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It's a male bashing bonanza. I saw this on Sci-Fi a while ago, and the idea seemed interesting. It could have been a good movie, and the plot itself I don't see as male bashing, but certain specific references to men get really annoying. I might still watch the movie again though because it does at least try to redeem itself by hinting that maybe the women in the movie aren't really as non-violent as they claim, but it still doesn't compensate for the really tiring male-bashing. I mean, I can understand a little, it's part of the movie's plot, but come on, it gets really tiring after awhile. Not only that, but to assume that the majority of women in the world would accept becoming homosexual that easily and that the few remaining heterosexuals would be such a minority as to go "in the closet". It's just too unbelievable. There are far too many women out there with cultural or religious restrictions that would balk at this it is totally implausible. I mean I know its sci-fi, and I love sci-fi, but the best sci-fi has at least a hint of it being possible, and this is too implausible. The phrase "Truth is stranger than fiction" came about because fiction has to at least seem plausible to be welcomed, but truth isn't always. This movie is not that. Other than that, the movie does have some good acting and the eventual morals of the story, that something like what happened was wrong, do redeem it a little, but not enough.

... but had to see just how bad it could get. The plotline was thin to begin with, but it just kept getting worse. A female genetic engineering grad student uses her research on accelerated mitosis to artificially create a male, because a biological weapon used in WW3 killed off 97% of the worldwide male population. The surviving men are either high prices gigolos in back alley clubs, or crazed lunatics in run down football stadiums plotting to overthrow the 'Lesbian Conspiracy'. The entire process resembled the microwaving of a large bowl of jello. Press a few buttons and ding you get a baby. Not only that, but he will age to mid 20's in a month, and then begin to age normally (how convenient). Eventually poor Adam gets bored with the secluded cabin in the woods where his creator had raised him and steals her car to 'see the city'.

This begins 90 minutes of unlikely chases, convenient plot twists, and several subplots that we never see resolved. As Adam quickly learns, what men did survive are treated as outcasts/criminals, because they are dangerous beasts that cannot help there genetic predisposition to violence. The propaganda machines have been in full swing, scaring women into believing all men are rapists and murderers. This has led to lesbianism being the norm, the fall of Christianity, female only reproduction via cloning, and oh yeah world peace among other implied results. All of which seem unlikely given that only ~30 years had elapsed since the war. Adam stumbles from one bad situation to the next, all the while being genetically programmed to be non-violent and unable to really do much on his own behalf. With the FBI on his trail, madams looking for fresh meat, and his creator trying to recapture him (for herself it seems), he learns that violence is not limited to the male species after all.

All in all, I would not recommend this movie.

I did however enjoy Veronica Cartwrights portrayal of the 'love to hate her' Director of the FBI, and Julie Bowen didn't do bad as Hope the 'closet hetero' geneticist either.

This has to be one of the worst movies ever to come out of the Sci-Fi Channel. Here is how the movie starts, Women are the only humans on this planet due to the fact that in the not to distant future chemical warfare is A OK as long as it only targets soldiers (In case your wondering, Men) However the virus back fires (Big shock)and all the men on earth slowly die. Then all of male kind is condemned to die when the madam president is shot and killed by a man. now we are taken around 60 to 70 years from now, two female scientists are working on cloning a female baby and one of them says "Hey, why don't we bring men back?" The other one says no the world is not ready for that, but promptly ignores her and thus a man walks the Eath again.

First off, this movie assumes that all men who are not genetically altered are blood thirsty monsters. Secondly, the writer forgot to mention that present day soldiers are a good mix of Male and Female officers so there is no real reason to have a virus like that. This is the biggest waist of time you can find. This movie managed to insult my intellect not only by the bad story, but with the Lifetime style acting. Avoid this movie at all costs.

I give this a 1 out of 10 but only because I could go no lower.

The makers ask for a huge suspension of disbelief, you grant them it in the hope that given a little time they'll convince you it's possible. Alas, with TV movies it seems as though they specifically set out to make cheap Cosmo questionnaire films. With a small budget and big claims you should spend every penny on the details to convince the audience. Not here though. The film gets a few points for the good performance the two leading ladies give against the odds, but unfortunately it's not enough to save the day. oh, and the less said about the ending the better. Happy Film-Viewing Everyone !

Pure schlock from beginning to end. The average 12 year old might find that it has an interesting take on discrimination. Otherwise, it's a pure camp-fest endurance test. Like one of those so-so episodes of Star Trek The Next Generation that thinks it has Something Important To Say.

