Pygmalion

Peter O'Toole brings a different tone to the role of Henry Higgins than did Rex Harrison, the actor most commonly associated with the noted British linguist. O'Toole's talent is as undeniable and obvious as ever, but his performance is much wilder and rougher around the edges than Harrison's was. Unfortunately, Margot Kidder was not up to the role of Eliza Doolittle and the only thing worse than her "cultured" English is the lower-class Cockney dialect used early on. Frances Hyland stands out as Mrs. Higgins, Henry's mother, but the few other parts are given short shrift and are eminently forgettable.

Alan Cooke's direction is quite capable for a television production. Overall this version stands on it's own adequately enough, but it pales in comparison to the film "My Fair Lady."

Comparisons with "My Fair Lady" are unfair to this fine television version of "Pygmalion." O'Tool gives a wonderful eccentric performance as Henry Higgens and Margot Kidder is a fine Eliza, but the quality which I especially find valuable when I use this version to teach in my Introduction to Literature is the speeches both Mrs. Pierce and Mrs. Higgens give which are cut from the musical to make room for all that wonderful music. Thus the female voice of Mrs. Higgens, "No No, you two infinitely stupid male creatures!" (Act III line 198), is lost. Also the ending, which is even more vague than the musical about the future of the two main characters, is a wonderful leap off for class discussion about "middle class" expectations. I really enjoy all of this production.

Anderson Rearick Mount Vernon Nazarene University Mount Vernon, OH.

Both O'Toole and Kidder look like ghosts in this television adaptation of the classic Shaw play about a stuffy phonetics teacher who takes a common flower girl the ways of being a lady. Although O'Toole fares well as Henry Higgins, the production as a whole is a dreary affair.

I have read Pygmalion and Shaw's postscript many times.It has been my annual practice to review it, re-read it and enjoy it every summer during a long vacation on Mackinac Island.And every time, I discovered something new in this wonderful play, When I saw the film with O'Toole and Ms. Kidder I was astounded, this was the finest production of this play I had ever seen.Peter O'Toole's Henry Higgins was exactly the loud, physical character that Shaw described. Margot Kidder was even more amazing. Her performance was brilliant. To compare this film with other efforts is impossible. My Fair Lady is not Pygmalion and the l934 film,although very good,has a completely contrived Hollywood ending since Shaw in his epilogue reveals that Liza marries Freddie.

Here's the skinny. Peter O'Toole is rarely less than good. In most of his roles, he's fabulous. Here, he's adequate. He can do almost anything but he lacks the aplomb associated with Higgins. I wonder how the Irish Shaw would feel about him. Margot Kidder is dreadful. Donald Ewer is Alfred Doolittle. I'm not familiar with his work (I went to a version of MY FAIR LADY with Clive Revel as Doolittle and he was magnificent, but I suppose they lacked a budget for an actor of his stature for Doolittle). John Standing is more than adequate for Pickering. He does "intelligent cluelessness" well.

It was apparently produced as a showcase for Kidder and her being Canadian was no worse than O'Toole being Irish but matriculating at RADA.

I'd give O'Toole a pass and I can admire a fiesty Eliza giving as good as she got, but Kidder comes off as merely petulant. Too bad. It was an idea worth trying but English drawing room comedy isn't Kidder's forte.