CALIFICACIÓN DE IMDb
8.2/10
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TU CALIFICACIÓN
Un concierto que representa la actuación de The Doors en el Hollywood Bowl en 1968.Un concierto que representa la actuación de The Doors en el Hollywood Bowl en 1968.Un concierto que representa la actuación de The Doors en el Hollywood Bowl en 1968.
Opiniones destacadas
This is a concert that is sure to get any Doors fan going. It is a pleasure to watch... the film and sound quality of the DVD is stupendous. The entire band is in peak performance mode - Jim Morrison does let his fans down here. He does not appear overly messed up on anything instead he seems fairly sober so he gives a great performance.
If you want see any Doors concert then this is the film to see. It's been called their best live performance by many and when you watch it you'll see why.
List: When the Music's Over, Alabama Song (Whisky Bar), Back Door Man, Five to One, The WASP, Hello I Love You, Moonlight Drive, Horse Latitudes, A Little Game, The Hill Dwellers, Spanish Caravan, Light My Fire, The Unknown Soldier, The End.
My DVD includes the bonus features: Echoes From The Bowl, You Had To Be There, Reworking The Doors, Wild Child (Smothers Brothers Show), Light My Fire (Jonathan Winters Show), Gloria (Music Video).
10/10
If you want see any Doors concert then this is the film to see. It's been called their best live performance by many and when you watch it you'll see why.
List: When the Music's Over, Alabama Song (Whisky Bar), Back Door Man, Five to One, The WASP, Hello I Love You, Moonlight Drive, Horse Latitudes, A Little Game, The Hill Dwellers, Spanish Caravan, Light My Fire, The Unknown Soldier, The End.
My DVD includes the bonus features: Echoes From The Bowl, You Had To Be There, Reworking The Doors, Wild Child (Smothers Brothers Show), Light My Fire (Jonathan Winters Show), Gloria (Music Video).
10/10
You would think that a guy has famous as Jim Morrison was in the history of the rock 'n roll would be a little more dynamic.
When I saw this on VHS way back when I was expecting something exciting. I grew up with all these bands (and a lot earlier rock in the '50s). I knew the songs and I had heard about Morrison making obscene gestures, etc., in concerts. I didn't expect, or want, that but I wanted SOME visuals worth watching, otherwise why not just stick with the CDs?
Morrison might have well have been in a coma for all the animation he exhibited. What you get on this tape (or DVD) is seeing a singer grabbing on the to microphone with two hands and singing into it - nothing else. I saw more life in zombie movies.
Hey, I usually liked music of The Doors. Their songs and lyrics were dramatic and bold and exciting....everything this concert is not.
When I saw this on VHS way back when I was expecting something exciting. I grew up with all these bands (and a lot earlier rock in the '50s). I knew the songs and I had heard about Morrison making obscene gestures, etc., in concerts. I didn't expect, or want, that but I wanted SOME visuals worth watching, otherwise why not just stick with the CDs?
Morrison might have well have been in a coma for all the animation he exhibited. What you get on this tape (or DVD) is seeing a singer grabbing on the to microphone with two hands and singing into it - nothing else. I saw more life in zombie movies.
Hey, I usually liked music of The Doors. Their songs and lyrics were dramatic and bold and exciting....everything this concert is not.
Have loved The Doors since I was a teenager and still do, despite not enjoying this.
I don't think The Doors were ever known for truly magnificent live performances. This isn't one of them either. I'm surprised by many of the rave reviews about this. I can only imagine those reviewers had dropped even more acid than Jim Morrison. Perhaps that was half my problem. Having 10 years of sobriety perhaps isn't the best preparation heading into this.
But you shouldn't need to be whacked on drugs to enjoy good music. This just came across like a bunch of young, pretentious art students who had discovered acid over their summer break. Unconvincing in its delivery, The Doors more closely resemble a garage band jamming in their Mum's garage here. Occasionally they seem to remember they're performing in front of an audience, which is where the sudden, occasional wailing screams of Jim Morrison abruptly jolt our attention back.
