Exorcista: el comienzo

It is a pity this movie is so underrated, but I think the main reason for that is the fact that people judge the movie before seeing it, so they won't watch it objectively. Another reason perhaps is the adventurous style of the film, but it is acceptable because father Merrin is younger than in the original film. The best actor to portray a young father Merrin is certainly the wonderful Stellan Skarsgård, what a stylish performance, this superb actor gives such a perfect image of how the main character would have been at the moment in his life when he lost his faith. The two other most important roles by Izabella Scorupco and James D'Arcy are excellent, the best supporting role is performed by Alan Ford. The madness and the confusion in the final battle between the Turkana and the Brithish are convincingly brought to screen. As for the crew members, I was very impressed by Trevor Rabin his soundtrack, the production design of Stefano Maria Ortolani and the magnificent cinematography by Vittorio Storaro. Conclusion: if you watch this film objectively than you will probably enjoy it. All though sometimes over the top, Renny Harlin has made a good prequel to the original one, with some very memorable scenes.

Hollywood sure chews 'em up and spits 'em out: one minute, director Paul Schrader is working on a long-awaited prequel to The Exorcist; the next, he's been replaced by Renny Harlin, one-time director of mega-budget action films starring the likes of Stallone and Willis, now reduced to the task of salvaging other people's failed projects (the result of having had one too many expensive box office disasters of his own).

However, despite the film's troubled history, Harlin has managed to turn out a fairly reasonable time-waster. The story is pretty unremarkable, detailing Father Merrin's struggle with his faith and his first encounter with the demon Pazazu in Africa—but the stylish direction, wonderful cinematography, decent gore (gotta love those snapping limbs!), and a strong central performance from Stellan Skarsgård as the emotionally scarred Merrin give viewers plenty to appreciate.

Some of the CGI could have been better—I wasn't very convinced by the hyenas or the insects—and Isabella Scorupco's shower scene is woefully short, but these are minor quibbles for a film that had the potential to be absolutely horrendous.

First, let me say that I didn't know Dominion existed until I discovered it going through the program guide. I started watching and man was I confused! I though that there was ANOTHER prequel that I didn't know about, until I continued to watch. Dominion seemed to me like a movie made out of pieces of film on the floor of the editing room. Clara Bellar's acting was awful in my opinion. I was completely distracted by her performance as well as several others.

While not a true horror movie, I really enjoyed The Beginning. I've watched it many times and found it very suspenseful. It kept my attention. I enjoyed the actors and the story. I've watched it over ten times and the scenes where Father M had to choose those to die? Chilling. Who wouldn't lose faith? The boy being torn apart? There were some good scenes.

Peace

Director Renny Harlin creates an intriguing, interesting prequel to the events shown in The Exorcist and its two sequels. This film follows Father Merrin to East Africa, initially having given up his priesthood, where his expertise has been called upon to explain some ancient temple that had been unearthed from the sand and dirt at a major archaeological dig site. The temple is in pristine shape and has some major anti-Church motifs abounding. Merrin soon realizes a demon exists and...well, you get the general picture. This film worked for me for a number of reasons: it is story driven as well as effects driven, it has solid acting, great location shots, and a strangely, highly flawed script that does create interest. The last half of the film begins to bog down under the weight of some of the makeup and special effects, but never to the point of overtaking the film and its atmosphere. And atmosphere is one thing this film has plenty of. I especially liked the way the character of Father Merrin was treated. He is a flawed man with an interesting past that the film delves into through flashbacks. These flashback scenes are effectively done and help make Merrin all the more real. The acting of Stellan Skarsgard in the role is the film's principal strength along with some innovative camera-work. Sure, much of the script is hokey hooey and will not make terribly much sense - I'm still not sure what happened in the end, but the film works nonetheless for the aforementioned reasons. I was pleasantly surprised despite some pre-conceived ideas going into the film.

In 1949, the British army has stumbled onto a buried Byzantium church in Kenya. The church's date is too early and shouldn't exist. Merrin (Stellan Skarsgård) is a former priest who suffered a traumatic war experience. He's called in to help with the archaeological dig. Father Francis (James D'Arcy) is sent in by the Vatican, and Sarah (Izabella Scorupco) is also trying to escape the horrors of WWII.

This is simply not a scary movie. That's the biggest and really the only measuring stick for a horror movie. At almost 2 hours, it's way too long. The pace is way too slow. The look of the production seems smaller than what the budget would indicate.

The feel of the movie hearkens back to the 70s, and not in good way. Horror movies have moved on, but this one still believes that flies are scary. The CGI is not the best. The blood and guts are acceptable. The baby with maggots looks creepy. But other times, the movie holds back too much. The coyote attack should have been scary, but it's never given a chance. It's just not good enough for today's audience.