Clash by Night

Other reviewers on this page have pointed out the glaring implausibility of the plot's central planks but that aside, the script, even allowing for the strictures of the period, is laughably bad. Compare The League of Gentlemen from 3 years earlier - another plot bringing together a group of ne'er-do-wells - with Bryan Forbes' clever, arch script nudging knowingly against the limits set by the mores of the time. That's how it could be done. Meanwhile, in Clash By Night: 'I shan't tell you again' is the stern admonishment of a prison officer to one of his charges who is talking too much on the bus. And 'They must be very proud of you' one of the prisoners tells the other prison officer, with no trace of irony, on hearing he lives at home with mum and dad, as they sit having a bit of a chat a few feet from the murdered corpse of his colleague and with the very real prospect of death by immolation hanging over them. I think most of us allow a bit of leeway when watching films from earlier eras, they can be interesting for all sorts of reasons but, frankly, this is dreadful.

One of the two leather-jacketed 'heavies' guarding the barn is a very young version of Heartbeat's Alf Ventress.

PS: Always enjoyed the double casting of Simon Williams & William Simons in the first episode of the Inspector Alleyn series.

Arthur Lovegrove has had a typically bad night betting on the dogs. A gentleman buys him a couple of drinks, and suggests he might make a few extra dollars; he drives the bus carrying prisoners to prison. Later, we see them and their warders -- one of whom has been killed -- taken to a barn. The place is loaded with paraffin, and should any try to escape, it will be lit. Several of them find an escape hatch, and we learn about them, and why they are there, as the police try to figure out where they are.

Some are there for good reason, like Harry Fowler, a career thief; he bonds with Terence Longden, who killed in hand-to-hand struggle a man trying to rape his wife. Then there's Peter Sallis as a slow-witted crazy man, in a role far from his usual acting jobs.

It's handled nicely by director Montgomery Tully, with some nicely drawn characters. Cameraman Geoffrey Faithfull, whose career as a cinematographer stretched almost 60 years gets to handle a nice final night scene.

Recorded this from Talking Pictures channel. Interesting for the ensemble of familiar sixties actors. Harry Fowler (Army Game), Terence Longden (Garry Halliday), Jennifer Jayne (William Tell), Alan Wheatley (Robin Hood), Vanda Godsell (The Newcomers). It was an interesting enough story, but, Terence Longden and Harry Fowler apart, generally the acting was all a bit hammy. Interesting that an integral part of the plot was not actually shown on screen.

CLASH BY NIGHT is a low rent British crime film. I initially thought it was a Butcher's Films production but it turns out to be from a rival studio. The plot is slightly reminiscent of SPLIT SECOND in that it deals with a gang of ruthless criminals who manage to escape from their transport and take a group hostage. Instead of a nuclear explosion, though, here they lock various prison guards, policemen, and other prisoners into a petrol-soaked barn with the threat of imminent immolation.

Part of the story follows a police investigation as they attempt to track down the culprits while another follows the melodrama taking place inside the barn. Given that this is an entirely low budget production, there isn't a great deal of suspense or tension here, but there are some fairly good performances from the familiar cast members. Terence Longdon (a familiar face from the Carry On films) is the leader of the gang, but my favourite performance came from Peter Sallis (LAST OF THE SUMMER WINE), playing a simple fellow with a passion for fire. What a performance, a total opposite to his later parts!