Les gardiennes du pénitencier

You'll be really scraping the barrel of the Euro-Nazisploitation/Women-In-Prison genres with this film: it's a shoddily edited, and woefully dubbed mess cobbled together from bits of three other movies that are pretty awful in themselves—Jess Franco's Caged Women (1976), Hitler's Last Train (1977) and Captive Women 4 (1977)—and random footage probably salvaged from a Eurocine waste bin.

Unsurprisingly, the script (if, indeed, there was one) makes little-to-no sense but does provide the viewer with some stupefyingly dumb moments that prove marginally entertaining on the 'it's so bad it's funny' level. That really bad 'slow-motion' flashback from Caged Women has to be the weirdest moment, the effect achieved by the actors moving slowly rather than a change in speed of filming, but there are plenty of other 'WTF?' moments, with the following being worthy of a special mention:

1) The governor (Roger Darton) forcing pretty inmate Lola (Nadine Pascal) to write a letter with three different colour pens (how inhumane!). 2) Guard Nestor (Eric Falk) having an inmate repeatedly make her bed (the monster!). 3) The governor's Minnie Mouse teapot. 4) The totally inappropriate music that accompanies the sleaze. 5) The topless guards. 6) The mad woman saying 'I'll just squat' before laying down. 7) The worst 'crosshair' shot in movie history. 8) The repetitive bird whistle. 9) 'Yes, no, yes'. 10) The fight in the sand-pit (they must have had sand in nasty places for days after that).

I rate Jailhouse Wardress a generous 2/10 for the nudity and unintentional laughs.

Naziploitation/WIP flic that's almost entirely made up of footage from three other movies; Hitler's Last Train, Captive Women 4 (AKA Elsa: Fraulein SS) and Jess Franco's Caged Women (AKA Barbed Wire Dolls). The 'plot' involves a former SS officer who escapes to 'somewhere in Latin America' where he becomes the manager of a women's prison. Whilst we get a little more of that in the middle, and some at the end, the rest of the movie is spent on how the women are abused by the guards, relationships between the inmates, and their backstories. All these are actually from different movies; some characters' 'flashbacks' don't even feature the same actresses! The titular wardress spends the whole film strutting about wearing a monocle, khaki shirt, and the shortest shorts imaginable, whilst the escaped Nazi spends a lot of time doting on his model soldier collection; not the first bad guy to be shown doing that - except that these are very obviously those all-green molded plastic kids toys that usually come in bags of about 30.

The music in just about every scene is ludicrously inappropriate (funky jazz score during rape, rolling classical piano during a fight between two inmates). And there's a scene that has to be seen to be believed - actually lifted straight from the Franco film; during one flashback we see an inmate fighting-off her uncle (played by Franco himself) who is attempting to rape her. Eventually she pushes him, he strikes his head, and falls to the floor. The whole thing is in slowmotion, EXCEPT... for some unfathomable reason, instead of filming in slowmotion they actually had the actors PERFORM in slowmotion! This 'impactful' scene is literally laughable - especially when the two players start moving at different speeds! Whilst Franco is still slowmo-ing down to the floor (hamming it up for all he's worth) she's running off at normal speed - in the same shot!

As far as genre expectations go there's a lot of full nudity/sex, and a middling amount of violence.

An awful film - but the laughs made it worthwhile. 5/10.

"What do we do now?" "Let's get undressed" Jailhouse Wardress is a bit of a mess in terms of story, at the end of World War 2 a high ranking Nazi SS officer flees to South Africa and becomes the cruel governor of a bizarre women's jail, an assassination plot is made to kill him. The bulk of the film looks 1970's/early 80's but our villain hasn't aged a day since 1945, either he has some miracle anti-ageing potion or the makers didn't give a hoot about making the time setting look convincing. There are two directors credited, Alain Deruelle, who specialised in pornography, and Spanish legend Jess Franco, known for his many horror films though he too dabbled in adult movies. I am a fan of Jess, even his bad movies and this falls into that category. He gives his usual cameo appearance , his real life lover Lina Romay is one of the stars in this flick. The prison is an old coastal castle, the location is quite nice but there are only a handful of inmates and the governor's office looks like it was filmed in somebody's lounge! The editing is bad, the dubbing is terrible and it is obvious that the film was put together using footage from other movies, the picture quality varying quite a lot. Yes, it is very flawed but let's be honest there is only one reason to watch this women in prison/Nazisploitation thriller and that is for the sex and nudity, of which there is a great deal. Full frontal female nudity throughout, some of the men get in on the action too but as was so typical back then - with one exception - the guys get to keep their clothes on! Also back then the "natural look" was in which makes the nudity look dated. The Euro musical score is easy on the ears and I did like seeing the exotic plants outside of the prison but the sex novelty soon wore off and gave up with the "plot".

The title tempted me to give this a whirl, but the date should have warned me. In common with most exploitation films this sounds fun but is just dull. Very very dull.

Supposedly set just after the fall of the Third Reich but obviously made much later and full of ugly seventies clothes and hairstyles, the title wardress carries a riding crop and wears a monocle but appears to forgotten to have put on her trousers when she got dressed that morning. The constant zooms and pans suggest that the camera operator was either drunk or stoned, and it has that other sine qua non of all lousy movies: a Hammond organ score.

Avoid.

"Women in Prison" and "Nazi-Exploitation" are, hands down, the two absolute most worthless sub genres in horror/cult cinema. I should know because I've seen way too many of them. Apart from a few notable worthwhile classics, like "Chained Heat" and "Ilsa – She Wolf of the SS", all these movies are dull and overly provocative rehashes with the exact same derivative themes and taboos over and over again. Moreover, a lot of these films even shameless copy entire sequences of other films and blatantly paste without even bothering about the fact actors and filming locations look entirely different. That's just downright lame and insulting to your audience. "Jailhouse Wardress" is yet another 100% insignificant and worthless piece of exploitation garbage that plagiarizes no less than three (equally insignificant and worthless) pieces of exploitation garbage. A former Nazi big shot manages to escape to South America near the end of WWII, but he isn't exactly looking to keep a low profile. On a tropical island he becomes the managing director of a women penitentiary where, of course, the inmates are exhibitionist lesbians and the wardens are sadist perverts. There are a handful of potentially interesting story lines, like a plot to assassinate the Nazi and a pretty blonde inmate on a quest for vengeance, but they all lead absolutely nowhere and instead the cameras are more interested in the hideous and overly hairy naked body of a couple of elderly lesbians. The sex sequences are boring beyond words and the efforts to make the villains look purely evil are truly hilarious! A monocle?!? Please! Someone has seen one too many James Bond movies! One to avoid at all costs, but I assume that won't be much of a problem.