You'll see every plot twist a mile off in this by-the-numbers romp. However, it's worth seeing for its portrayal of drag-king prostitutes, a brothel where young women pay old men to have sex with them (how's that for role reversal), and lesbian soap operas. The ghost of Valerie Solanis lives!

All I ever heard while being raised was equality of the sexes, and here we have a film that not only exemplifies imbalance, but continues through with a whole concept that one sex is better. All the while watching I was hoping for that redeeming quality to make the viewer feel as though there is hope for the future, and there wasn't. I'll admit to not finishing the film, I had to turn it off at the part where the old man whore told the genetic man Adam that it was ok to be a whore and get, and I quote, "More tail than any man in the past time." I know not finishing it is a bad review on myself, but it is the responsibility of the writer and crew to develope a story that will keep a viewer interested, and they failed. This film betrays all true female nature qualities of the mother figure and the need for balance. Instead it exemplifies what America ran by lesbian natzis would be like,and I'm not against lesbians. Thank you Mr. Director! Someone please give me a redeeming quality... wait I have it! There's no sequel!

I had no idea why the movie appear in my Tivo. I thought the title was intriguing and it might be charged with some sexual innuendo context but this is not the case. Many people might hate it because they don't get it.

This is a very political movie. While women in the movie said, in the movie, that men were violent by their genes, the truth was opposite. In the movie, either men or women just made up the stories, to justify their actions. In the movie, women society supposed to be Utopian and peaceful but it filled with corruptions as well as violent crimes. The police eager to use their guns with empty hand civilians.

There were some good acting but most of it were not very convincing. The plot was predictable. But they were not the points of this movie.

I don't think this can legally qualify as "film." The plot was so flimsy, the dialogue so shallow, and the lines so terrible that I couldn't believe that someone actually wrote the lines down, said, "Holy sh*t! This is a masterpiece" and then actually pitched it to a producer. I, for one, am still dumbfounded and will forever remember this film as the mark of the degeneracy of intelligence in America -- that, and "Crossroads," of course.

Ever since I saw this on UPN as a TV Movie, I've always found is really enjotable. It received a very limited VHS release, so I do have had a copy. The tagline was "Strike Back" in the original promos. This is a silly premise and executed very well. It's not meant to be too serious, but it's done well enough where it's enjoyed. Highly recommended for a movie to watch with the guys or yourself, if you enjoy movies that you can enjoy without them being too realistic, and just have fun with it.

In reading the previous reviews, it struck me that almost none of you people seem to care for Science Fiction. Or, if you do, you've missed the classics upon which this story line was based. So, WARNING!!! If you don't care for the genre, you probably won't enjoy the movie unless it has a lot of special effects, your favorite actor, or some other redeeming factor not inherent in the subject matter.

Please don't misunderstand -- this is NOT a great movie -- but it stands as mediocre, definitely not the worst film ever. If you think there's anything new about the concepts treated with in the plot or the manner in which they were handled, maybe you should try reading Philip Wyley's "The Disappearance" (1974 -- out of print). Kenneth Biller took exactly the same approach, he just change the cause of the obliteration of a gender and had men wiped out instead of women. Even a reread of "On The Beach" by Neville Shute would cause you to rethink your attitude toward this movie, I believe.

If people (of either gender) have no possibility of creating relationships in what we now consider the "normal" manner, they will invariably find some other way to satisfy their needs for personal and social relationships. That does not imply that this movie, either of the books I listed, or I believe that a single-gender society would be superior. It's just a recognition of human nature. In that sense, the tale told in this film is well worth seeing once.

Warning: This could spoil your movie. Watch it, see if you agree.

To think that we as humans can not learn from the past. The futuristic society portrayed glamorized what Hitler believed, obliterate a race of people (in this case men) for the benefit of society. It made me sick to my stomach. Also the plausibility of a Y bomb is insane. Even in war our instinct for self-preservation will prevent the extinction of humanity. We made mistakes in the past ie: Japan, Hiroshima and Nagasaki in '45 but because of that we avoided a bigger mistake in '63 during the Cuban Missile Crisis

The plot - in the future when nearly all men have been killed by a Y-chromosome-targeting virus, a (hot) female genetic engineer 'creates' a man in a chem lab - is intriguing. Despite the somewhat promising premise, the movie falls flat in nearly every regard. The dialogue is laughable. The characters are paper thin. The exploration of a single-gender world is shallow. The worst part of the entire movie is the Asian detective who delivers lines so cheesy and contrived that you'll want to vomit.

