Letras prohibidas, la leyenda del Marqués de Sade

QUILLS / (2000) ***1/2 (out of four)

By Blake French:

"To know virtue we must aquatint ourselves with vice."

Marquis de Sade

Philip Kaufman's "Quills" will leave some audiences cheering and others disappointed and disgusted; there are good logical arguments from both sides. One of the most controversial movie of the year, "Quills, " based on the play by Douglas Wright, doesn't entirely examine the torpid mind of the disreputable 18th century French author, the Marquis de Sade, but instead indicates the impact his sexually and sadistically explicit literary work influenced the public. The biggest argument could be made with the sanity of Marquis de Sade himself, as whether he was a perverted, sex-obsessed psychopath or simply a spirited aristocrat who only stood for artistic expression and freedom of speech. The movie's characters take their own sides; after becoming aware of the authors material, Napoleon wants de Sade (Geoffrey Rush) shot dead at the insane asylum he is being held at, but instead a sadistic torturer named Dr. Royer-Collard (Michael Caine) is assigned to take charge of the patient; the virginal laundress Madeleine (Kate Winslet) , thinks de Sade is a writer, not a madman, and helps to smuggle his erotic stories out of the institution for public publication; the asylum priest, Adde Coulmier (Joaquin Phoenix), first befriends de Sade and grants him special privileges, but once he discovers the extremity of his subversive ideas, he reluctantly changes opinions. De Sade inarguably had some fanatical fantasies, but the film leaves it up to us to realize his lustful imagination captured on paper are transpired due to his inability to experience them in the real world outside of his chambers. The subject is carnal and a bit unsettling, and the movie exploits the eroticism clearly on screen; the film is strictly intended for mature audiences. But director Philip Kaufman ("The Right Stuff") does not portray the likes of de Sade in a disturbing manner, but keeps the story engaging. The atmosphere feels accurate and convincing, and the movie is not without humor and the expected material found within the mental institution, like the patient who thinks he is a bird, a pyromaniac, and the hulking horny guy who has his mind set out on raping any human with two legs with no external organs between them. There are a few scenes that could have captured the audience a bit more exclusively. However the entirely convincing, intense, brave, Oscar worthy performances by Michael Caine and Geoffrey Rush make up for that. The Marquis was an extremely complex individual, and Rush captures that through a character without heart or compassion, but with spirit and zest; even though de Sade went through each day with suffering, he still approached life with insight, ambition and curiosity. He is so determined to fulfill his need to write his perverse ideas, after forbidden and when his quills are taken away he still prevails by using blood, wine, and feces in the place of ink, and his clothes, sheets, and walls as paper. De Sade stands as an example that society is most successfully established when people understand that we are all simply expressions of our own nature, that it is most healthy to declare our motives and passions to ourselves. He is also a prime example of self-control, and that freedom of speech only carries us so far. It would be interesting to see what would happen if Marquis de Sade was to live in present times and if he was to exploit his ideas on screen or in novels. I think he would push the envelope to yet another level and have quite an influence on today's society. I hope people who see the artful "Quills" share their opinions with one another, after all, that is the reason why filmmakers make movies like these.

I originally went to see this one in a movie theater on a whim - I was feeling spontaneous, so I bought a ticket for a movie I knew nothing about, and went in free of preconceptions or expectations.

The cleverness of the very first scenes brought a smile to my face, and I knew I was in for a rare treat; off the top of my head, I can't think of a movie with a better conceived, audience grabbing opening sequence.

And the impression lasted throughout this great film. Quills is a passionate (and entertaining!) cry in defense of artistic freedom, and the fundamental freedoms of speech and religion; and it is a deliciously clever movie, both in dialog and in plot. It is actually a movie that has something to say, and does it in an entertaining, engaging way that doesn't leave the audience feeling that they are being lectured to or talked down to.

A few scenes are gruesome and unpleasant, but they, I think, are a necessary evil for the telling of the story, not a gratuitous shock-tactic.

The performances are excellent throughout, and the storyline is will firmly claim and keep your attention. Quills is the sort of movie that you don't forget, and that'll linger on in your mind long after you've seen it.

I would heartily recommend this movie to anyone - even if it doesn't sound like the type of movie you'd normally go for. I for one am very glad that I happened to be feeling spontaneous the day I went to see it, because otherwise I would most likely have missed it. So give your spontaneity a chance if you happen upon Quills in your local movie rental place.

Quills is a movie about the man The Marquis De Sade. If you are not familiar with him watching the movie would be advisable even though your own research might be better. The film follows him played amazingly by Geoffrey Rush in a insane asylum. Michael Caine who is an expert at "curing" people of their madness wishes to take a new approach at solving the mental in-capacities of the inmates of the Charenton. This of course it that of more brutal methods than that of the Abbe played by Joaquin Phoenix. What does seem of the least cruel of the punishments in this movie turns out to be the most costly, Sade is no longer allowed to write. This had dramatic affects on him and his state of mind.

In the movie Geoffrey Rush simply shines. Here he proves once again how he has undoubtedly one of the most under appreciated actors around today. His performance is unique in that he plays a man considered perverse yet brilliant, a man of many self contradictions. As the film wears on Geoffrey Rush does not take the easy way out in making his performance extraordinary flashy, in fact it remains quite subtle. His subtly is what truly makes his performance great with the many underlying tones he carries. Michael Caine whenever in a film carries this great presence with him and continues to do so here. He is obviously a man of many secrets and I had wished he was given more screen time to study his more of his character motivations and actions. Kate Winslet and Joaquin Phoenix play well in this movie but have had better performances which is a true testament to their abilities.

The writing of the movie is very good in that the movie remains interesting throughout. What fails though is the directing. It was solid but refused took unnecessary turns in the film. The romantic tension between Winslet and Phoenix was pushed upon the story a bit too hard and at times dragged away from what was a compelling enough of a theme: freedom of expression.

