Snatch. Cerdos y diamantes

This movie is perfect in all its categories: credits, sound track, production, casting, writing, photography, editing, acting, and direction. 10/10.

I was amazed with the freedom of the use of the camera. This movie will change the way movies are made. Slow-mo, stills, black and white, and color were all used to brilliant effect.

I must pick out specific actors who were just over the top - meaning 10+!

Jason Statham as "Turkish" is simply superb - a star of very high caliber. (You should see him in anything he made, and read my comment about John Carpenter's movie: "Ghosts of Mars.")

Alan Ford as "Brick Top" is terrifying - his forced speaking style made me think that he was chewing on the flesh of his previous victim.

Vinnie Jones as "Bullet Tooth Tony" is total tough head to foot tough - a walking brick wall - a marine for all seasons - none tougher.

Brad Pitt as "Mickey O'Neil" is utterly 110% convincing. I never liked Mr. Pitt's work before this - but this one totally sold me - he is as solid an actor as ever came out of Hollywood... and better!

Finally, Guy Ritchie should be recognized as a Michelangelo of film.

-LD

Imagine what would happen if you took 8 or 10 criminals of various professions, threw them into a maze, gave one of the criminals a diamond the size of a fist, and yelled out load, "SOMEONE IN THIS MAZE HAS A HUGE DIAMOND! WHOEVER FINDS IT AND IS THE LAST MAN STANDING, WINS!" What do you think would happen? Snatch is what happens.

Snatch is a confusing, twisting, crazy movie. Let me repeat that. This movie is crazy! Imagine the Mr. Toad's Wild Ride at Disney Word on acid, and this is what you get my friend. Believe it or not, this mass confusion and complete insanity is very, very entertaining.

The movie has it's problems. First off, for those of you who have seen Snatch's predecessor, (Lock, Stock and Two Smoking Barrels), you know that Guy Richie (the writer and director of both films) has a very music-video style as far as the camera angles, movements, and cinematography goes. The strange camera techniques get so mad with lunacy that I noticed people walking out of the theater. I was also turned off by this madness. However, most of this insane crap gets over within the first hour, so it doesn't last.

If any of you people out there loved Lock Stock as much as I did, do yourself a favor and see this movie as fast as you can. Snatch is a bit more serious than Lock Stock, but when it's funny, you'll laugh till your lungs burst. It was nice to see Vinnie Jones, who was Big Chris in the last movie, return as the same basic character (only now named Bullet Tooth Tony) and doing the same "slamming victim's head in a car door" act again. The performances were just as great as Lock Stock, with Jason Statham and Pitt leading the pack. I was disappointed to see that Bendicio Del Toro didn't have a bigger role. I was expecting him to be a lead character, but he's not.

So, in conclusion, if you have never seen Lock, Stock, and Two Smoking Barrels, I would see that first before seeing Snatch so you can get adjusted to Guy Richie's style. I still think that it is stupid to compare either two movies to Pulp Fiction (unlike most people), but it is in the same ballpark as Pulp. That means if you liked Pulp, you will most likely like Snatch and Lock, Stock. If you have never seen Pulp or Lock Stock, you have deprived your life of culture.

9/10

A film about boxing, diamonds, gangsters pretending to be Jews, a fat getaway driver, a rather vicious dog and man eating pigs. Guy Richie has followed the success of Lock, Stock with an equally stunning and ambitious return just as Tarantino did with Pulp Fiction. The characters are so colourful they jump right off the screen, the dialogue so snappy you want to learn it by heart and the acting simply wonderful. Vinnie Jones reveals he can act and Brad Pitt shows that he is far more than a pretty face and could well win a best supporting actor oscar for his role as Irish Mickey. See this movie!!!!

I am a 33 year old woman in a flowered dress who doesn't drink, rarely swears, sleeps with a teddy bear, and has never raised a hand to anyone in my life. But I liked this movie a lot, and according to someone who wrote a review earlier, that makes me personally responsible for the violence in America. I'm sorry - I never intended to hurt anyone.

As for the movie - I usually get confused in fast-paced movies with so many characters, but when I watched Snatch I was able to keep all the characters straight pretty easily because each one had something unique and quirky about him. I liked that, and I liked the accents, and I liked the silly plot-twist humor, and I liked the dogs. The evil men were EVIL ("so evil you would call it the froo-its of the dev-eel" to quote Mike Meyers). The bumbling men were endearing. The music was great.

It was very violent (more so than Pulp Fiction, I think). Yet somehow it did not offend me and looking back at it I still laugh out loud.

Oh, and I never saw "Lock, Stock, and Two Smoking Barrels", for whatever that's worth.

`Snatch', written and directed by Guy Ritchie is by far one of my favorite films of all time – it is easily in my personal Top Thirty. In the film, about (what else?) several schemes that happen to go very wrong yet manage to intertwine and (for better or worse) resolve themselves in the end, Ritchie assembles one of the funniest cast of characters in recent memory. Let's see if we can keep this straight:

Turkish (Jason Statham) and his partner Tommy (Stephen Graham) are amateur boxing promoters who, after their premier fighter is wounded, have to find a replacement to fight, or one of the meanest guys in London, Brick Top (Alan Ford), who just happens to run the boxing matches and stands to make a lot of money off of the fight is going to impart his unique brand of justice on them. Enter Mickey (Brad Pitt) the gypsy who knocked their fighter out, who is an unintelligible drunk with quite a right hook. Meanwhile, there is a diamond `the size of a fist' that has been stolen by Franky Four Fingers (Benicio Del Toro). On his way back from London to America where he is planning on fencing the diamond, trouble ensues, and his fence, Cousin Avi (Dennis Farina) is forced to come to London to find both Franky and the diamond with the help of characters like Bullet Tooth Tony (Vinnie Jones) and Doug `The Head' Denovitz (Mike Reid). Of course, this can't happen easily, as there are a trio of inept thieves on the trail of the diamond as well as my personal favorite character in the film, Boris `The Blade' Yurinov (Rade Serbedzija) – or as he's better known, `Boris the Bullet Dodger'.

Did you get all that? The performances by all of the above actors, and several more that I didn't even mention are all really good, particularly Brad Pitt's. Every single actor in `Snatch' looks like they are having one hell of a good time working in the film. This story, while complex and with many ramifications from the core plot is absolutely brilliant and a lot of fun. There are many one-liners that I still personally use four years after first seeing the film, and the intricate weaving of the characters to tell a very simple heist story is just SO good. `Snatch' would be a great film due to its story alone, but Guy Ritchie's direction is so dead on, the film transcends brilliant and becomes FAN-insert your choice of expletive here-TASTIC. The slick cinematography, lightning-fast pacing and fun camera angles are right on target with the story. Add on a great soundtrack that spans Oasis, techno and a traditional-sounding Hasidic song and Ritchie has presented the viewer with an instant classic.

While this was not the first time I had seen the film `Snatch', it was the first time I'd watched the film knowing that I would have to analyze it slightly in order to funnel my thoughts from the film just being `Phenomenal!' to `Phenomenal because…..' While I can certainly be classified as an unabashed Madonna fan, and have been for the last two decades, I REALLY hope that Ritchie decides to drop his wife from his film work and not continue on the `Swept Away' path, rather, to get back to the work that has earned him well-deserved high praise. Sorry Madge.

--Shelly