E yu tou hei sha xing

Jim Kelly is awesome Kung Fu martial artist, he is fast and can move like the wind, and is cut like a ninja to boot. He is one Badassmofo!! In this film he is hired by an insurance company to find a stolen diamond. One of the persons he has to go up against is Bolo Yeung, who worked with Jim in Enter the Dragon. The movie is dubbed and cheesy but I loved anyway cause the first time I saw it I was a kid. There is jumpsuit/tracksuits with the flared bell bottoms galore in this one too, just so you won't be disappointed!! All of it was filmed in Hong Kong, with tons of familiar Hong Kong actors.

"i couldnt give a shit" what an opening line.laughing from the start at the bad camerawork,acting,clothes,hair and dubbing this film is a classic.Flash legs tan is on amazing form his kicks are just great a real martial artist of the highest quality.Jim kelley is also on form(with terrible but funny dubbing)and philisophical wisecracks and quips.Favorite scene has to be where the fat dog is getting mercilessly beaten by bolo yeung and his associate with bars and fists.just as they are drowning him the camera looks up at them to give a first person perspective of them scowling angrily pure magic.the plot isnt up to much a diamond heist undercover ex c.i.a man in search of thieves doublecrossing and killing ensue nothing new here.i would recomend people see this movie funny dubbing and good flash legs martial arts what more can you ask for

Tattoo Connection is a cheap exploitation film featuring several veterans of kung fu cinema's glory days. Overall the film is horrible, filled with gratuitous nudity and bad acting, but there are a few nice fight sequences from the veteran cast.

The bright spot of the film is Dorian Tan (Tao-liang Tan). Tan stared in such films as "The Hot, the Cool and the Vicious" and John Woo's "Hand of Death," and also tutored kung fu star John Liu (Secret Rivals, Incredible Kung Fu Mission)in the martial arts. Tan gives an excellent physical performance in the film, featuring his trademark Taekwondo high kicks.Tan plays a very unbelievable villain because there is something about him that always looks honorable and righteous. Jim Kelly (Enter the Dragon, Black Belt Jones) the international middleweight karate champ, proves again that he is a terrible actor but a decent martial artist. He gives perhaps one of the strongest martial arts performances of his career in this film.

Sing Chen veteran of such films as Sammo Hung's "Iron Fisted Monk" and "New Fist of Fury" plays the villain. Sing Chen is famous for his muscular build and impressive martial arts skills. At the film's climax he faces down with both Dorian Tan and Jim Kelly in a nicely choreographed fight sequence before he meets his demise. Bolo Yeung plays a henchman and has a few funny scenes. Also making appearances in the film are Lee Hoi Sang (Magnificent Butcher, Shaolin Master Killer), Sham Chin-bo (Master of the Flying Guillotine, Secret Rivals 2), and a young Wong Yat-fei (Shaolin Soccer).

Dorian Tan would go on to make more films with director Lee Tso Nam including "Challenge of Death" and "The Leg Fighters." Kelly would go on to pursue a career in pro tennis. This film features many veterans of the kung fu movie world but unfortunately they put together a film that is average at best. The weak plot, ridiculous nude scenes and politically incorrect statements weaken this film quite a bit but the above average fight scenes (especially the ones featuring Tan) make Tattoo Connection one of the best of the blaxsploitation/martial arts films.

Martial Arts Rating: 7/10

Over All Rating: 5/10

Jim Kelly stars in this action packed kung fu extravaganza of a movie. In a time when kung fu cinema was more abundant in Hong Kong than rice, The Tattoo Connection was just another export of the time. The cinema in Hong Kong at the time did not even touch Hollywood, in terms of actual film quality, with a ten foot pole. However, the kung fu movies from Hong Kong had a big leg up over the States in terms of fight choreography. Under the fight choreography of Bruce Liang, The Tattoo Connection shone out like a bright beacon of Hong Kong cinema. Punch for kick, the fight sequences in this movie were absolutely awesome.

Back when the genre of kung fu movies was an accepted category, there were two basic kinds: those taking place in the 70's and 80's, and those taking place in feudal Japan and China. Every movie, regardless of when it took place has the same basic stereotypes and formulas. The bad guy boss, and his henchmen, the bad guy turned good, the hero, and the two faced 'good guy'. This movie was no exception, it filled all of these categories, however the main bad guy does not have any odd deformities like so many of them did (but he did wear sunglasses). However, unlike every other kung fu movie, this was not a revenge story. Most kung fu movies the protagonist is seeking revenge on the bad guy boss for something that happened during his childhood. This story stands alone in a very unique way, the protagonist (Jim Kelly, Enter The Dragon, The Black Samurai) is a hired man, seeking the return of some stolen diamonds for an American insurance company.

From a technical aspect, the movie does not offer much. There are bright colours, usually lacking in Kung Fu movies, and the uses of extreme close ups are way overdone. The sound in the movie was, well, less than par is a nice way of putting it. It was poorly dubbed, and Jim Kelly's character's voice is dubbed by another man, not the same, compared to the cool and calm voice of Enter The Dragon ('When it comes I wouldn't have to worry about it… I'll be busy lookin' good'). They did, however, manage to get the timing of the dubbing relatively well but, the fact that the people selected to dub the movie, save Kelly's dubber, all had British accents did not help the believability of the movie, although the story was not too believable either. On the box it says something along the lines of, watch Jim Kelly get sucked into a world of hookers and prostitutes because of a stolen diamond. Although, during the movie, Kelly is seeking it out, going to strip clubs and inviting the dancers back to his hotel room. Well, what can you expect from a 70s action, kung fu, drama, blaxploytation movie? The music, however, was totally cool, the wet funky theme music brought the movie to a level of cool unequaled by any other Hong Kong cinema production.

It is still no Shaft theme, but cool none the less. Sound effects in kung fu movies are usually limited to the whacks and thunks of punching and kicking. This movie, along with every other kung fu flick, could not get the timing down. There would be a foonk with no punch thrown, and a whap with no kick, and the same the other way, a kick and punch with no sound. Overall though, much like another huge Chinese export, the sound quality was grainy, and I found myself straining to hear what was being said in some instances.

The true great quality of this movie is the level of 'coolness' emanating from the movie. It really achieved a 'wow, I want to be as cool as him' feel, which few other movies can broadcast. Aside from the cheesy antics, and less than perfect acting, this is one gem of Hong Kong cinema that should be on everybody's too watch list. 'That's why they call me the six million dollar man.'

After one of the members of a Chinese gang steals money from the treasury he is brought back by a man named "Tung How" (Tao-Liang Tan) and physically punished on the orders of the boss, "Mr. Lu" (Sing Chen). Not long afterward that same Chinese gang steals a briefcase full of diamonds. Since the diamonds are insured the insurance company sends a man named "Mr. Lucas" (Jim Kelly) to Hong Kong in order to find those responsible and retrieve the diamonds. When he gets there he contacts a friend in the Hong Kong police force. Unfortunately, the Chinese gang finds out about Mr. Lucas and decides to do something about him. But as skilled as they are in martial arts what they don't realize is that Mr. Lucas is more than capable of taking care of himself-and he is intent on getting to the bottom of things. Now rather than reveal any more I will just say that for a film that had Jim Kelly--and to a limited extent--Tao-Liang Tan and Bolo Yeung (as "Ta Niu") I honestly expected something a bit better. That's not to say that this film was bad necessarily but it wasn't particularly as good as it could have been either. That being said, I have rated it accordingly. Slightly below average.