The Three Stooges

One of the better biographical TV movies, "The Three Stooges" suffers from the main failing that most such movies do: taking "liberties" with the facts. There are few things more annoying than watching a movie about people you know something about, and seeing an incident or event portrayed as having occurred that you KNOW never happened, or information given as "fact" when you KNOW it is completely wrong, and that happens several times in this film. Overall, though, it was somewhat better than I expected it to be. Paul Ben-Victor was very, very good as Moe. He had Moe's "Stooge" character down pat, and was surprisingly effective with Moe's off-screen character, although he didn't play Moe as quite the savvy businessman he was in real life--most of the Stooges' real money was made in personal appearances, and Moe made certain that some of Larry's and Curly's income was invested for their future, as they were both notoriously loose with their money (Curly on women, Larry on horses). Although the film for some reason shows Moe as living a sort of lower-middle class existence after his career ended, in reality he had made some shrewd investments over the years and by the time the Stooges broke up, he was a very wealthy man.

Michael Chiklis had the most difficult job--Curly has always been everyone's favorite Stooge, and most viewers would be paying a lot more attention to how he played Curly than how the other two actors played their characters. To Chiklis' credit, he acquitted himself extremely well. Curly, like his fellow comics Lou Costello and Oliver Hardy, was quite graceful for a heavyset man--they'd have to be, to do the kind of physical comedy they did--and Chiklis shared that trait, too. He also had Curly's mannerisms and voice patterns down pat, although his voice wasn't quite as high-pitched as Curly's was. Overall, Chiklis did a terrific job.

The one thing that really did surprise me, though, was how badly Columbia Pictures, and especially studio owner Harry Cohn, came across--and deservedly so, given the studio's shabby treatment of the Stooges and how it screwed them out of untold amounts of money. I figured that the filmmakers would pretty much whitewash, or at best just gloss over, Columbia's almost criminal treatment of the comedy team that basically put the studio on the map, but they didn't do that at all, which was refreshing.

If you're a Stooges fan you'll definitely like this movie, and even if you're not, it's a pretty good story of one of the most beloved comedy teams in film history. Check it out.

Seeing this ABC TV Movie changed the way I looked at the Stooges. I still found them to be very funny (who didn't?) but this showed how they were really ripped off. Paul Ben-Victor, Evan Handler, Michael Chiklis and Jon Kassir do an excellent job of portraying the famous Stooges. This was a drama about the classic funny men. It really was a sad tv movie with not as much humor as you might expect. On the bright side, the film's ending was on a high note for the Stooges.

The Stooges newsgroups were ablaze with postings that blasted the movie before even seeing it.

Paul Ben-Victor did a very nice job as Moe. He was stronger in the Life sections then in the On Screen sections.

Jon Kassir was very good as Shemp.

Michael Chiklis did the best he could with the toughest job; Curly is by far the most famous and sharply defined character of the bunch. Chiklis's main failing is one he really can't help: during the "Take Off Your Hat" scene, he was attempting to look puzzled and frustrated, but his own particular eye-squint came across as angry and mean.

Evan Handler was an absolutely wonderful Larry. As written, he is the most easy-going stooge, and only slightly hen-pecked by a blonde-bombshell of a wife. (Sidenote: Larry really was the only Stooge to have a babe for a wife, on whom he allegedly cheated frequently. *Larry*?!) Handler and Annalise Phillips, who played Mabel Fine, had a wonderful, complex rapport.

And there was a nice rapport between the Stooges. The movie took the usual liberties with time and space, but for the most part it had a very good feel for the Stooges and what they went through to survive in comedy.

Two bits of major criticism:

1. Sloppy Motivation. Upon hearing of Ted Healey's death, Curly snaps, "Healy's not dead." Larry: "He's not dead?" Curly: (indicating Moe, with whom he's been having a tiff) "He's right here." Nobody, upon hearing the news that someone you knew and worked with just died violently, is going to maintain a snit (even if, according to this movie, Curly never worked with Healy, which he did in real life.)

2. Bad Routines. The movie gives the impression that the Stooges, on their own after breaking with Ted Healy, went the Martin & Lewis nightclub route, winging it with no set routine. The Stooges had a complete, set act, which was meticulously timed and rehearsed. They *had* to, or they would have killed each other.

It's a fact of life: Men think the Three Stooges are hilarious, and most women just don't get them. But women might want to give them a second chance after seeing this touching biography.

The thing that struck me most about the Three Stooges movie was its tone. This was a film made by people who genuinely cared about the Three Stooges, people who wanted to express their appreciation by giving the world a glimpse of the men behind the laughs. The Stooges were comic geniuses, but they were human and fragile, just like the rest of us. Sure it was sappy at times, and sometimes seemed to gloss over or omit certain events, but hey--you can't show thirty years in two hours without missing something. Especially poignant was the relationship between Moe and his "little" brother Curly.

Told mostly in flashbacks, The Three Stooges follows the boys from their Vaudeville days with Ted Healy to their triumphant return to the stage after the first TV showing of their two-reel shorts. The reality was that Columbia pictures was making a mint off the Stooges films, but their contract cut them out of any profit-sharing. Anxious to get back to the stage and enjoy some of the fame they've earned, Moe, Larry, and Joe "Curly Joe" DeRita agree to make the first of many personal appearances at a TV station. The final scene has Moe, Larry, and Curly Joe taking the stage for the first time in years.

I'm not ashamed to admit it: When the curtain went up and the surviving Stooges looked out at the packed house, I cried. Maybe because the Stooges are a part of my history--a good and happy part--the way they're a part of the history of every kid who grew up watching their antics.

It's not perfect, but it's the best there is. At the very least, it's a good Stooges primer and a stepping stone to further Stooge research. The Stooges will never go away, because let's face it: As long as men are men, the Three Stooges will be their comic heroes.

I did like the fact that the film didn't dwell so much on the comedy part of the Stooges.. although the re-creation of some of their classic routines was excellent.. The film was entertaining because it was a story about the Howard brothers.. Not to forget Larry.

I was fortunate to meet Larry when I was a child. He was doing a personal appearance at Hess's Department store .. and as a 7 year old who loved seeing the Stooges on TV.. he was a very nice and also a very gracious man.

I do think that it could have been a bit longer .. the film seemed to rush from Curly's stroke in 1947.. right to 1955 with very little about Shemp.. Also there was very little about Joe DeRita..

However all in all .. a very enjoyable film.. even for the non-stooges fan.. whoever you are :)