Las Mujeres Arriba

In Brazil, Isabella (Penélope Cruz) suffered from motion sickness all her life. The sea goddess Yemanja compensated her with a passion for cooking. She falls for Toninho Oliveira and they get married. She dutifully worked in his restaurant despite the many admirers trying to lure her away. She finds staying in control by being on top would keep the motion sickness away. She catches Toninho with another woman and run off to San Francisco. She stays with her friend Monica Jones (Harold Perrineau) and TV producer Cliff Lloyd (Mark Feuerstein) falls head over heels for her. Her cooking literally knocks him off his feet. Her cooking show starts taking off and then Toninho shows up.

Cruz is incredibly lovely. She is luminescent. Neither guy measures up. Toninho is a womanizing Latino stereotype. Feuerstein is not a good leading man. Cliff has a bit of weasel and he's not worthy of her. The ending is horrible. Cruz simply glows and her character deserves better.

I've read some of the other comments on this film, and I'd agree with many of the criticisms. Yes, Hollywood. Yes, Foreign Film Lite. Yes, predictable plot. Yes, stereotypes here, there, everywhere. And it is not deep. This is a bit of a guilty pleasure, in my opinion. It's charming, with a fun, atmospheric soundtrack and some enjoyable performances. By the end of the movie I wanted to be dancing on a beach somewhere in Brazil. I'll forgive a lot of sins for a movie that makes me laugh reasonably often and has good visuals and music. If you like romance and fairy tales and fun and aren't in the mood for something penetrating or plausible, this would be a good one to check out. Penelope Cruz cannot help but be a movie star--she has a lot of charm in addition to her looks. Her husband character, Toninho, was very easy on the eyes. Their combined visual assault reminds me of the double-wattage Latin aesthetics of Catherine Zeta-Jones and Antonio Banderas in the Mask of Zorro--I enjoyed that film less than this one, actually. And her best friend, Monica the trannie, had a somewhat stereotypical gay supporting role, but was extremely funny--Harold Perrineau, Jr. made this his own.

This is a fun film and has several things going for it. Firstly it is sexy without being vulgar, proving that comedy without vulgarity is feasible. Secondly it is easy on the eye (Penelope) and the ears (Latin Rhythms). Thirdly, it is a fairy tale, both in content and format and hence totally unbelievable. And like all fairy tales, this one too has a moral...which is for the viewers to discover. The best thing about the movie it its old world charms, which is so endearing. Though eminently forgettable once you are out of the cinema hall, while inside, it is worth every minute of yours.

Recommended to take along someone you love.

WOMAN ON TOP is one of those films that was made, publicized and viewed as pastiche and because of its honesty as a simple romantic comedy, it rates higher than many of the over the top and overproduced competitors. The film is colorful, filled with wonderful Bossa Nova music, and has enough eye candy to almost make you forget the main dishes! Isabella Oliveira (Penélope Cruz) lives in Bahia, Brazil totally in love with Toninho Oliveira (Murilo Benício) where the two have a restaurant featuring Isabella's passionate cooking and Toninho's macho front man role. Isabella has a problem: motion sickness - she cannot fly, ride in a car, or assume the bottom position during sex or she becomes violently ill (it seems that the sea goddess compensated her problem by making her an inimitable chef). All is well until Toninho has a brief affair that drives the crushed Isabella to move to San Francisco alone despite her love for Toninho. There she moves in with her old friend Monica from Bahia (Harold Perrineau as a superbly enacted crossed dressed drag queen) and begins her unsuccessful search for a job. In order to overcome her longing for Toninho and regain her culinary skills she makes a pact with the sea goddess, forsaking ever loving Toninho again. Eventually Isabella lands a TV show on Passionate Cooking when desperate producer Cliff (Mark Feuerstein) gets a whiff of her talent. She is an immediate success. Meanwhile Toninho, unable to endure life in Bahia without Isabella, flies to San Francisco and begins a series of Bossa Nova serenades to win her back. Cliff places Toninho on Isabella's show as background music and the ratings soar. But it is the ultimately the conflict resolution between Isabella and Toninho that brings the story to its expected end.

The story may be light and the script may be pedestrian, but the direction and camera work suffuse this film with Latin American magical realism and that keeps it lighthearted and fun. Cruz is terrific, Perrineau is the true star of the show displaying a sophisticated and sensitive acting skill that is very special, and Murilo Benício is not only a hunk and eye candy but also a fine singer and a warm actor who deserves a lot of attention. Story five, stars six. Have fun with this one! Grady Harp, March 06

I saw "Woman on top" yesterday and I found it very nice. It's a very funny story set first in Bahia (Brazil) and then in San Francisco, when Isabella (Penelope Cruz) became a TV star in a TV program about food. Penelope Cruz is very good in the role but it would be better if the role of Isabella was given to a brazilian actress (like for example Giovanna Antonelli, who would be perfect for the role), because a Spanish actress, even if she is good, who plays a sensual brazilian cook do not sound such well. Murilo Benicio (Toninho), one of the best brazilian young actors, is very good, very funny and so handsome and sexy! The story is very colorful and the music is beautiful, with many brazilian bossa nova hits like "Aquarela do Brasil" and "Vocè". The idea of Isabella having a best friend who is a drag queen is very good and also the idea of the TV program about the passion in brazilian cooking is excellent (and it remembers the role of the sensual cook Dona Flora played by Sonia Braga in "Dona Flor and her two husbands" by Bruno Barreto). If you want to feel the passion, the color, the music of Brazil, you have to watch this movie, even if, I repeat again, a brazilian actress would be better for the main role. I give it a 7.