I Kina spiser de hunde

Hit action comedy from celebrated writer Anders Thomas Jensen and director (and former stuntman) Lasse Spang Olsen. Put-upon Arvid is left by his girlfriend, and when he manages to foil a bank robbery with a squash racket, his life goes from bad to worse, getting involved with hardened criminal brother Harald (the excellent Kim Bodnia, tough and hilariously deadpan). Perhaps the highest body count of a Danish movie ever (Arvid accidentally wastes entire rockband Red Warszawa with a machine gun), film suffers from occasional amateurish stunts, but is peppered with Jensen´s terrific dialogue, and a what-me-worry approach that is very rare among Danish filmmakers. Nikolaj Lie Kaas and Tomas Villum Jensen make a great comedic duo as the reluctant body disposers, who just want to be cooks. Framed by a strange supernatural story that is so politically incorrect that you can´t help but laugh out loud. *** (of ****)

This is an entertaining crime comedy with an all-star Danish cast (Kim Bodnia, Dejan Cukic, Nikolaj Lie Kaas, Trine Dyrholm, Jesper Christensen and many others) and a plotline reminiscing of films such as ''The Snatch'',''Lock, Stock And Two Smoking Barrels'' or ''RocknRolla'', but retaining the special Nordic characteristics in crime fiction. The story revolves around the relationship between two brothers (played by Cukic and Bodnia), having totally different personalities and character traits from one another. This is a film that contains many funny -even sometimes hilarious- dialogue and scenes and it can be categorized into the ''black comedy'' genre. The acting is great, the action scenes are well-shot and overall ''In China They Eat Dogs'' is a movie that can be compared with the more expensive English and American productions. Here, we meet again the actor who impersonated Radovan in the ''Pusher'' trilogy by Nicolas Winding Refn, named Slavko Labovic in an almost identical role. The main antagonist in the film is the Serbian mafia, as usual in Scandinavian crime fiction books and tv productions, and Labovic is a kind of top henchman for the Serbs. In my opinion, this is a film that will be highly appreciated by the -many- fans of Danish cinema and Scandinavian crime film productions in general.

I was wondering why this movie just got a 7.something - saw the very first comments on this and got kind of angry. What the heck went wrong with you guys? Why need to compare this masterpiece by a boring Tarantino? Seems the director got some jealous friends. But never-mind, its nearly 10 years ago.

The Main-characters: Arvid, Harald, Vuk and the cooks went out to make danish movies famous, and thats what just happened: Im going to watch them all.

Take it as it comes: this movie is simply a must - great cast and an awesome dirty story. This one belongs into the the all-time 250 hall.

First time you'll laugh, second time you'll explore all the fine acting, finally and third time, you'll become jealous about killing a rock'n roll-band. Who has never dreamed about it ;)

This is a very funny movie that entertains you all the way. Something happens from the beginning through the end. Even during the subtitles people stayed, to hear the last jokes. Many of the things happening has been done before, but here is added some typical Danish black humor. Like when one guy, shoots another guy, and then calmly asks him to shut up. And even though the poor guys brain is all over the room, you can't help laughing. I think there are 22 killings in the movie, but it's done in a way, so you never takes it serious. You are always aware that this is a movie, and it's all just for fun.

I think it can be compared to Pulp Fiction, for the way people gets killed, and to Lock, Stock and Two Smoking Barrels in the way the main characters are trying to raise money, with all the problems and killing this leads to.

I will give this a 9 of 10, because it's a little superficial, and not totally original, but I haven't laughed so much for a long time. Not since I saw the other new Danish top comedy Den Eneste ene in the spring.

I have seen both IN CHINA THEY EAT DOGS and it's prequel, OLD MEN IN NEW CARS, and I have to say that this is the best of them. Where OLD MEN is a little more formulaic and recognizable as an average crime comedy, CHINA has fantastically bizarre elements that surprise and alarm. It's amazing how comical death can be if handled in the right way.

The film does bring up genuinely philosophical questions of right and wrong that, in my household, spurred interesting discussions about morality vs. social norm.

By the end of the film you most likely will be thinking about the same things and hoping that in your last hours you too will be able to avoid the men in the funny pants.