I loved Hello I Love You, Alabama Song and Back Door Man. Light My Fire was alright too, despite Morrison's clear dislike of it. I was relieved when the rest of the show was over though, which is disappointing. I'll stick to playing their records in my bedroom instead.
I don't think The Doors were ever known for truly magnificent live performances. This isn't one of them either. I'm surprised by many of the rave reviews about this. I can only imagine those reviewers had dropped even more acid than Jim Morrison. Perhaps that was half my problem. Having 10 years of sobriety perhaps isn't the best preparation heading into this.
But you shouldn't need to be whacked on drugs to enjoy good music. This just came across like a bunch of young, pretentious art students who had discovered acid over their summer break. Unconvincing in its delivery, The Doors more closely resemble a garage band jamming in their Mum's garage here. Occasionally they seem to remember they're performing in front of an audience, which is where the sudden, occasional wailing screams of Jim Morrison abruptly jolt our attention back.
I loved Hello I Love You, Alabama Song and Back Door Man. Light My Fire was alright too, despite Morrison's clear dislike of it. I was relieved when the rest of the show was over though, which is disappointing. I'll stick to playing their records in my bedroom instead.
You cannot find a more incredible performance than this one from The Doors... the band pushes all barriers and breaks them down piece by piece, song by song. The energy of the band can be felt though your speakers as it creeps into your soul. Simply outstanding!
10/10
10/10
To see a complete concert from the Doors is like taking a wild trip into a different frame of mind in rock and roll, when you could see just about anything on stage creatively. This concert, from 1968 in Hollywood, is the band in their utmost prime. With the Doors you get the strange, overpowering presence and lead-man power of Jim Morrison, who gets in such a frame of mind during his sets one wonders if he puts himself in a trance (or maybe not- before 'The End' plays, he tries to tell the lighting people to fix something, and it becomes a little comical). Bottom line is that the concert features the best of the Doors live, and for especially the more blues-driven rock fans, there are some great numbers of 'Alabama Song', 'Back Door Man', and 'Five to One'. But mostly, and this was the pleasure for me, the highlights include the longer songs- the slow, pulsating 'When the Music's Over', the classic hit 'Light my Fire' (as many times as I've heard it on the radio, it never gets old live), 'The End' being one of the Doors most notorious and beautiful epics, and their most stream-of-consciousness work 'Celebration of the Lizard' which has the distinction of having Morrison's poetry overcoming the rock parts of the song. Basically, it's one of the purest rock concert videos out there, and it may even turn on some casual observers of the Doors to check out more of the non-radio stuff like 'Lizard' and 'Spanish Caravan'. A+
¿Sabías que…?
- TriviaJim Morrison had taken LSD prior to going on stage. The effects become noticable during the set. John Densmore commented that "I felt something was a bit off, Jim would come in early or late in different sections of the song."
- Versiones alternativasThe Special Edition released in 2021, in celebration of L.A. WOMAN, includes a brand-new musical performance and a conversation with John Densmore, Robby Krieger and Doors Manager, Jeff Jampol, filmed exclusively for the big screen. It was also remastered in Dolby ATMOS® and 5.1 surround sound by Bruce Botnick, the original engineer & mixer for The Doors who recorded the live performance at the Hollywood Bowl in 1968 and co-produced L.A.WOMAN. Meticulously restored from original camera negatives and remixed and mastered using original multi-track tapes, "The Doors: Live At The Bowl '68 Special Edition" features the concert in its entirety, including "Hello, I Love You", "The WASP (Texas Radio and the Big Beat)", "Light My Fire" and "The End".
- ConexionesEdited into The Doors Collection (1999)
- Bandas sonorasWhen the Music's Over
Written by The Doors
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Doors: Live at the Bowl '68
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 600,000 (estimado)
- Tiempo de ejecución
- 1h 11min(71 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.78 : 1
- 1.33 : 1
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