I can't imagine how on earth this trash got produced. Most of the movie is male bashing. "All men are violent." "All men rape women." "Men are only animals." All of the women - even the 'closet hetero cases' - seem to display anger toward-, fear of-, and hatred for men. If you want to see a sci-fi film something along the lines of this movie's premise, you'd do best to look elsewhere.

I thought I was in for some cheap version of the classic Vincent Price/Richard Matheson sci-fi movie, but THE LAST MAN ON PLANET EARTH (the title is a misnomer) is something else entirely. It is cheap, yes, but the storyline is about a world in which mankind has been banned and women have taken over. Imagine PLANET OF THE APES except with women instead of apes and you have the idea.

As I say, the title turns out to be a misnomer, as men have only been banned from polite society rather than exterminated and there are still plenty around. The hero is a guy grown in a test tube by the government who escapes and finds himself pursued by the FBI who want him for their own ends. Unsurprisingly he falls in love with a young woman while trying to elude capture.

The storyline is frankly preposterous and the TV movie atmosphere makes this something of a laughable film. The science fiction elements of the storyline are almost unnoticeable; there are no depictions of a different kind of society, this just takes place in our world in order to keep costs down. Needless to say that the acting is poor and the whole thing feels very dated and cheesy; a forgettable, ill-conceived production.

Tamlyn Tomita shows just enough good-sportswomanship in giving a decent performance in this variation of sorts on such sf predecessors as Philip Wylie's novel THE DISAPPEARANCE and Margaret Atwood's THE HANDMAID'S TALE and the film based on it, along with much older pulp sf dealing with gender roles and hugger-mugger melodrama. I believe this was the first film shown as such on the US television network UPN (as opposed to a series pilot, such as the STAR TREK: VOYAGER pilot that inaugurated the network), and if only most made-for-TV movies were half as amusing (or if Tomita's eventual UPN series THE BURNING ZONE had been). Not quite up to the role-reversal episode of the ELLEN series, but it'll do.

Very interesting tale - a la male version of the Handmaid's Tale - it seems that biological warfare has inadvertently wiped out 97% of the world's male population - and the remaining women have decided to enact laws to ban the reproduction of any further men because men are hopelessly violent, and their eradication proves it. The new women-only society has decided that only females are allowed to be born through modern science. Funny and interesting premise - although of course this American movie fails to explain what kinds of similar laws are implemented in the rest of the world. Did Russia also embrace a women-only policy? Iran? We only get the American version. If other countries didn't agree with the American pro-woman policy, than men would quickly repopulate elsewhere and perhaps try to immigrate to the U.S. I guess the U.S. could have a no-male immigration policy to ensure female purity. Putting this major plot flaw aside, this movie was very entertaining. The plot follows a renegade female scientist who genetically creates a male without a predisposition for violence - the assumption that male violence is genetically intrinsic in males is unquestioned. The male creation, named Adam (how Biblical!), is born and grows up rapidly within three weeks until growth is curiously finished around 25 years or so, when the normal rate of aging resumes. Of course, the male creation grows up to be a strappling, muscular hunk played by Paul Francis (conspicuously absent from this website's cast list?). Highly recommended for the interesting premise - some men might find it hard to take - it makes no bones about suggesting that all men are genetically violent, and combined with the sexism against Adam (nudity, temporarily turned into a male prostitute, generally passive and undeveloped character, etc.) might prove a little offensive. Men haters will love it.

I rarely keep big budget movies in my library lately, i am known to hate and trash anything which has been made for a franchise gimmick, or worse; disturbing propaganda by haunting and taunting us viewers. i now prefer low budget movies but with big production values which i guess this is, for a 1999 movie i have it on repeat regularly, and i have only watched my 3d blu ray copy of terminator 2 like 3 times since i bought it 10 months ago

when i first seen this film i thought it was too fast paced, but after a few more views i found it had deeper meaning in its scripts such as how all the characters have a different perspective and view on Adam the 'y'

This made for TV movie takes a large chunk of inspiration from Huxley's Brave New World - natural reproduction is replaced by cloning (and in the case of the dual protagonist, Adam, by "synthesis"). The new society strives to be utopian, but has a grim, dystopian side. The plot is unique, though, in that it deals with dark aspects of militant, lesbian feminism. Camille Paglia would appreciate this story! The most telling line in the film is where Adam says "violence is not genetic" (meaning actually, "not determined by gender"). Another intriguing aspect of the film's social commentary is its take on conspiracy theories and official truth, and how politics is politics no matter who is in charge. From the standpoint of cinematic excellence, this is clearly not Academy Award material. Of course, it was made for TV and presumably didn't have a large budget. I was surprised though, at the depth of ideas and the acting was good. Worth seeing.