El color del paraíso

This film received a rare standing ovation at the New York Film Festival. People were overwhelmed.

It is called "Color of Heaven" and it focuses on a blind boy. The boy is loved by all in his family, but his father has had a tormented life filled with grief. He feels that caring for a blind boy will ruin his chances for a good second marriage, and for a family to care for him when he gets old. So, despite the attachment of others in his family to the boy, he tries to keep the boy permanently at a school of the blind, and then in a woodworking apprenticeship.

The sensual vibrant color images in the film--almost surreally technicolor--illustrate the boy's sense of the world. You become fully sympathetic to the boy, cry with him, long to be loved with him. The camera is totally inside the boy's sensibility. It is a luxuriant and fully satisfying journey to an unknown place.

I've personally viewed over three thousand films. For many years, "Les Miserables" (French) with Jean-Paul Belmondo was my highest recommendation. "The Bridge" (German) was equally haunting. But having discovered "Color of Paradise" (I watched it every night for five nights)I bought the DVD. I don't imagine that I will ever see a more emotionally invasive film. I've joined IMDb simply to enjoin others who loved this film. For some months, I've been trying to find the words to help organize my impressions. Where other senses may become more acute with the loss of one, perhaps the congenitally blind don't realize how emotionally transparent they are. For me, this film really struck a nerve. It is a story-journey into the world in which we live but don't often see. It left me wondering who, in this world, are actually blind? This child, his grandma and two little sisters, are consummate. I must remind myself they were only acting. I must picture set, sound, lighting, script, direction etc. to decern that this is "only a movie". For everything this little boy appeared to need, he found ways to give real treasures to everything around him. The sound and cinematography were excellent. The pointed themes of this film were were heart rending. Six months later, they remain so.

Majid Majidi's COLOR OF PARADISE is the best kind of cinema. Simple in concept but executed with incredible skill and detail. We enter the world of a blind child in an incredibly intimate way, exploring his world of sound and touch and the isolation his blindness brings about. Almost ironically, we're also treated to some stunning images of lush scenery and locations. Absolutely mesmerising cinematography that even out-does the exceptional audiography.

Characters and their lives are simple but very believable, and the performances from every one of the actors is spot on. The movie exhorts us to appreciate life more, and makes a good case for doing so.

Highest recommendations!

This film is one of the few films that can really touch everyone -- from the beginning to the end this movie gripped me, and made me sympathize with the main character on large levels. And not only was the film complete in its' development of the main character but it seems that each and every character that appear in this film are incredibly human and can be related to.

The story alone is touching, and with the great work done in the filming and great acting performances, this is one of the films that will really stay with me. As far as films go, this is a must see for anyone and everyone -- a film that unfolds a sad, human story as well as a great hope for the future all at the same time.

Mohammad is a young blind boy getting his education in Tehran's institute for the blind. With only a father and a grandmother left in his family, he looks forward to summer with them once school has finished. Mohammad is full of life even though he cannot see and is constantly exploring with his hands and his grandmother loves him for this. His father is a different story and wants Mohammad out of the way so that he can remarry in an arranged ceremony with a woman who doesn't know about his son. However his plan to send Mohammad far away on an apprenticeship brings him directly into conflict with his son's grandmother.

A popular choice for the Oscars in 2000, this film has developed this success and has garnered quite an audience as a result. The story is quite an emotionally involving one that is better than the basic description of the narrative suggests because this is driven by our sympathy/empathy for the characters involved. As such it works pretty well as it is easy to relate to the emotions of all of the lead three characters – even the bitterness of the father was something that could be understood and felt for, at no point was he simply a bad guy for feeling what he did. At times the story gets a bit too steeped in meaningful sentiment but for the majority it is a well observed and patient story that is quite touching at points.

The acting is a big factor in this working as well as it did. Ramezani is the most obvious one to praise and indeed he is praiseworthy for making his character real and convincing while never letting it become a "cute kid part" as so many brats can't help but do – he may have been drawing on things within himself but this is still a very real performance. Mahjoub is as good for the very reason that he keeps us caring about his character even if what he is feeling is not anything we can condone. Feizi's grandmother is an unremarkable character but she delivers it well with a solid, if unimaginative, portrayal and performance. The support cast are also strong but it was the lead three that made it what it was. The direction is good, sharing an eye for detail and little daily realities with a talent for the bigger landscapes.

Overall this is an impressive and enjoyable film that is beautiful to look at and has plenty to engage the heart. It may be a bit "up itself" at a few points but these are few and far between and the majority of the film succeeds thanks to well written characters and actors who deliver with an apparent good understanding of their characters.