CALIFICACIÓN DE IMDb
6.6/10
37 k
TU CALIFICACIÓN
Dos criminales sin compasión obtienen más de lo que esperaban después de secuestrar y retener para pedir un rescate a la madre de alquiler de un hombre poderoso y sospechoso.Dos criminales sin compasión obtienen más de lo que esperaban después de secuestrar y retener para pedir un rescate a la madre de alquiler de un hombre poderoso y sospechoso.Dos criminales sin compasión obtienen más de lo que esperaban después de secuestrar y retener para pedir un rescate a la madre de alquiler de un hombre poderoso y sospechoso.
- Dirección
- Guionista
- Elenco
Armando Guerrero
- Federale #1
- (as Mando Guerrero)
Jan Hanks
- Receptionist
- (as Jan Jensen)
José Pérez
- ?
- (as Jose Perez)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Two low-life criminals (Ryan Phillippe & Benicio Del Toro) kidnap a pregnant surrogate (Juliette Lewis) of a rich couple who, unknowingly, has ties to the mob.
"The Way of the Gun" (2000) is an offbeat flick in the tradition of "Pulp Fiction" written & directed by a proven screenwriter and featuring a quality cast, which includes James Caan. It's touted as a "modern Western" with two protagonists patterned after Butch Cassidy and the Sundance Kid (their names in the film are the last names of Butch & Sundance).
It starts out as a black comedy with cussing every other word, but then morphs into a serious crime drama with flashes of gunplay. The score is notable.
Two issues hinder the film: (1) A plot that becomes convoluted and therefore increasingly unbelievable, and (2) unlikable characters, except for maybe the surrogate. Concerning the second issue, I understand the concept of antiheroes, but even antiheroes require some redeemable or universally human qualities to make the audience root for them or care about them. Wolverine and Clint Eastwood's Western characters, like Josey Wales, are good examples, as are the antiheroes in films like "Runaway Train" and "Apocalypse Now," two cinematic masterpieces.
These two points naturally create disinterest and tempt the viewer to tune out. The first time I watched it I gave up by the 90-minute mark with a half hour to go, I could care less about the characters, their story or how it turned out, even though I tried.
On my second viewing, I decided to pay closer attention and stick with the movie till the end. I'm glad I did because this is a well-written examination of crime & violence and the fools involved. An attempt is made to flesh-out all the main characters and I'm talking no less than nine people, each of whom are a piece of the interlocking puzzle, often with their own agenda.
While it's no where near great like the seminal "Pulp Fiction," it has style and glimmerings of depth. If you can get past the convoluted story and unlikable characters, it certainly has its points of interest, like well-scripted dialogues and Del Toro's towering performance, not to mention Taye Diggs's interesting heavy.
The film was shot in Utah in the Salt Lake City area.
GRADE: B-
"The Way of the Gun" (2000) is an offbeat flick in the tradition of "Pulp Fiction" written & directed by a proven screenwriter and featuring a quality cast, which includes James Caan. It's touted as a "modern Western" with two protagonists patterned after Butch Cassidy and the Sundance Kid (their names in the film are the last names of Butch & Sundance).
It starts out as a black comedy with cussing every other word, but then morphs into a serious crime drama with flashes of gunplay. The score is notable.
Two issues hinder the film: (1) A plot that becomes convoluted and therefore increasingly unbelievable, and (2) unlikable characters, except for maybe the surrogate. Concerning the second issue, I understand the concept of antiheroes, but even antiheroes require some redeemable or universally human qualities to make the audience root for them or care about them. Wolverine and Clint Eastwood's Western characters, like Josey Wales, are good examples, as are the antiheroes in films like "Runaway Train" and "Apocalypse Now," two cinematic masterpieces.
These two points naturally create disinterest and tempt the viewer to tune out. The first time I watched it I gave up by the 90-minute mark with a half hour to go, I could care less about the characters, their story or how it turned out, even though I tried.
On my second viewing, I decided to pay closer attention and stick with the movie till the end. I'm glad I did because this is a well-written examination of crime & violence and the fools involved. An attempt is made to flesh-out all the main characters and I'm talking no less than nine people, each of whom are a piece of the interlocking puzzle, often with their own agenda.
While it's no where near great like the seminal "Pulp Fiction," it has style and glimmerings of depth. If you can get past the convoluted story and unlikable characters, it certainly has its points of interest, like well-scripted dialogues and Del Toro's towering performance, not to mention Taye Diggs's interesting heavy.
The film was shot in Utah in the Salt Lake City area.
GRADE: B-
For any action movie fans out there that love shoot-outs that hinder on the brink of insanity then this movie is for you. The plot was hard to understand in some parts yet it was still good and sometimes the motives were beyond the viewer's grasp but it still flowed well regardless. There were some kick ass quotes as needed in this genre of film and James Caan was simply awesome in his role as an aging bag-man. While I'm not a huge fan of Ryan Phillippe he actually was passable as this character and utilized a suiting accent. Benicio Del Toro was probably the best as his expressions and just the way he says things is unbeatable. Even though it was two hours long it seemed like only half that, so overall it's a great watch. My only warning is that if you're included in the faint of heart then this probably is one to avoid as this was definitely a dab of the good OL' ultra-violence!
