Friends and Family

I saw this uproariously funny little film this summer and bought it as soon as it came out on video. What a breath of fresh air it is to see a movie that goes back to the basics of classic comedy rather than pandering to the current vogue of substituting posing and attitude for genuine humor. The plot revolves around a gay couple who are hitmen for the Mafia, but don't expect a one-joke film that caters to stereotypes. Instead, expect several wacky but seamlessly interwoven plotlines that are handled in the style of the old screwball comedies, with wit and panache. And one of the film's strongest elements is the way it sends up and subverts stereotypes rather than exploit them.

I've read some criticisms of this film because the two guys don't kiss. Well, I'm a gay man and in a long-term relationship and I thought this was one of the most convincing, affectionate and natural portrayals of a gay couple in memory. Obviously, the couple has a sex life, but we don't have to see it. And the final love scene (without a kiss) was one of the most erotic, beautiful things I've seen in any recent movie, gay or straight.

While it does provoke the occasional laugh -- and the actors give it their best, particularly Anna Maria Alberghetti -- "Friends and Family" is a mess. The film- makers couldn't decide what kind of film they wanted: a screwball comedy,

a gay farce, a social commentary, or a love story. The result is a

very unsatisfying mix of them all with the pleasures of none. The tone jumps all over the place, most of the numerous plotlines make no sense, and too many of the supposed jokes fall flat. Yes, the gay couple is nice eye candy, but that was far too little payoff for suffering through this turkey.

The movie is ridiculous. The overall "plot" is ridiculous. The humorous misunderstandings and paths to resolution and the behavior of characters generally is ridiculous. The bizarre juxtaposition of mafia, gay body-guards, insurrectionists, the wanna-be cook, the wanna-be interior decorator is ridiculous. The inability to follow simple cooking directions without a disaster and especially the need for the wonderful Edward Hibbert to train a group of ultra-macho mafia hit men to act like campy gay waiters is ridiculous … but the resulting performance of the waiters was good for some chuckles.

If you're in the mood for ridiculous it was a moderately amusing movie. Not rolling on the floor funny, but fairly funny with a few out-loud laughs here and there. It is obviously mocking some stereotypical subplots found too often in gay movies and it is very much mocking itself as it mocks others … sometimes successfully lampooning, sometimes falling flat. Most of the characters are well played by an able crew of actors. Maybe it deals with an overly complex interweaving of stories for such a fluffy movie.

If you're in the mood for some mindless silliness and not aiming to nitpick things that make no sense outside of the context of this story, it's probably worth a watch while you wait for the dryer to finish off your laundry.

If you want edgy realism, politically correct characterizations and a satisfying dénouement to an on-going nail-biting crisis, don't even think about watching this disorganized & chaotic production.

The cliche? A surprise visit from Mom and Dad sends a gay couple into a tizzy. The twist? Mom and Dad KNOW Stephen & Danny are happy and gay and have no problem with it--what they DON'T know is that they work for the mafia--the Patrizzi family, as enforcers and bodyguards. In this surprise parental visit, the ruse is not acting heterosexual for Mom & Dad but acting like, well, caterers. Throw in an unexpected visit from the militia, a fierce drag queen or two and mob enforcers acting like gay cater-waiters and hilarity ensues.

This visit scenario is but one way in which this film shows and old dog some very funny new tricks. Make no mistake--this is a farcical, screwball comedy with broad humor and somewhat unbelievable situations, but it goes for the laughs and usually gets them. The writing is crisp and intelligent, the sub-plots funny and well-defined and the acting uniformly excellent, with Tony LoBianco's "Don Patrizzi" an understated stand-out.

The underlying twists--fathers disappointed in sons, secrets kept from family members, "mixed marriages" and such are played for laughs, and almost always differently than we have seen these themes played out in other films. The film does not take itself too seriously, yet it has a sweet message of love and romance and truth to ones own ideals that runs throughout and helps us get more out of the film than just laughs.

Friends & Family had a regional premiere at Austin's 14th annual Gay & Lesbian International Film Festival in September, 2001, where it played to packed houses on two nights, but this film deserves mainstream release. It is unrated, but might garner a PG-13--it has little coarse language, sexually suggestive scenes or violence (save the cartoonish sort), and is a film I would readily take my 13 year old niece and nephew to as well as Mom and Dad. Tovah Feldshuh, Anna Maria Alberghetti and Mesach Taylor co-star.

The gay characters are likable, fairly realistic, and actually the heroes of the story; the film might well serve to introduce an awareness and tolerance that is often lacking in film (and in life).

Much too cute for it's own good. It could have been so much more in the hands of a capable Writer and Director. A shame that apparently they could not be found.

Not a kiss between the main characters and this is presumed to be a gay film? Hardly even a damn or hell - much less anything truly representative of the authentic language of the genre.

It's a shame because this might have been a good flick - the premise was a winner - but the Director and Writer's juvenile compulsion to Disneyfy this work was an abject failure. It's nothing more than a cartoon; and a poor one that embarrasses the quality of the acting talent involved. Insulting to a any audience too, much less a gay one.

Oh yeah, the Director's commentary on the DVD is a hoot and a half. Talk about control issues and being rather impressed with herself. You then start to understand where this film went wrong....when they picked that Director and failed to let the writer graduate from the pre-school playground.