The Old Man and the Sea

Based on Ernest Hemingway's 1952 novella of the same name, Aleksandr Petrov's 'The Old Man and the Sea' is a masterpiece of animated short films, taking a classic story and offering it a beauty that only Petrov could accomplish. Completed over two and a half years, the film was created using paint-on-glass animation, a technique which uses slow-drying pastel oil paints on glass sheets. Running for approximately 20 minutes, the film is comprised of more than 29,000 paintings, each frame a veritable work of art. 'The Old Man and the Sea' was the first animated short film to be released in IMAX format, and I can only imagine how breathtaking it would have been on such a large screen. Alas, I was forced to settle for my minuscule computer monitor, but perhaps I'll get my chance someday.

The film traces the fortunes of an old man named Santiago, who has had a proud, adventure-filled life, and now whittles away his days fishing alone on the ocean, usually without catching anything. His young apprentice, Mandolin, despite being forbidden by his parents to go fishing with the old man, visits everyday, and the old man would often regale Mandolin with the exciting stories of his lifelong travels, of elephants and tigers and the ocean. On this particular fishing trip, Santiago comes up against a magnificent marlin, which takes the bait but refuses to give in. The old man feels that, despite he and the fish being brothers, it is his duty to kill the marlin, and only in doing so can he prove his worth.

The wonderful animation of 'The Old Man and the Sea' is startlingly realistic, but the effect of the oil-on-glass also gifts it with a certain dream-like quality. The ocean is a vast heaving body of blue, a character in itself, and the marlin which lurks in its depths is an immense creature of great dignity. The moment when the struggling marlin tries unsuccessfully to escape by hurtling itself magnificently into the open air is truly affecting. The beauty of this film must be seen to be believed, and the 2000 Academy Award for Best Animated Short Film was certainly not undeserved.

This Hemingway staple has all of the tensions inherent in a life lived. The old man knows that his task is huge, but facing death and failure is better than living in safety. The seamless animation and waves of beautiful sea images take us on the journey. One of the finest examples of short animation to ever be seen.

I first saw this movie in the Spring of 2001, and it is truly one of the best films I have ever seen. Mr. Petrov not only does a magnificent job of depicting the story of the Old Man and the Sea, but also gives tribute the life of Ernest Hemmingway in a way that is true to the man. I still remember many affecting lines from Hemmingway's journal that are included in the movie (though not verbatim, otherwise I might leave some here). I left the theater with a changed perspective on life and its importance.

Needless to say, I would love to be able to see this movie again. However, because it was in IMAX format in theaters, it has never been released on DVD or VHS, at least to my knowledge it hasn't. I hope someday the means will be provided to release the movie in a format for private viewers to purchase. That day may never arrive though. Thus, if you ever have the chance to see this movie in an IMAX theater, don't let it pass you by!

What a Beautiful animation, I really love this style of art, It fits Perfectly the mood of the story as well.

"The Old Man and the Sea" (1999) directed by Aleksandr Petrov is a 20 minutes long animation based on Ernest Hemingway's 1952 novella of the same name. Petrov's film was awarded Academy Award for Best Animated Short Film in 2000. More than two years of painting on glass sheets, using brushes but mostly his own fingers, resulted in over 29,000 paintings that enabled Petrov to produce this absolutely awesome, one of the kind feast of colors, images, and emotions that celebrate the famous work of literature and its creator. I have watched it perhaps ten times during the last weekend. I am still overwhelmed by its beauty and depth, and the admiration for what human imagination, creativity, and talent are capable of producing. The extremely rare technique made the film both incredibly realistic and magically dream-like. The director himself gave us the key to understanding his work when he explained that painting with his fingers instead of brushes, "is the closest way from the heart to the cartoon". He put his own heart in every scene of the film, and that's probably why every image is alive, breathing, and shining.