28 Días

Sandra Bullock gives an outstanding performance in this story about alcohol and drug rehabilitation. Unfortunately, the presentation of the story was lacking and it detracted from the film's overall effect. Director Betty Thomas and writer Suzannah Grant (who scored with the screenplay of "Erin Brockovich") can't seem to decide whether they want the film to be a zany comedy or a serious drama. They seem to have been aiming for a bittersweet comedy, but they missed the mark. They trivialized the good dramatic elements of the story with numerous inane scenes, many of which were more ridiculous than funny. The film also suffers from an excess of clichés, some overemphasized to the point of being stupid.. It is difficult to take much of the story seriously with all the foolishness that is continually erupting. The result of this miscalculation was that the film was hammered at the box office, with the gross ticket sales failing even to match production costs. That's a pity because a lot of people missed an excellent dramatic performance.

Sandra Bullock was a ray of sunshine that burst forth from this otherwise jumbled mess. Sandra simply out-acted and outclassed the entire cast and did a terrific job despite the `nutty institution' approach. This is something of a departure from her accustomed romantic comedy roles. She had a chance to flex her dramatic acting muscles here, portraying a very confused and distraught character. She went from the highest of highs to the lowest of lows and handled the full range of emotions beautifully. It was one of the most complete dramatic performances I have seen from her to date.

I rated this film a 6/10 on the strength of Bullock's portrayal. Without her, it would have been about a 3/10. If the topic had been treated more seriously, with sensitivity to the nuances of drug rehabilitation rather than having a good laugh at their expense, it would have been far more powerful and effective.

It may be listed as one, but it is a serious subject. Some parts are stupid, but then again, things we do in life are sometimes stupid. Being the son of an alcoholic and having my own issues...I get it. Addiction sucks big time. The things they say about it are very true. This movie is not for everyone, but for me it was done well enough for me to realize some things about myself. No movie will ever be perfect about addiction and, of course, they need to lighten if up enough to get audience members. I personally like where she finally starts to realize things. And of course, you can slip now and then until it finally catches on.

Sandra Bullock does a pretty good job of playing Gwen the drunken party girl who gets herself into trouble. She is not gung ho for a treatment center, but her other option is jail. Actually, I was not sure how she avoided jail at all, and 28 days seemed too short a time for all the hilarity, action and breakthroughs in this film, but other than these things, I was really impressed with Bullock and the ensemble acting - the balance of comedy and drama. The one actor I thought over-acted was in the character of Gwen's boyfriend. He was too much, and it was a relief to see him off the screen. Viggo Mortensen is endearing as the other guy for Gwen. I would like to have seen more of them together. I think people will love the soap opera gags and the send-up of drug/alcohol treatment centers, but will also get the serious nature of the interactions in the "chemistry" among all the characters in treatment in the film.

Eleven years after this movie hit the screen, I just viewed it. After seeing pages of reviews, no one will read this, but I will add my 2 cents anyway. I dislike drug rehabilitation movies, abuse movies, and similar themes, but this one captured my interest during each scene. I watched it in the morning while finishing last night's left-over gin that was diluted with water from melted ice from the previous night. I saw myself.

The reason I dislike rehabilitation movies is that I feel like I'm watching someone else's problems, and I don't like entertainment based on someone else's pain. For those who like this type of entertainment, it is excellent. For those who need a life-changing event, it may serve that purpose too.

28 DAYS (2000) **1/2 Sandra Bullock, Viggo Mortensen, Dominic West, Diane Ladd, Elizabeth Perkins, Steve Buscemi, Alan Tudyk, Michael o' Malley, Azura Skye, Reni Santoini, Marianne Jean-Baptiste, Margo Martindale, Loudan Wainwright III. (Dir: Betty Thomas)

Addiction is not funny nor is the suffering it inflicts upon the addict and their friends and family but then again all `taboo' subjects have been scrutinized in these politically correct times we live in and here Sandra Bullock, The Girl Next Door that her adoring public has embraced as America's Sweetheart, wades in hip deep into a difficult balancing act as alcoholic/drug abuser Gwen Cummings, in this comedy-drama with more hits than misses - the working title could have been `Party Girl, Interrupted.'

Gwen is a free-spirited New York City based writer who enjoys living it up with her equally party hearty beau Jasper (West) by drinking and binging into the wee hours even if it means nearly missing her older sister Lily's (Perkins) wedding the next day as they stumble to the proceedings nursing a severe hangover quickly remedied by more imbibing at the reception resulting in Gwen losing her balance on the dance floor upsetting the many tiered wedding cake. Undeterred by her scene-causing out-of-control ramifications, Gwen staggers to the newlyweds' limo and careens along a suburban area looking for a `cake shop' to replace the damaged goods only to have her smash the car into a nearby house.

Flash forward to her being sentenced to Serenity Glen, a rehabilitation clinic, the type that offers New Age-y touchie-feely bonding and chanting (`Together! Together! NOOOO Drugs!') and a no-nonsense counselor named Cornell (Buscemi in a nicely handled understated turn) who sees right through Gwen's anger and stubbornness as she attempts to disassociate herself from her chores, group therapy and sneaking pills in via Jasper. After a mishap involving Gwen falling from her window (after a weak attempt to rid herself from the pills), she limpingly begs Cornell for a chance to redeem herself. Her sarcasm slowly drifts away as she comes to grips with her co-dependency on booze and pharmaceuticals thanks largely to her depressed teenage roomie Andrea (Skye) and new patient, Eddie Boone (Mortensen), a baseball pitcher overcoming many addictions including casual sex.

The film works solely on the fresh-scrubbed sexy appeal of Bullock in her range from comic drunkeness (a la `Arthur') to her scary withdrawl and gumption to change her life for the better. The humor comes thankfully to her fellow in-house patients including a gay German dancer (Tudyk who comes across as Andy Dick in `Sprockets') and the parody of a soap opera (`Santa Cruz') that the entire group becomes.well addicted to. It's hard to believe that the subject of a chemically dependent person could be funny, but that isn't the point. The point is that it doesn't make light of the situation at all (including the all-too-forseeable overdose of one of the characters to underscore just how serious it is), but it succeeds on the `patients-running-the-asylum' scenario - sort of a cross-blend of `One Flew Over the Cuckoo's Nest', `Clean and Sober' and `M*A*S*H' with its hysterically, deadpanned homage of loudspeaker announcements.

Director Betty Thomas (`The Brady Bunch Movie', `Private Parts') serves her story by Susannah Grant (`Erin Brockovich') as best she can with interesting camera angles to distort the hyperreality of someone under the influence and able support including stand-up comic O'Malley (late of his short-lived eponymous sitcom) who harbors a not-so-secret crush on Bullock. Bullock does herself a service by starring in a tricky scenario by utilizing her natural acting style and stretching her chops both dramatically and comically.