Strange Planet

Strange Planet is set in Sydney and is the story of six twenty-something young folk -- three girls, three boys. If you're thinking "Oh, it's an Aussie version of Friends", you'd be right, and wrong.

What Strange Planet has over the sit-com is characters who you can sort of like, and not want to punch. Unfortunately, as much as you want to like them, they're let down by some appalling writing, especially for the male characters. Tom Long does well with what little he has, while Jeffries and Williamson make do. Of the girls, Claudia Karvan acts Watts and Garner off the screen. Why Karvan isn't a huge star is one of life's great mysteries.

While Strange Planet is hard to dislike, it leaves you with a sickly feeling, not unlike after eating an entire packet of jelly babies. And the ending -- holy mother of... Has there ever been a more tooth-rotting conclusion to a film that has tried so hard to make you like it? No. This is one of those 'close but not really' efforts -- all it needed was a better, punchier, cleverer script with just a touch of insight into the psyche of men. is it worth seeing? Maybe, but for what it's worth, it's still better than Friends.

Fans of Australian film cannot possibly ignore Emma-Kate Croghan's triumphant second feature. I have not personally seen the apparently superior "Love and Other Catastrophes", but must say that it would have to be an absolute masterpiece to beat "Strange Planet".

Effortlessly sophisticated humour from writer/producer Stavros Kazantzidis (also of "Love and Other Catastrophes"), classy direction from Croghan and magnificent performances from all involved make this film one to be remembered for a long time. It undoubtedly rates alongside the best Australian comedies of the last decade, such as "Two Hands" and "Kiss or Kill". Claudia Karvan and Naomi Watts (recently discovered for her magnificent performance in David Lynch's "Mulholland Drive") give spectacular performances, as does the ever-reliable Hugo Weaving.

The disarming charm and style of "Strange Planet" leaves many overseas romantic comedies seem like insignificant gurgles in the background. No-one who enjoys the sophistication and class of Australian cinema can avoid this wonder-work. Four bright, sparkling stars for "Strange Planet".

Like a few other Australian entries from 1999, 'Strange Planet' is gorgeously filmed but appallingly scripted and acted. The story sees two sets of three friends (three girls and three guys) who stumble to and from bad relationships. In a nutshell, that's basically the plot. Spanning a year, the film certainly covers a lot of time. And neatly too. Each new month is visually introduced by some stunning time-lapse sequences of Syndey. However, once plot and character development come into swing, then the movie just falls flat on its face. Dialogue feels too sparse and wanna-be offbeat, not to mention being so predictable and underdeveloped that it feels more like a synopsis than dialogue. The 'witty' nihilist-turned-romantic banter about relationships is anything but. The plot likewise feels all too familiar, and the ending comes paradoxically unsurprising and undeveloped, so undeveloped that the last shot (an overhead of the six eating breakfast) feels like an insulting attempt at gratifying the audience. Yet another sad triumph of of style over substance. Try 'The Big Night Out' for similar results.

2/5

After her promising debut, Love and other Catastrophes, made on a shoestring budget and employing mostly ex-Aussie soap stars, Emma Kate Groghan misfired with this Friends-style "comedy" - if you can call it that. While her debut embodied verve and a vitality borne of its low-budget, Strange Planet has the opposite effect, mainly because of its bigger budget. With more money, the sets and photography are better but the acting and story are substandard Home and Away fare with a touch of melancholic romanticism thrown in to evoke quasi-seriousness. The acting is okay at times but most of the actors can't really summon enough gusto to deal with the cliché-ridden script. The film is only really notable for the inclusion of Naomi Watts who coincidentally made the pilot for Mulholland Drive the same year. Visually, the film resembles an ecstasy-induced advert with bright tones and little else. One to avoid.

Rating - 4 stars (out of 5)

Too many reviewers have tried to compare Emma-Kate Croghan's second feature with her first, Love and Other Catastrophes. Well you'd expect that, since they are relatively the same subject matter. I'm not though, because I have not seen it. But I will most definitely see it soon, because I was very impressed with "Strange Planet".

It's not often that directors play it straight off the bat. Most try to pull off something amazing and fail miserably, others go for the 'play it dumb' method to make it accessible for everyone, as Steven (Hugo Weaving) so rightly puts it in the film. Croghan as a director oozes class; she knows what she is doing. In other hands it could have been very messy.

The tagline is perhaps the best summary of the film one could put it. Three girls, three guys, 365 days to get it together. We follow the trials and tribulations of the two separate groups, who encounter the usual mid-twenties "What am I going to do with life?" crisis, fall in and out of love, rave parties etc etc. All told with amusing results. Though the material is far from original, I never felt as if I needed to scream out "I've seen it ALL before!!!". Croghan adds in her own dose of tricks along the way to make sure it definitely sets it apart from other films, for example watch out for the ongoing discussion of a lady's handbag!

Claudia Karvan wonderfully plays Judy who begins the film with so much assurance but begins to lose herself as her world starts falling apart. Naomi Watts (Alice) is great too and easy to watch. In fact all the actors gave first class performances. There is so much to like about the film, that the ending comes as a bit of a let down. It's the ending you want for the characters, but not exactly the right ending for you. A little too sentimental and over-done and way too predictable.

Australian films have come a long way since Gallipoli, Strictly Ballroom and even the recent Shine. No longer are we compelled to just one or two great films a year. We are producing them like never before. Strange Planet sits with the best of them this year - Two Hands and Siam Sunset. With Croghan, Karvan and Watts we have many good things to look forward to.