Final Say:
Movies: Would've been enjoyable to see it there.
DVD Purchase: Based on how low it's currently priced I probably won't be able to help myself.
Rental: Come on, you know you want to!!!
Final Say:
Movies: Would've been enjoyable to see it there.
DVD Purchase: Based on how low it's currently priced I probably won't be able to help myself.
Rental: Come on, you know you want to!!!
Written by the same dude who wrote The Usual Suspects, The Way of the Gun is a much simpler tale compared to the award winning Suspects. It tells of two small time crooks, played by Ryan Phillippe and Benicio Del Toro, who get entangled in a game of crooks versus crooks when they try to pull of a kidnapping.
Dreaming of bigger things in life, but regardless of the method used to achieve their dreams of riches, they overhear a conversation at a sperm bank clinic (one of the most happening dialogues in the movie happens there) about a surrogate mother bearing the child of some rich family. They decide to kidnap the lady, played by Juliette Lewis, and hold the mother and child hostage.
However, they embroil themselves into a bigger web of intrigue, as every character, from the mother, the husband and wife who employed her, the doctor, the bodyguards, to the "bagmen", all have their own agenda, and the relationships between one another must be one of the most complex written for the screen in recent times. Everything is more than meets the eye, and betrayals and double crossings are the agenda for the day.
The pacing is well measured, and there are moments of suspense masterfully injected at points in the movie. I like the initial hostage taking scene, where the sudden shift of focus and introduction of complexity catches our two anti-heroes Longbaugh (Del Toro) and Parker (Phillippe) completely off guard. The car chase and pursuit is also one of the more innovative and quirky scenes in the movie, one which Del Toro actually suggested, and got it made on screen. You have to watch it to believe.
The finale gives a kick to western shoot-em-up fans, as Longbaugh and Parker go head to head with everyone in a Mexican brothel, using modern day weapons of shotguns and handguns. Thrown into the mix is veteran James Caan, as a bag-man extraordinaire, having been so long in the business because of his experience in staying alive.
Del Toro and Phillippe exude an excellent bond of camaraderie between their characters - they trust nobody except for themselves, while I thought Juliette Lewis was terrific in her role as the very pregnant mother caught between both sides, and yet bringing out strength as she fights for her child's and her own survival, taking her interests in her own hands.
It's a good mix of action and workout for your brain as you figure out the relationships between the characters as the narrative moves along. Suited for those mundane afternoons in which you want to break out from.
No special additions in this Code 1 DVD.
Dreaming of bigger things in life, but regardless of the method used to achieve their dreams of riches, they overhear a conversation at a sperm bank clinic (one of the most happening dialogues in the movie happens there) about a surrogate mother bearing the child of some rich family. They decide to kidnap the lady, played by Juliette Lewis, and hold the mother and child hostage.
However, they embroil themselves into a bigger web of intrigue, as every character, from the mother, the husband and wife who employed her, the doctor, the bodyguards, to the "bagmen", all have their own agenda, and the relationships between one another must be one of the most complex written for the screen in recent times. Everything is more than meets the eye, and betrayals and double crossings are the agenda for the day.
The pacing is well measured, and there are moments of suspense masterfully injected at points in the movie. I like the initial hostage taking scene, where the sudden shift of focus and introduction of complexity catches our two anti-heroes Longbaugh (Del Toro) and Parker (Phillippe) completely off guard. The car chase and pursuit is also one of the more innovative and quirky scenes in the movie, one which Del Toro actually suggested, and got it made on screen. You have to watch it to believe.
The finale gives a kick to western shoot-em-up fans, as Longbaugh and Parker go head to head with everyone in a Mexican brothel, using modern day weapons of shotguns and handguns. Thrown into the mix is veteran James Caan, as a bag-man extraordinaire, having been so long in the business because of his experience in staying alive.
Del Toro and Phillippe exude an excellent bond of camaraderie between their characters - they trust nobody except for themselves, while I thought Juliette Lewis was terrific in her role as the very pregnant mother caught between both sides, and yet bringing out strength as she fights for her child's and her own survival, taking her interests in her own hands.
It's a good mix of action and workout for your brain as you figure out the relationships between the characters as the narrative moves along. Suited for those mundane afternoons in which you want to break out from.
No special additions in this Code 1 DVD.
"Way of the Gun" is the best western to come down that perverbial turnpike in a great while. Like the aging cynical worn out outlaws in Peckinpahs Wild Bunch, these modern day anti-hero's whether Old or young realize that sometimes life gives you that one chance. It is up to you to seize it . whether its kidnapping your fortune or giving birth to it we all soon realize that in the end we all come in the same way & go out the same way the difference being on how hard.
