn't seen "The 6th Day" yet. What could have been an interesting and exciting look at the evils of cloning was a "B" grade action film at best, despite an above-par script and one of Arnold Schwarzenegger's better roles to date.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
Ran "Raw Deal" (1986) and "The Sixth Day" (2000) back to back and its interesting to see the embodiment of decadence. Fourteen years can make a big difference. I don't mean Arnold's aging. That's a given for all of us. And I don't mean his graceless and wooden movements. That was always a given for Arnold. I mean the fact that Arnold's earlier movies were usually more or less realistic, although they sometimes reached the parameters of possibility. But later they tended to transform themselves into logical puzzles enhanced by an abundance of computer-generated images.
In "Raw Deal," for instance, Arnold takes a few belts in the jaw, but he can clean out a nest of a dozen or more gangsters killing every one of them. They're all prepared and armed to the teeth but it makes no difference. They shoot and miss. Arnold doesn't miss. But that aside, it's a realistic movie set in the present. We can at least IMAGINE that Arnold can shoot that much better than everyone else. The story even reaches for the surreal at times. His drunken wife throws a cake at him. "You should not dwink and bake," he remarks unflappably. Later he kicks out the windshield of his Caddy convertible and drives wildly through a quarry full of enemies with machine guns. He mows them merrily down while "I Don't Get No Satisfaction" plays on his tape.
In "The Sixth Day" the wit and self parody are largely absent. The pieces of the logical puzzle are there but no one really bothers to fit them together. One or two comments and Arnold has had enough of what he calls "philosophy." It's about cloning and the management and bioethics of same. The villains, for instance -- Tony Goldwyn in a fine performance -- have built a life-limiting disorder into each of their clones because even after cloning a psychopath there is still the possibility of redemption. What do you do if you encounter someone who is your identical clone, right down to the slightest episodic memory from childhood, carrying the same devotion to your wife and daughter as you -- and he, all unwittingly, has taken your place? You have a chance to murder him but should you? He is, in every sense except birthing, a second you, although he doesn't know he is. Isn't that murder? How about -- suicide?
In any case, despite the zappy editing and loud noises, there are the usual moments of comedy. One young Gothic heavy has been killed and cloned so many times he's beginning to complain about a sore neck and has to be reminded that his spine was fractured in a previous life. A beautiful Goth woman with neon-blue hair is killed and then freshly reconstituted. She leaps nude from the table and rushes to a mirror, flushed with anger. "Now I have to pierce my ears again!"
In "Raw Deal," for instance, Arnold takes a few belts in the jaw, but he can clean out a nest of a dozen or more gangsters killing every one of them. They're all prepared and armed to the teeth but it makes no difference. They shoot and miss. Arnold doesn't miss. But that aside, it's a realistic movie set in the present. We can at least IMAGINE that Arnold can shoot that much better than everyone else. The story even reaches for the surreal at times. His drunken wife throws a cake at him. "You should not dwink and bake," he remarks unflappably. Later he kicks out the windshield of his Caddy convertible and drives wildly through a quarry full of enemies with machine guns. He mows them merrily down while "I Don't Get No Satisfaction" plays on his tape.
In "The Sixth Day" the wit and self parody are largely absent. The pieces of the logical puzzle are there but no one really bothers to fit them together. One or two comments and Arnold has had enough of what he calls "philosophy." It's about cloning and the management and bioethics of same. The villains, for instance -- Tony Goldwyn in a fine performance -- have built a life-limiting disorder into each of their clones because even after cloning a psychopath there is still the possibility of redemption. What do you do if you encounter someone who is your identical clone, right down to the slightest episodic memory from childhood, carrying the same devotion to your wife and daughter as you -- and he, all unwittingly, has taken your place? You have a chance to murder him but should you? He is, in every sense except birthing, a second you, although he doesn't know he is. Isn't that murder? How about -- suicide?
In any case, despite the zappy editing and loud noises, there are the usual moments of comedy. One young Gothic heavy has been killed and cloned so many times he's beginning to complain about a sore neck and has to be reminded that his spine was fractured in a previous life. A beautiful Goth woman with neon-blue hair is killed and then freshly reconstituted. She leaps nude from the table and rushes to a mirror, flushed with anger. "Now I have to pierce my ears again!"
"The 6th Day" marks the return of Arnold Schwarzenegger to a genre that is second nature to him: action. This time there is an added twist; there is an excellent plot attached.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
"The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynter. I knew the second I saw these names flash across the screen I was in for a real treat. The first time I saw Schwarzenegger's name I immediately knew he is the perfect man for the job.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
"The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynter. I knew the second I saw these names flash across the screen I was in for a real treat. The first time I saw Schwarzenegger's name I immediately knew he is the perfect man for the job.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
Not sure why this excellent and thought provoking Arnie sci fi film is rated so low. It has all the elements of a darn good film and is pulled off quite well. Arnie is likeable as usual and this time he is supported by a strong cast. The villain Michael Drucker is esp good by Tony Goldwyn. I rate it high on the list of Schwarzenegger sci fi flicks. An easy 8.
¿Sabías que…?
- TriviaThe intro to the film gives us a history of breakthroughs in cloning tech. There is an entry on the cloning of a sheep, which is credited to "Two pioneering scientists Drs. Lerrad Yarg and Phillip Slanigan, both of the Rosaritio Institute." In real life, the two pioneering scientists were Keith Campbell and Ian Wilmut, of the Roslin Institute in Scotland. The year was 1996, not 1997. The name of the sheep, 'Dolly', is correct. Dolly lived until 2003, having been euthanized due to lung disease and severe arthritis, which were said to be unrelated to the cloning process.
- ErroresWhen Adam lands his whisper craft on the roof of the building, a security guard comes out to stop him. Adam provides his clearance to be there by presenting him with the contract he signed earlier in the movie. When the guard looks at it, you can clearly see that none of the lines are filled out.
- Citas
Adam Gibson: [1:33:22] If you really believe that then you should clone yourself while you're still alive.
Drucker: Why is that? So I can understand your unique perspective?
Adam Gibson: No. So you can go fuck yourself!
- Créditos curiososOn the Region 1 DVD release, in "The Future Is Coming" making-of featurette, a member of the production crew (Nancy Tate) is credited as a "Cloned Consultant".
- Versiones alternativasOn the Region 6 China DVD by Excel Media, the flirting scene is cut.
- Bandas sonorasHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
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- How long is The 6th Day?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- The 6th Day
- Locaciones de filmación
- Cleveland Dam, Capilano River Regional Park, North Vancouver, British Columbia, Canadá(where Cadillac goes over top of dam.)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 82,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 34,604,280
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,020,883
- 19 nov 2000
- Total a nivel mundial
- USD 96,085,477
- Tiempo de ejecución2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What was the official certification given to El 6º día (2000) in Japan?
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