Agrega una trama en tu idiomaThough Genghis Khan eventually sought peace with the West, his death in 1227 AD puts into power his three war-like sons: Sayan, Susdal, and Kin Khan. These sons quickly overrun the city of T... Leer todoThough Genghis Khan eventually sought peace with the West, his death in 1227 AD puts into power his three war-like sons: Sayan, Susdal, and Kin Khan. These sons quickly overrun the city of Tuleda and take prisoner Princess Bianca, though young Prince Alessio escapes. Hercules com... Leer todoThough Genghis Khan eventually sought peace with the West, his death in 1227 AD puts into power his three war-like sons: Sayan, Susdal, and Kin Khan. These sons quickly overrun the city of Tuleda and take prisoner Princess Bianca, though young Prince Alessio escapes. Hercules comes to the rescue of Bianca, winning her freedom in a tournament in exchange for becoming a... Leer todo
- Dirección
- Guionistas
- Elenco
- Susdal
- (as Renato Rossini)
- Kin Khan
- (as Nadir Baltimore)
- The King
- (as John MacDouglas)
- Mongol Elder
- (as Rubien Howard)
- Enslaved Woman
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
So another Sword and Sandal movie. It's quite decent, with the obvious fights but also some humor in spaces. It is what it is
Hercules, dubbed within an inch of his life and his loins covered within an inch of his modesty, is told he is to fight the Mongols by an oracle.
A female voice then tells us it's 1227. She continues to tell us of the leaders of Mongolian tribes that Hercules will fight. They are the three sons of Ghengis Khan and they lust for conquest. To incite their people to go to war they kill one of their own and blame "THE WHITE MAN!" THE WHITE MAN must be punished!
The Mongols burn houses (in this movie symbolically represented by a miniature hut) and kill many WHITE MEN or take them as slaves. Amid all the confusion you can always tell the Mongols from THE WHITE MAN. The Mongols are hairy, manly and wearing leather. THE WHITE MEN are shaved, feminine and wearing felt.
The Mongols discover that an heir to THE WHITE MAN's throne has escaped. "We must find him!" exclaims one son of Ghengis Khan. "We must kill all the legitimate heirs to the throne!" The boy, Alexander, wanders through the woods and comes across Hercules who is playing pick-up-sticks with tree trunks. "Why are you moving those trees?" asks Alexander, his dubbed voice sounding like he is speaking in a wind tunnel. "What are you doing out here, little boy?" asks the grinning, mostly unclad Hercules in what is the movie's creepiest moment.
It isn't long before Hercules is fighting the Mongols. Hercules picks up a tree trunk and stands there as the Mongols ride their horses into him. Defeated, the Mongols sneer "We will meet again!" and run off.
Beefcake films are more of a curiosity nowadays but I must admit I enjoy watching them. They are, by no means, Great cinema but they are fun to watch: half-clad men fighting, posing, and delivering absurd lines.
The only disappointment was the lack of the midget actor usually found in these films. How can it be an Italian production without a midget?
Afterthought: There is one fight with a lion that is pretty harrowing and could be considered cruelty to animals. If you are squeamish about such things be forewarned: you may want to skip this one.
Loincloth!
Maciste's name is changed to 'Hercules' in some countries again, which doesn't make much sense as the legends of Hercules are set approximately 3000 years before Genghis Khan lived. Nevertheless, this is one of the better productions of the series. The idea to have several villains instead of the usual usurper of the throne makes the story slightly less predictable, and the production value with many horses and extras is above average. The typical human touch - Maciste, helper of the poor - is introduced nicely in the first scene when Maciste builds a bridge.
After the death of Genghis Khan (Giuseppe Addobbati), there are fierce battles over the inheritance between his violent sons (strong cast including: Ken Clark, Howard Ross and the Italian male model Nadir Moretti). The Poles attacked by the Mongols in particular had to suffer from this. When the beautiful Bianca (Jose Greci) is kidnapped, the Italian film legend Maciste (the bodybuilder Mark Forest, born in 1933, who later performed very successfully as an opera singer) intervenes. And if the muscleman has to tear up trees to do it!
You can tell that the plot of the film shouldn't be taken too seriously. National hero Maciste was often used by film producers all over the world and in all cultural circles. The main thing was to prevent injustice and save a beautiful girl. So in this film it's the Mongols' turn. The mask doesn't look very convincing, but that's not the point. The action scenes are quite entertaining. It's also interesting to see the soon-to-be James Bond imitator Ken Clark (From the Orient with Fury) in a villainous role. It was directed by Domenico Paolella, who hasn't made a big name for himself in this genre.
Nevertheless: definitely recommended for peplum fans!
¿Sabías que…?
- TriviaItalian censorship visa # 41742 delivered on 25-11-1963.
- ConexionesFeatured in Best in Action: 1963 (2019)
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Detalles
- Tiempo de ejecución
- 1h 30min(90 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1