'Hukkunud Alpinisti' hotell
- 1979
- 1h 24min
CALIFICACIÓN DE IMDb
6.6/10
1.8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaPolice gets a call-out to a lonely hotel in the Alps. When an officer gets to the hotel everything seems to be all right. Suddenly, an avalanche cuts them out from the rest of the world, and... Leer todoPolice gets a call-out to a lonely hotel in the Alps. When an officer gets to the hotel everything seems to be all right. Suddenly, an avalanche cuts them out from the rest of the world, and strange things are going to happen.Police gets a call-out to a lonely hotel in the Alps. When an officer gets to the hotel everything seems to be all right. Suddenly, an avalanche cuts them out from the rest of the world, and strange things are going to happen.
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Opiniones destacadas
I basically hate sci-fi, but I was still fascinated by the design of lighting and shadows in this film. The high-key, high-contrast exterior of the snowy mountains acts obviously opposite to the low-key, low-contrast interior of the hotel. The lighting of the interior scenes can be described as "dazzling," not dazzling brightness, but dazzling colour and weirdness. The director seemed to deliberately avoid any establishing shots; thus, the audience would still be confused about the internal structure of the hotel until the end of the film.
There are the typical blinds of film noir, but they don't cast the classic shadow of the blinds onto the characters, despite the shadows from other frames and obstacles being abundant in this film. Also, there is a noir-style narration of the protagonist throughout the film. The narration begins in the past tense of memories, while slowly turning into the immersive present tense. After arriving at the hotel, the protagonist enters his room for the first time, and there are several typical splitting reflections of him in mirrors, which craftily foreshadow that he would be the one who will eventually encounter a dilemma, morally.
The film ends with the protagonist questioning himself against the fourth wall - should individuals within the institution and authorities carry out duties diligently, or should they hold their sympathy high for the objects?
There are the typical blinds of film noir, but they don't cast the classic shadow of the blinds onto the characters, despite the shadows from other frames and obstacles being abundant in this film. Also, there is a noir-style narration of the protagonist throughout the film. The narration begins in the past tense of memories, while slowly turning into the immersive present tense. After arriving at the hotel, the protagonist enters his room for the first time, and there are several typical splitting reflections of him in mirrors, which craftily foreshadow that he would be the one who will eventually encounter a dilemma, morally.
The film ends with the protagonist questioning himself against the fourth wall - should individuals within the institution and authorities carry out duties diligently, or should they hold their sympathy high for the objects?
10kalku
Film is based on the novel by Strugatsky brothers. Police inspector is called to a mountain hotel, but there's no crime. When snow avalanche blocks hotel from the rest of the world, strange things start to happen.. Brilliant soundtrack from Sven Grünberg.
5hx-2
I like quite a lot the book which movie is based on, one of Strugatski's best (it's a bit too short tho). Strugatski's wrote also movie script, but it's much weaker. Some details are changed, some left out, and the changes just don't make much sense. Any way, even if I don't like movie much, most of the cast is good, and helps visualizing characters when reading the book. Maybe except Mrs. Moses... and du Barnstocre who simply isn't in movie. Glebsky also looks a bit fake at times, partly maybe because of dubbed voice. Also, was it that hard to make something that looks like alien robot power source, so they could actually show it? That and some other scenes look quite cheap...
"Dead Mountaineer's Hotel" is an effectively oneiric adaptation of a 1970 science fiction detective novel written by Arkady and Boris Strugatsky.Inspector Peter Glebsky goes to a small resort located in a secluded valley in the Alps to investigate murder case.He meets some bizarre hotel guests in Dead's Mountaineer's Hotel.Soon an avalanche blocks the entrance to the valley and one of the guests named Olaf mysteriously dies.Glebsky realizes that the guests are not who they appear to be.Very interesting and stylish hybrid of crime drama,science-fiction and neo-noir.The mood is very phantasmagorical and there is some impressive use of colors in the vein of "Suspiria".I enjoyed electro soundtrack of "Dead Mountaineer's Hotel" too.Often written comparisons to "Blade Runner" are quite thruthful.8 dead mountaineers out of 10.
'Dead Mountaineer's Hotel' still remains basically only Estonian science fiction film in the truest sense. Police inspector arrives into remote mountain hotel to investigate anonymous tip where he discovers that it was false alarm. After the avalanche cuts the hotel, and all it's inhabitants from the outer world, the strange things start to occur. Doppelgangers, terrorists, aliens, androids, and flirtatious sultry women.
Wonderful cinematography of snowy mountains under bright sun against dark interior of the hotel that leaves feeling that it's as cold inside the hotel as it is outside, and intensifies the claustrophobic atmosphere of the hotel. Inspector Glebsky grows more and more desperate and paranoid when he tries to solve the crimes only relying on his common sense, logic and skepticism that lead to unfortunate tragic events leaving audience falter who was the real villain. The name of the hotel 'Dead Mountaineer' is explained briefly (and quite satisfactory), but it also leaves nice eerie mystery floating around - who was that enigmatic 'dead mountaineer' whose dog still sleeps under his bleak portrait hanging on the wall. Sven Grünberg's fantastic synthesizer score adds another layer of mystery and anticipation. The song 'Ball' has a lyrics, but they don't make sense because it's only gibberish - and when we see aliens dance to this song hypnotically it's almost like they understand it (although real reason why the song didn't had any proper words was the Soviet regulation of the time demanding the lyrics of the song to be translated into Russian when released in Russia - Grünberg didn't like the idea of translating his lyrics so he invented the gibberish for the song.).
Wonderful cinematography of snowy mountains under bright sun against dark interior of the hotel that leaves feeling that it's as cold inside the hotel as it is outside, and intensifies the claustrophobic atmosphere of the hotel. Inspector Glebsky grows more and more desperate and paranoid when he tries to solve the crimes only relying on his common sense, logic and skepticism that lead to unfortunate tragic events leaving audience falter who was the real villain. The name of the hotel 'Dead Mountaineer' is explained briefly (and quite satisfactory), but it also leaves nice eerie mystery floating around - who was that enigmatic 'dead mountaineer' whose dog still sleeps under his bleak portrait hanging on the wall. Sven Grünberg's fantastic synthesizer score adds another layer of mystery and anticipation. The song 'Ball' has a lyrics, but they don't make sense because it's only gibberish - and when we see aliens dance to this song hypnotically it's almost like they understand it (although real reason why the song didn't had any proper words was the Soviet regulation of the time demanding the lyrics of the song to be translated into Russian when released in Russia - Grünberg didn't like the idea of translating his lyrics so he invented the gibberish for the song.).
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- Dead Mountaineer's Hotel
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- Tiempo de ejecución1 hora 24 minutos
- Relación de aspecto
- 2.35 : 1
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