El color del paraíso

This is the first Iranin film I have ever watched and I have made it a project of mine to watch many more. This movie is so sweet and loving, but most of all it is honest. Unlike American films, Iranian films seem to be very open and even brutally honest about thier pain and frustration. Maybe it's because for many thier situations are so dire and we in America are so jaded by therapy and talk show catch phrases to just open op and fully express how we feel. The pain that Muhammed and his family felt came accross as very real and genuine. The art direction was beautiful, I had no idea that Iran was such a beautiful place. It was so ironic that the best part of his home was the part that poor Muhammed could not see but he felt it deeply. I would strongly suggest that you watch this movie. Even if your not into subtitles. My boyfriend and I came accross this movie at 2AM one night and had no intention of watching it, but after the first ten minutes we were hooked and talked about it for days. It is magnificent.

The Color Of Paradise was one of the best movies I've ever seen. It was so emotional that we couldn't stop crying. Mohammad (Mohsen Ramezani) acted unbelievable and I can't forget his innocent face with those beautiful smiles. I believe that Color Of Paradise had to win the 2000 academy award because from every aspects it was a perfect movie. The picture was one of the best pictures and so natural. I want to thank Majid Majidi and all casts for producing the most beautiful movie. also I want to thank Mohsen Ramezani for playing so beautiful in this movie. Keep continue the good job.

I urge you to try to see this movie. The acting is brilliant but totally natural. I don't recall ever seeing a child who is as fine an actor as the boy who played Mohammed, and not for a moment did his "acting" ever get in the way of the story. The cinematography is breath-taking. I'm sure no one who has not been to Iran has any idea at all that it is this beautiful. There is plenty of symbolism for any particular point of view, which makes it fun to talk about after you see it, and although it is probably intended to be religious from the Islam point of view, you could probably find in this movie your own brand of spirituality, or lack of it, if you cared to try. I, a typically cynical and jaded New Yorker, and my completely enthusiastic and non-jaded adolescent daughter, both loved it and hope to see it again. So go see it and make it a success so we can get more movies like it over here!!

Majid Majidi's COLOR OF PARADISE is the best kind of cinema. Simple in concept but executed with incredible skill and detail. We enter the world of a blind child in an incredibly intimate way, exploring his world of sound and touch and the isolation his blindness brings about. Almost ironically, we're also treated to some stunning images of lush scenery and locations. Absolutely mesmerising cinematography that even out-does the exceptional audiography.

Characters and their lives are simple but very believable, and the performances from every one of the actors is spot on. The movie exhorts us to appreciate life more, and makes a good case for doing so.

Highest recommendations!

Mohammad is a young blind boy getting his education in Tehran's institute for the blind. With only a father and a grandmother left in his family, he looks forward to summer with them once school has finished. Mohammad is full of life even though he cannot see and is constantly exploring with his hands and his grandmother loves him for this. His father is a different story and wants Mohammad out of the way so that he can remarry in an arranged ceremony with a woman who doesn't know about his son. However his plan to send Mohammad far away on an apprenticeship brings him directly into conflict with his son's grandmother.

A popular choice for the Oscars in 2000, this film has developed this success and has garnered quite an audience as a result. The story is quite an emotionally involving one that is better than the basic description of the narrative suggests because this is driven by our sympathy/empathy for the characters involved. As such it works pretty well as it is easy to relate to the emotions of all of the lead three characters – even the bitterness of the father was something that could be understood and felt for, at no point was he simply a bad guy for feeling what he did. At times the story gets a bit too steeped in meaningful sentiment but for the majority it is a well observed and patient story that is quite touching at points.

The acting is a big factor in this working as well as it did. Ramezani is the most obvious one to praise and indeed he is praiseworthy for making his character real and convincing while never letting it become a "cute kid part" as so many brats can't help but do – he may have been drawing on things within himself but this is still a very real performance. Mahjoub is as good for the very reason that he keeps us caring about his character even if what he is feeling is not anything we can condone. Feizi's grandmother is an unremarkable character but she delivers it well with a solid, if unimaginative, portrayal and performance. The support cast are also strong but it was the lead three that made it what it was. The direction is good, sharing an eye for detail and little daily realities with a talent for the bigger landscapes.

Overall this is an impressive and enjoyable film that is beautiful to look at and has plenty to engage the heart. It may be a bit "up itself" at a few points but these are few and far between and the majority of the film succeeds thanks to well written characters and actors who deliver with an apparent good understanding of their characters.