Freedom of expression is something that we all have to have in our lives. If we do not have it we will go crazy like many of the inmates of the Charenton. Our ideas is what keeps us going and when that right is taken away from us our problem do not disappear they erupt. For example some people express their ideas through writing such as the Sade in this film. If that is taken away not only do we lose our sanity but along with it our very humanity. We can no longer differentiate between fantasy and reality as Geoffrey Rush so perfectly illustrates. That is what this film showed but unfortunately did not show enough of. If it had stayed more consistent with this theme and picked it apart in other aspects it would have reached at the height of greatness. Yet it did not and is very good recommendable film but not what it could have been.

It's post-revolutionary France. Napoleon is in power. The Age of Enlightenment is in full swing, yet the remnants of the Dark Ages still linger to restrain the thinking of many a powerful monarch, religious leader and rank-and-file common citizen. In all areas of life, the barriers to freedom and self-expression are rapidly giving way, leaving traditional institutions and values fighting for their very survival. And this includes that most sensitive of all areas, the one that has, perhaps, caused more consternation for the race than any other in our history – determining the role that sexuality plays in defining who we are physically, emotionally and spiritually. Long thought of as little more than a necessary evil, sexuality is suddenly starting to be reexamined in the light of other scientific and academic reassessments. Small wonder that at such a crucial moment in mankind's sexual awakening, a figure like the Marquis De Sade would emerge, a man whose name has since become synonymous with perversion, deviancy and licentiousness. It is this epic struggle between religion and nature for the soul of humanity that Philip Kaufman captures so brilliantly in his wickedly perverse, mordantly witty and brilliantly acted film, `Quills.'

Director Kaufman, working from a screenplay by Doug Wright (based on his play of the same name), chooses to start his tale almost at its end – at the period when De Sade was already wasting away in an insane asylum, considered too perverted and dangerous in his ideas to be allowed to run loose among the general populace. Yet, it's hard to keep a creative genius down – and De Sade has, unbeknownst to the priest who runs the facility, been regularly smuggling out manuscripts to publishers on the outside, much to the chagrin and delight of many elements of the French public. One of those least amused is Napoleon himself, who decides that he must take action in silencing this reprobate once and for all. He decides to send a `specialist' in mental health – one Dr. Royer-Collard, a man more in tune with the techniques of the Spanish Inquisition than of modern medicine – to take charge and bring De Sade to his senses. Wright's and Kaufman's other two main characters include the priest, The Abbe du Coulmier, who is keeper of the institution, and Madeleine LeClerc, a beautiful young devotee of De Sade's work who serves both as laundress and chief smuggler for the author and his works.

In many ways, the most interesting conflict turns out to be the one between De Sade and the Abbe, two men seemingly antipodes apart yet somehow able to find a common ground of mutual respect and understanding. On the one hand, we have a man who has completely thrown away all sexual inhibitions and indeed lives to not only experience every possible sexual pleasure but to encourage others to do so as well. On the other hand, we have a man who has chosen a life of chastity and celibacy, opting to completely shut down the sexual aspect of his life as a pious sublimation to God – and yet neither extreme seems normal, healthy or practicable. In fact, near the end, De Sade suffers the torment of realizing that someone he cares for very deeply has become a tragic victim of one of his `ideas' run amuck, just as the Abbe, after years of repression, finds himself inching ever closer to the insanity that he is supposed to be curing in others.

Interestingly, the Abbe, the representative of the church that held the world in the grip of the Dark Ages for so long, is actually a beacon of enlightened reason compared to Dr. Royer-Collard, the self-ascribed `Man of Science.' Here is an individual actually aligned with the Church's Medieval methods, inflicting any form of excruciating physical and psychological torture on his patients to achieve their ultimate `cure' – though we can see by the way he subtly abuses his own sixteen year old wife that `power' is, as always, the world's strongest aphrodisiac.

Special not must be taken of the superb performances by Geoffrey Rush, Joaquin Phoenix, Michael Caine and Kate Winslet. Each does a superb job in bringing these diverse and complex characters to vivid life.

In terms of art direction, costume design and cinematography, the filmmakers do a fantastic job in recreating this strange world of the past - capturing that startling admixture of piety and licentiousness that bespeaks the `dual nature in Man,' which has forever served as the basis for the epic struggle between religion and nature. In a world like the one we live in now - in which explicit pornography has found a comfortable and, indeed, quite lucrative niche - De Sade seems ever more a man ahead of his time. It was his misfortune to be born into a world not quite ready to accept the ideas he had to offer. Yet, had he been living in this century, perhaps we would never even have heard of the name De Sade at all. Perhaps he would be just another anonymous pornographer, using the camera rather than the written word to graphically illustrate his darkest sexual longings. Then again, who knows? Perhaps it would be he who founded a world famous magazine and set up a mansion dedicated solely to the propagation of male sexual pleasure. It is, in the face of `Quills,' a thought worth pondering.

This was a good movie, but I thought it had somewhat of an unsatisfsying ending (well, to me anyway). Sad too. It moves nicely, though and you don't want to be interrupted. It can get rather graphic at times, but that's mainly because of the subject material, I guess. Geoffrey Rush is brilliant.He has a real knack for bringing strange and twisted characters to life. Michael Caine is doing his usual job of being superb as well. Every new role Kate Winslet performs is different from the previous and she excels every time. She expresses emotion very well. And my goodness, Joaquin Phoenix. I wouldn't say that I was ever a *fan* of his, but damn, now I am. If there was ever a performance that just made me melt, this was it. The restrained emotions and frustration of unfulfilled desires of his character were just performed brilliantly. This guy's an amazing actor.