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Enlace mortal

Título original: Phone Booth
  • 2002
  • B15
  • 1h 21min
CALIFICACIÓN DE IMDb
7.1/10
296 k
TU CALIFICACIÓN
POPULARIDAD
1,290
1,917
Forest Whitaker, Katie Holmes, Colin Farrell, and Radha Mitchell in Enlace mortal (2002)
Trailer
Reproducir trailer2:29
2 videos
99+ fotos
CrimenSuspenso psicológicoThriller

El publicista Stuart Shepard queda atrapado en una cabina telefónica, amenazado por un extorsionista con un rifle de francotirador.El publicista Stuart Shepard queda atrapado en una cabina telefónica, amenazado por un extorsionista con un rifle de francotirador.El publicista Stuart Shepard queda atrapado en una cabina telefónica, amenazado por un extorsionista con un rifle de francotirador.

  • Dirección
    • Joel Schumacher
  • Guionista
    • Larry Cohen
  • Elenco
    • Colin Farrell
    • Kiefer Sutherland
    • Forest Whitaker
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.1/10
    296 k
    TU CALIFICACIÓN
    POPULARIDAD
    1,290
    1,917
    • Dirección
      • Joel Schumacher
    • Guionista
      • Larry Cohen
    • Elenco
      • Colin Farrell
      • Kiefer Sutherland
      • Forest Whitaker
    • 724Opiniones de los usuarios
    • 149Opiniones de los críticos
    • 56Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 8 nominaciones en total

    Videos2

    Phone Booth
    Trailer 2:29
    Phone Booth
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?
    What Roles Has Colin Farrell Been Considered For?
    Clip 3:40
    What Roles Has Colin Farrell Been Considered For?

    Fotos114

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    + 106
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    Elenco principal54

    Editar
    Colin Farrell
    Colin Farrell
    • Stu Shepard
    Kiefer Sutherland
    Kiefer Sutherland
    • The Caller
    Forest Whitaker
    Forest Whitaker
    • Captain Ramey
    Radha Mitchell
    Radha Mitchell
    • Kelly Shepard
    Katie Holmes
    Katie Holmes
    • Pamela McFadden
    Paula Jai Parker
    Paula Jai Parker
    • Felicia
    Arian Ash
    Arian Ash
    • Corky
    Tia Texada
    Tia Texada
    • Asia
    John Enos III
    John Enos III
    • Leon
    Richard T. Jones
    Richard T. Jones
    • Sergeant Cole
    Keith Nobbs
    Keith Nobbs
    • Adam
    Dell Yount
    Dell Yount
    • Pizza Guy
    James MacDonald
    James MacDonald
    • Negotiator
    • (as James Macdonald)
    Josh Pais
    Josh Pais
    • Mario
    Yorgo Constantine
    Yorgo Constantine
    • ESU Commander
    Colin Patrick Lynch
    Colin Patrick Lynch
    • ESU Technician
    Troy Gilbert
    • ESU Sniper
    Richard Paradise
    • ESU Guy
    • Dirección
      • Joel Schumacher
    • Guionista
      • Larry Cohen
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios724

    7.1296K
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    Opiniones destacadas

    bob the moo

    Small scale and slightly flawed but gripping and very enjoyable thriller

    Stu Shepherd is in public relations and uses lies and deceit everyday in his job to get things moving. When calling a client from a phone booth in the hope of getting her to a hotel. When he hangs up the phone rings and he answers to what he assumes is a prank call. However the caller reveals more and more about Stu exposing his lies. When Stu tries to leave the caller reveals that he has Stu pinned down with a sniper rifle and the death of a man by the booth proves it. The police arrive and surround Stu while the caller continues his game.

    Everyone knows that it had a small budget, a shooting window of just over a week and that it was made years ago and shelved as Farrell's star power increased and real life terrorist attacks and snipers came and went in the media and the mind of the American public. So I'll not dwell on that and instead talk of the film! The pitch was enough to get me interested – `man is held in phone box by sniper' – sounds great! I really wanted to see this film but was put off by the trailer, but not of the films I saw wrong in the trailer were to the detriment of the film as over 80-odd minutes it really runs like a race horse.

    Starting with humour and a free-flowing pace it turns sinister early on but keeps the pace. In terms of plot it has many good twists and turns that will keep you interested and on the edge of your seat. The only issue for me was accepting why the sniper was doing it and how he was able to get access to the equipment he would have needed as well as the information – not to mention the WILL to do it! Also little things bugged me, but the film carries itself over these obstacles well enough and reservations are soon forgotten. It sounds simple but the simple ideas work best and, although low on action (sorry, teen boys!) it is driven by dialogue and simply not knowing what will come next.

