El doctor y sus mujeres

Robert Altman is frustratingly inconsistent, and here is at his worst. His very personal style has three characteristics:

1. Many-threaded storylines and characters, many of which raise questions that are not answered in the play. When done well, you get the impression of moving through the world with a curious voyeurism, dipping into many lives which are intriguing enough to learn more about. Except for the youngest daughter, none of these women are worth digging more into. The misogynism could have been an advantage; here it is cheap.

2. Spontaneous acting. Altman doesn't tell his actors what to do, trusting them to bring something fresh. In the best case, the differing visions of the actors add to the manyhued effect described above. But you need powerful actors like he had in "Cookie's Fortune." These folks, some of whom are fine when given direction, simply can't synthesize.

3. Wonderful tracking shots (which move from character to character so enhance the two effects noted above). Check out the first shot in "The Player." That alone is worth the admission. Here, we have a busily choreographed shot at the beginning and a dizzy pullback at the end, but neither to any useful effect.

Avoid this film. The master was asleep.

I can think of few directors who have turned out so many quality films in late career as Robert Altman has. "Dr. T and the Women" is Altman's latest, and in telling the story of a popular Dallas gynecologist and the females in his life, Altman has made one of his most enjoyable films yet. Richard Gere gives what has to be his best performance to date as Dr. Sullivan "Sully" Travis. Gere does not get enough credit for being a good actor, and with this performance he shows what enormous range he has. His Dr. T is so engaging and charming, that it is easy to see why he has the following he does. Gere's performance is the centerpiece of a quirky, funny, and hugely entertaining film, one of the best of 2000.

Like much of Robert Altman's work, this is a hit and miss movie, but worth seeing for some good performances, several genuinely funny scenes, and some of the master's typical ensemble sequences with all hell breaking loose while everybody talks at once! It is probably unhelpful to approach it as though it was a full-blooded satire on wealthy Texas women. For a start, the target is too easy - like the floating and walking birds Dr T and his buddies seem to think it's fair to shoot at - and in any case the focus of the film is not the Women of the title, but Dr T.

Richard Gere gives a typically charming and understated, performance as Dr T (for Travis), who is surrounded by women whom he likes and respects in private life, and cares for in his professional life as a gynecologist, but no more understands than most men. Farrah Fawcett gives a touching portrayal as his wife, who retreats into childhood to escape his smothering affection. Helen Hunt, as an independently-minded, intelligent golf pro, provides a refreshing change - both for Dr T and the audience - from the empty-headed shopaholics who people much of the movie. Laura Dern, Kate Hudson and Shelley Long sparkle as, respectively, Dr T's sister-in-law, daughter and receptionist. (As we might expect from Altman, the city of Dallas also plays a leading role; and the best casting is definitely that of Eric Ryan as the "birth baby"; Eric enters the IMDb actors data base at the tender age of zero!)

This is a long way from the vintage Altman of Mash, Nashville and The Player; but is still richer than most Hollywood fare.

Robert Altman appreciates women. It shows in his movies; women are often the main characters, and his films offer up a variety of interesting roles for actresses. Dr. T and the Women is almost entirely about women, modern day wealthy Texas women. Richard Gere plays Dr. Sully Travis a very successful and popular Dallas gynecologist. Not only is he surrounded by women all day at work, but his family consists entirely of women. Only a couple of male buddies enter into his closed, female dominated life. And like all good Altman movies there are plenty of quirky characters and intersecting plotlines.

The problem is that the plotlines aren't that interesting or original. Dr. T's wife develops a rare mental disorder that affects only the wealthy, and must be institutionalized. The new female golf pro comes on to Dr. T, as does his nurse. His soon-to-be-married daughter is slowly realizing that she may be a lesbian. And so on.

For Altman fans, Dr. T and the Women is not a bad rental. The director has done better, but it's still Altman. Others, less interested, might want to give this a pass.

... It doesn't so much 'depress' me that people don't like this film, as it does when I find out the REASONS people dislike it. I didn't even feel moved to comment until I realized the staggering lack of depth that's comprised in most people's criticisms here. I figured that I'd just watched a pleasant enough comedic trifle. Apparently not.

People, dislike this film by all means - it's hardly the best I've ever seen - but don't vilify it for the very qualities that were wholly intentional. I mean, how many of the 'naysayers' here have even the SLIGHTEST passing knowledge of Frank Capra???! There were odd moments here and there in this that struck me as being decidedly Capraesque...

Gere is PERFECT as the guy who - without arrogance - is convinced that he can be every woman's knight in shining armour... Trouble is, they don't NEED any 'convincing'! So, what exactly happens when you take a guy like this and show him a woman who is, by the best information available, completely self-sufficient? All I can say is: If this scenario even slightly intrigues you, then watch it and find out... !

I think the ending is very fitting, too... (e-mail or PM me for reasons if you disagree; as I don't wish to spoil too much for the good people that are yet to watch!) Rather 'Buddhist' - so surely appropriate for a man of Mr. Gere's persuasion... ?!

(7/10, or ***/***** in profile ratings system.)