Although I know I am in the extreme minority "Way of the Gun is a much more complete film than Usual Suspects it is a metaphor for the careless way we lead our lives only realizing that the one most innocent and beautiful thing is life it self. Bravo Christopher a fine film indeed!!!
Although I know I am in the extreme minority "Way of the Gun is a much more complete film than Usual Suspects it is a metaphor for the careless way we lead our lives only realizing that the one most innocent and beautiful thing is life it self. Bravo Christopher a fine film indeed!!!
Look I love 'The Usual Suspects' as much as the next guy, and think it's one of the few movies of the 1990s that can truly be considered a classic. But I think comparing that movie to 'The Way Of The Gun' (Christopher McQuarrie wrote both and directs this in an impressive debut) is unproductive and misguided. Both movies feature criminal anti-heroes and tricky plot twists, but in different ways, and are very different in approach and theme. McQuarrie isn't repeating himself here, this is something new. Something that has more in common with Sam Peckinpah than the plethora of shallow post-Tarantino rip-offs Hollywood has foisted on us in recent years.
The basic premise is fairly straightforward - two losers "Parker" (A surprisingly effective Ryan Phillipe in easily his best role to date) and "Longbaugh" (the always excellent Benicio Del Toro), cook up a half baked scheme to kidnap a surrogate mother (Juliette Lewis - 'Cape Fear', 'Kalifornia') and hold her for ransom. Little do they realize that she is carrying a child for Chidduck, a Mob money launderer (veteran character actor Scott Wilson - 'In Cold Blood', 'The Ninth Configuration') who has some nasty associates, and is reluctant to pay up.
The guys soon find themselves embroiled in a chinese puzzle of relationships including ruthless bodyguards Jeffers (Taye Digs - 'Go') and Obecks (Nicky Katt - 'SubUrbia', 'The Limey'), and Chidduck's bagman and troubleshooter, the complex Sarno (the legendary James Caan - 'The Godfather', 'Thief'), and Sarno's colleague Abner (frequent Clint Eastwood sidekick, and Juliet's real life father, Geoffrey Lewis).
To reveal what happens would be to ruin this wonderful movie. 'The Way Of The Gun' isn't a stupid popcorn action flick. It requires thought and attention to fully appreciate, and that fact, along with the lack of heroes, and the matter of fact violence, seems to have turned many people off. But in my opinion it is just those factors that will make this, like 'The Usual Suspects', a movie that will stand the test of time.
Along with 'Chopper', the movie that has impressed the most so far this decade. Don't miss either one!
The basic premise is fairly straightforward - two losers "Parker" (A surprisingly effective Ryan Phillipe in easily his best role to date) and "Longbaugh" (the always excellent Benicio Del Toro), cook up a half baked scheme to kidnap a surrogate mother (Juliette Lewis - 'Cape Fear', 'Kalifornia') and hold her for ransom. Little do they realize that she is carrying a child for Chidduck, a Mob money launderer (veteran character actor Scott Wilson - 'In Cold Blood', 'The Ninth Configuration') who has some nasty associates, and is reluctant to pay up.
The guys soon find themselves embroiled in a chinese puzzle of relationships including ruthless bodyguards Jeffers (Taye Digs - 'Go') and Obecks (Nicky Katt - 'SubUrbia', 'The Limey'), and Chidduck's bagman and troubleshooter, the complex Sarno (the legendary James Caan - 'The Godfather', 'Thief'), and Sarno's colleague Abner (frequent Clint Eastwood sidekick, and Juliet's real life father, Geoffrey Lewis).
To reveal what happens would be to ruin this wonderful movie. 'The Way Of The Gun' isn't a stupid popcorn action flick. It requires thought and attention to fully appreciate, and that fact, along with the lack of heroes, and the matter of fact violence, seems to have turned many people off. But in my opinion it is just those factors that will make this, like 'The Usual Suspects', a movie that will stand the test of time.
Along with 'Chopper', the movie that has impressed the most so far this decade. Don't miss either one!
¿Sabías que…?
- TriviaThe unusual car chase scenes after the kidnapping were Benicio Del Toro's idea. He suggested this to writer and director Christopher McQuarrie after watching Cops (1989), where a couple of criminals did the same when cops were chasing them.
- ErroresThe shape and size of the bandage (and the blood thereon) above Dr. Parker's right eye while he's in the truck stop restroom talking to Parker and Longbaugh.
- Créditos curiososHenry Griffin is listed as P. Whipped. He is the guy whose girlfriend is yelling at Parker and Longbaugh and ends up fighting them, thus he is "P[ussy] Whipped."
- Versiones alternativasIn Germany, a FSK-16 version was released and was cut. An FSK-18 uncut version was also released.
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- How long is The Way of the Gun?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 8,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,055,661
- Fin de semana de estreno en EE. UU. y Canadá
- USD 2,150,979
- 10 sep 2000
- Total a nivel mundial
- USD 13,200,972
- Tiempo de ejecución
- 1h 59min(119 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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