    The direction helps the film by constantly moving and using split screens etc to give the impression that a lot is going on at once – again making the film feel like it has a fast pace. It feels a little gimmicky (especially now that we've had 2 series of 24 doing the same thing) but it works regardless. I wrote in an old review (8mm I think) that I would never pay to see a Joel Schumacher film ever again, and I DIDN'T pay to see Phone Booth! However I was surprised because he didn't ruin it! He did a good job – yes, you heard me! His usual excesses seem to have been controlled by a good producer and editing team and the film works – much to my surprise and relief!

    Farrell may not be a bona-fide Hollywood star yet but he takes the task of being onscreen for almost the whole film and runs with it. He makes a comically cruel character someone that reveals himself to be a loser but never loses the audience – and that takes talent. Sutherland's voice on the trailer didn't work for me (too normal and slow) but in the film he is excellent, like the director said, no-one else could have done the role, he is right for it. Whitaker makes up the third lead and he holds his corner well.

    It may not be without the odd flaw but this film manages to be simple, gripping and very effective. Well worth a look.
    8rbverhoef

    Farrell is great

    Stu Shepard (Colin Farrell) uses a pay phone to call his mistress (Katie Holmes) and after he hung up the phone rings. He picks it up, of course, and learns that there is a sniper on the other side of the line. When he hangs up the sniper will shoot him, so he is told. Before he entered the booth we saw Stu talking on his cell phone as a PR-man, constantly lying to people. The sniper has observed Stu and thinks he deserves to die.

    When the sniper demonstrates he is real by shooting a pimp near the booth the police arrives and thinks Stu is the shooter. Capt. Ramey (Forest Whitaker) slowly understands things are not as they seem.

    Colin Farrell who is in almost every scene is great. First he looks so confident and slowly he becomes more and more desperate. The voice of the sniper (Kiefer Sutherland) is also perfect for the movie. It sounds calm but creepy, like a dangerous man who knows what he is doing.

    The movie is not very long and here that is a very good thing. Scenes are not dragged to make the movie as long as most movies and therefor it doesn't get boring. It kept me on the edge of my seat. A very good thriller.
    Jason_Lee

    Synopsis of this flick without spoiling the end.

    Have you ever seen a movie that you would actually pay money to watch more than once? What if I told you that this film had a setting of only one main location, two main actors and three supporting cast members? While these elements don't make up what a classic movie sounds like on paper, add director Joel Schumacher (Bad Company, 8mm) into the mix, along with screenwriter Larry Cohen, who had this story handed down to him by Alfred Hitchcock himself about 30 years ago, and you have the perfect blend of blackmail, violence and extortion: Phone Booth. The story begins by showing a glimpse into the life of Stu Shepard (Daredevil's Colin Farrell). Stu is a New York hustler that people love to hate. He is egotistical, two-faced to everyone he knows and does what he can for personal gratification. He even fantasizes about cheating on his wife Kelly (Pitch Black's Radha Mitchell) and the object of that desire is Pamela McFadden (Dawson Creek's Katie Holmes). Pam is a young actress trying to get her first break, while Stu has been grooming her for the big time. To avoid having his calls to Pam appear on his cellular phone bill, Stu calls her from the lone phone booth left in the heart of NYC. However, things would be different on this day. Upon hanging up, he receives a call that would turn his whole world upside down. The caller (24's Kiefer Sutherland) is a sniper, who has been targeting high-profile underhanded suits, just like Stu. He has a few simple rules so that Stu does not meet the same fate that two others had before him: don't leave the booth, don't tell anyone who he's talking to, and most importantly, don't hang up. To prove his seriousness, the caller shoots and kills a pimp who tries to physically remove Stu from the booth for taking too much time with his call. This, as expected, does not help matters, and the fallen pimp's hookers now believe it was indeed Stu who committed the murder. Soon, the NYPD and numerous media outlets are covering this serious situation. Things become increasingly difficult for Stu Shepard as Kelly and Pam both show up. In the meantime, the caller continues to play various mind games, while the sympathetic NYPD Captain Ramey (Twilight Zone's Forest Whitaker) tries to solve the issue. During all of this, Stu tries to maintain his sanity and not risk any more lives. His lies no longer matter. As a result, he must now search his soul, discover himself and attempt to outsmart the caller, taking the game to a whole new level. The cinematography is outstanding. Schumacher uses the right angle for every shot, and manages to keep everyone's attention with quick pans and abrupt cuts. In the end, the 80-minute movie seems longer but not because it is boring. The biggest payoff comes with the twist ending that changes the film's outcome within sixty seconds. There was not one bad performance in Phone Booth. Farrell's ability to convert his Irish brogue to a Brooklyn drawl makes his performance as Bullseye in Daredevil look like a child's school play when compared to the Broadway-level of acting he manages here. While Mitchell and Holmes did not have lengthy parts, their roles added just enough to the story and they managed to perform up to the standards of their characters. Forest Whitaker was a surprisingly great addition to the cast and his role as a sympathetic cop is one that's not often seen, and should thus be welcomed. However, all of these actors are outshined by Kiefer Sutherland, who ends up being extremely creepy and one of the best antagonists in recent movie history by just using his voice. Will this win Best Picture at next year's Academy Awards? It probably won't. However, with a great story, top-notch directing and a cast with great chemistry, what more could you ask for? Out of a possible five stars, I give this the limit of five with desires to go even higher. While I would go see it again and again, not everyone has the same tastes. However, I would put down the $8 for a ticket to see the flick at least once. If nothing else, it will make you stop and think: the next time you enter a phone booth, just who will be watching?
    8bostonboy

    Entertaining and full of suspense!

