La verdadera historia de como una madre soltera desempleada se convirtió en la asistente legal que derrocó a una gran compañía energética en California por contaminar el suministro de agua.La verdadera historia de como una madre soltera desempleada se convirtió en la asistente legal que derrocó a una gran compañía energética en California por contaminar el suministro de agua.La verdadera historia de como una madre soltera desempleada se convirtió en la asistente legal que derrocó a una gran compañía energética en California por contaminar el suministro de agua.
- Ganó 1 premio Óscar
- 33 premios ganados y 59 nominaciones en total
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- (as Gemmenne De la Peña)
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It is in this capacity that she uncovers, entirely by accident, a paper trail leading to the town of Hinkley, CA, where an endless stream of residents have been diagnosed with various medical conditions including cancer, disintegrating spinal cords and brain damage. It turns out that the community of Hinkley has been poisoned by hexavalent chromium, leaching into the drinking water from the Pacific Gas and Electric (PG&E) plant. The case is especially odious because PG&E knew exactly what it was doing but lied about what kind of chromium it was using. Erin gains the trust of the community to mount legal action and strong-arms Ed to put together a case that would win the largest direct claim settlement in American history, even as her personal life is threatened by her devotion to the case.
Steven Soderbergh tests Erin's limits of likability numerous times throughout the movie. An early scene is designed to show what a short fuse Erin has when she explodes in a torrent of profanity in the courtroom. Erin, the film makes clear early on, is no sentimental crusader. Rather, she is a tough, hard-nosed cookie who dresses like a hoochie and who would use anything from here heavily coiffured hair to her cleavage or also her baby to get what she needs. In short, Erin is adrift in a hard world. But what makes this potentially despicable character so affable is Julia Roberts' vulnerable and fiercely dynamic performance. As the eponymous character, she is undoubtedly the heart and soul of the film. As a foil for Erin, Albert Finney draws out a complex, engaging performance that is as warm as it is funny. Their scenes together crackle with chemistry and it's a joy to see this kind of male/female interaction where there is absolutely no hint of sexual attraction.
Soderbergh infuses the proceedings with a vibrant, almost peppy sense of style that would not have been half as compelling had a less edgy director helmed it. It would have been easy for him to have allowed Erin Brockovich to descend into manipulative melodrama, but he resists that path of least resistance, instead giving us a film that is smart, savvy, funny, and, at times, poignant.
"Erin Brockovich" stars Julia Roberts in the title role in a film based on the true story of a twice-married mother of three who is desperate to find a way to make a living and provide for her family. After a failed attempt at suing for damages after a car accident, Brockovich turns to her lawyer, Ed Masry (Albert Finney), for a job doing anything she can at his law firm. Reluctantly he accepts and soon Brockovich finds herself uncovering a potentially huge case.
Roberts had to have been a no-questions-asked best actress winner after this performance. As Brockovich she is incredible playing multiple roles as the loving mother, the driven working-woman, the troubled lover, everything. The mood swings are effortless for her. Perhaps the best element of her performance is that she comes across as glaringly flawed, even if she is quite likable. Her lines are killer and delivered with command. Though some of her rants are over the top, they're really clever nonetheless.
Finney's character is much the same way. He is really enjoyable to watch and gives a great performance even though his character never gets truly dramatic.
This is just a great screenplay by Susannah Grant. It's almost completely devoid of melodrama and yet it tackles so many real life issues. Brockovich's struggle to balance her work with her family brings up an issue that can connect with anyone, although the feminist tones of the film obviously won't connect as strongly with men. Director Steven Soderbergh feels very distant from the film. Every so often a shot or sequence will be artistic, but he allows the story to tell itself for the most part.
"Erin Brockovich" is better than the average feel-good story. When there's little melodrama and great acting, a feel-good story becomes a great movie. Sports films based on true stories are feel-good stories, but they don't get nominated for best picture. While it may all seem too good to be true and the positive seems to trump the negative more times than it ought to, the film still feels very real and one that no one should miss.
Julia Roberts Through the Years
Julia Roberts Through the Years
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- TriviaThe real Erin Brockovich-Ellis claimed that the movie was 98-99% accurate.
- Errores(at around 23 mins) After the kids are playing what appears to be the card game War with George, the children get up, and the son says "Good night, Aaron", when referring to George. Aaron is the actor's name, Aaron Eckhart.
- Citas
Kurt Potter: Wha... how did you do this?
Erin Brockovich: Well, um, seeing as how I have no brains or legal expertise, and Ed here was losing all faith in the system, am I right?
Ed Masry: Oh, yeah, completely. No faith, no faith...
Erin Brockovich: I just went out there and performed sexual favors. Six hundred and thirty-four blow jobs in five days... I'm really quite tired.
- Créditos curiososThe settlement awarded to the plaintiffs in the case of Hinkley vs. PG&E was the largest in a direct-action lawsuit in United States history.
- Versiones alternativasIn the television version aired on NBC, it mutes the several uses of the f-word [usually changing it from f*cking to freaking, or sometimes even cutting out the line[s] of dialogue]. It also, to supposedly make up for lost time during editing, adds a scene not shown on the theatrical or home video version of the film [although this was added as a deleted scene in the Blu-ray]: Erin goes out to her car after storming into the office and shouting at Ed. She feels still feels very sick and then faints. It lands her in the hospital where George comes to visit [explaining why George would come and take care of Erin's kids while she went to get the signatures]. Ed also comes to visit and pleads her to not make stunts like she did again. Erin apologizes and says she's coming to the town meeting, sick or not.
- ConexionesEdited into Erin Brockovich: Deleted Scenes (2000)
- Bandas sonorasRedemption Day
Written & Performed by Sheryl Crow
Courtesy of A&M Records
Under license from Universal Music Enterprises
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Detalles
Taquilla
- Presupuesto
- USD 52,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 125,595,205
- Fin de semana de estreno en EE. UU. y Canadá
- USD 28,138,465
- 19 mar 2000
- Total a nivel mundial
- USD 257,851,763
- Tiempo de ejecución
- 2h 11min(131 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1