Baño

What a refreshing film. Da Ming, the eldest brother returns to his fathers bath-house business because he thinks his father is ill. When he finds out the contrary, he wants to go back to the big city, but soon realizes that his family is more important than making money.

Millions of people are flocking to see "Hannibal" disembowel and eat people. How nice to see a film about people who love each other and are NICE to each other.

A funny, touching, heartbreaking, wonderful movie that will make you feel better about the human race, rather than want to retch.

I happened on "Shower" in the foreign film section of my local video store and passed it over several times since from its cover it looked like a farce or comedy. I then lucked into a copy to purchase at economical price and am happy for my luck. "Shower" is the story of three(3) men, a father and two(2) adult sons, each coming to terms with life changes as the world around them also continues to change in modern China. As with many "foreign" films, the Chinese culture itself is one of the most interesting facets of this movie.

Beyond the fascinating characteristics of the local, Chinese color giving the setting to this story, is the difficult yet touching relationships between the men and a sole woman involved in the story, all set against the backdrop of a village bathhouse.

The family's story moves from estrangement to understanding and made me glad I came to know these people. Added to the main story are the numerous small characters, bathhouse customers, and their individual conflicts and friendships. "Shower" is a film one walks away from smiling and touched by its warmth and humanity.

This was a very enjoyable film. A humorous, but poignant look at family, and the obligations that come with it. The story of a man who comes home from his life in the city to his fathers bath house in a small Chinese village. There he learns to appreciate, even cherish the very things he left home to get away from. The film is as visually beautiful as it is emotionally beautiful.

Shower keeps within itself in so many ways. Almost all of the movie takes place in an old- time bathhouse, with the denizens supplying the humor, pathos, and emotional touches. The love and friendship between the proprietor and his retarded son is deep and moving. The way the older brother is drawn into this tiny world seems unforced and persuasive. The plot is meandering, full of surprises and ironies, and touched overall by a sense of what I'd have to call neighborliness in the relations and conflicts of the performers. This is a film I pull out when I want to believe in the world again.

On the basis of the preview I'd seen, I went to "Shower" expecting a sweet little comedy; what I found was a profoundly touching drama of family life told in some of the most lush photographic images I've ever been privileged to see. In addition, later reflection made me appreciate the abrupt cuts to scenes from the past (in the arid countryside of Northern China, and in the high plain of Tibet): isn't this how memory often works? One moment I'm here, the next I'm in a landscape from the past, just like that....

I would not only strongly recommend this film, I would place it among the two or three finest films I've seen in my 60 years.

By the way, a couple of years ago another Asian "comedy" was released in the United States as "Shall We Dance?" (Japanese). Just as with "Shower," the preview gave not the slightest indication of the depth of that film, which turned out to be a subtle psychological study (albeit chock full of funny moments). Is there a fear, on the part of distributors, of making films appear too "important" or "deep" to appeal to U. S. viewers?