    This is the kind of movie that is rare these days. It didn't cost an arm and a leg to make, it stars some good actors and the story line was plausible.

    The Hitchcock influence is obvious and the pacing of the film was just right. This is the best work of director Schumacher. The lead could have been played by any yuppie looking actor but Colin Farrell does a good job anyway in a role that puts you in his character's place.

    It's hard to make a movie work when it takes place in a confined space with few characters, but when those movies succeed, it shows. And that's how it is with "Phone Booth."
    7michaelRokeefe

    When a phone rings...

    Director Joel Schumacher preserves his reputation with a script by Larry Cohen about personal morals and hopefully the truth providing some kind of redemption. This is a white knuckle nerve wrecker about a self-serving publicist(Colin Farrell)making the mistake of his life by answering a public telephone. On the other end of the phone is a self empowered mad man(Kiefer Sutherland) inflicting demands on the fast talking, fast thinking publicity dealer who just happened to be walking by the phone booth he passes every day. The mystery voice on the phone demands the publicist to stay in the phone booth until he tells his wife(Radha Mitchell)and the TV watching public of his cheating, lying and making use of others. Of course behind the demanding voice is a sharpshooter that is not afraid to pull the trigger. The senior officer on the scene(Forest Whitaker)tries to make sense of the situation while fighting back thoughts of his own past personal problems. At least 90% of this thriller is made up of witty, threatening and revealing banter between Farrell and Sutherland. And talk about a clever twist to end this flick. Also of note in the cast are: Katie Holmes, Richard T. Jones and Paula Jai Parker. Think twice about answering that ringing phone.

    Argumento

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    ¿Sabías que…?

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    • Trivia
      The phone actually worked, and there was someone on the other line talking to Colin Farrell speaking as the caller, but Kiefer Sutherland's voice was added in during post-production.
    • Errores
      At the end of the movie as Stu (Colin Farrell) lies in the ambulance after being shot, he is given medication for the pain which makes him very disoriented just in time for The Caller (Kiefer Sutherland) to show up and taunt him. The person who administered the medication just hops out of the ambulance. Any time an injured person would be given such a strong medicine, they would be monitored to ensure that they have no negative reaction.
    • Citas

      Stu: I have never done anything for anybody who couldn't do something for me. I string along an eager kid with promises I'll pay him money. I only keep him around because he looks up to me. Adam, if you're watching, don't be a publicist. You're too good for it. I lie in person and on the phone. I lie to my friends. I lie to newspapers and magazines who, who sell my lies to more and more people. I am just a part of a big cycle of lies, I should be fuckin' president. I wear all this Italian shit because underneath I still feel like the Bronx. I think I need these clothes and this watch. My two thousand dollar watch is a fake and so am I. I've neglected the things I should have valued most. I valued this shit. I take off my wedding ring to call Pam. Kelly, that's Pam. Don't blame her. I never told her I was married. And if I did she, she would have told me to go home. Kelly, looking at you now, I'm ashamed of myself. All right? I mean, I work so hard on this image, on Stu Shepherd, the asshole who refers to himself in the third person, that I only proved I should be alone. I have just been dressing up as something I'm not for so long, I'm so afraid no one will like what's underneath. But here I am, just flesh and blood and weakness, and uh and I love you so fucking much. And, um, I take off this ring because it only reminds me of how I've failed you, and I don't, don't want to give you up. I want to make things better, but it may not be my choice anymore. You deserve better.

    • Créditos curiosos
      The 20th Century Fox logo blends into the white clouds that open the film.
    • Versiones alternativas
      The FX Network airs this movie with Jared Leto's deleted scene reinserted to bring up the film's running time to fit a two-hour block.
    • Conexiones
      Featured in Friday Night Saturday Morning (2007)
    • Bandas sonoras
      Operator
      Written by William Spivery

      Produced by Nathan Larson

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    Preguntas Frecuentes

    • How long is Phone Booth?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de junio de 2003 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Suajili
    • También se conoce como
      • Phone Booth
    • Locaciones de filmación
      • Los Ángeles, California, Estados Unidos
    • Productoras
      • Fox 2000 Pictures
      • Zucker/Netter Productions
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 13,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 46,566,212
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 15,021,088
      • 6 abr 2003
    • Total a nivel mundial
      • USD 97,837,138
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 21 minutos
    • Color
      • Color
    • Mezcla de sonido
      • DTS
      • Dolby Digital
    • Relación de aspecto
      • 2.39 : 1

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