A Christmas Carol

I first watched this adaptation of A Christmas Carol when it was broadcast by PBS in the seventies. Of course, one attraction was the casting of Michael Hordern as Scrooge, having remembered him as Jacob Marley in the all-time classic Alastair Sim version. Mr. Hordern did not disappoint, providing a Scrooge of sufficient bluster and befuddlement. This could be described as a no frills version of the story by some, but I love it's lean and mean production values and wonderful sets. The cold in Scrooge and Marley's counting house is palpable, with the frost building on the window behind Scrooge's desk. It really seems as though the lighting is coming from the few candles lit in the office, one of which does double duty as Bob Cratchit uses it to warm his cold hands. I love these atmospheric touches, of which there are many in this production. The wonderful collection of British actors bringing the novel to life is the icing on the cake as there are many who stand out. I heartily recommend this version if you can find it. I was able to tape it off television about 10 years ago, and have not seen it since. Still, a wonderful adaptation.

A Christmas Carol is such a timeless story, one that almost everybody knows and is Charles Dickens' most accessible works. This 1977 adaptation is a very good one and, while not as good as the Sim, Scott and Muppet versions, deserves to be better known. It is too short in length and did feel rushed as a result, it needed another thirty minutes at least. The production values are not quite of the highest quality but are at least acceptable and hardly ugly-looking, they also at least give some atmosphere, with Cratchit trying to warm his hands you can actually feel the cold in which he works. The adaptation is directed assuredly, and is well-performed too. Michael Hordern is a most credible Scrooge, Alastair Sim is still the definitive Scrooge but Hordern does a fine job as well. There's also John Le Meseurier's spooky Jacob Marley, Clive Merrison's humble Bob Cratchit, Paul Copley's jovial Fred(one of the better actors as the character alongside Barry MacKay in the 1938 film) and Timothy Chasin's heartfelt Tiny Tim. The Three Christmas Ghosts are very well-characterised as well, especially Bernard Lee as Ghost of Christmas Present, funny and imposing. What makes this adaptation as worthwhile as it is is how it tells the story. The dialogue, being amusing, dark and with pathos, is very Dickenesian and adapted intelligently. And the story, for one told in such a short running time, maintains the spirit of the story, and is every bit as magical, charming and enthralling as it should, the message is one to warm the heart and the darker aspects are genuinely foreboding. Overall, a very good adaptation and deserving of more credit. 8/10 Bethany Cox

Spending your time spotting actors you've seen in other stuff may hold the key to making it through this rather lifeless adaptation of A Christmas Carol.

Michael Horden makes a reasonable Scrooge but the surrounding production lets him down as it's clear that this suffers from a thin budget. Using drawings rather than actual sets may have a quaint charm in children's television, but here it just draws attention to how Scrooge-like the BBC must have been when they commissioned it.

There are plenty of Christmas Carols on IMDb. This one isn't horrendous, but it's certainly forgettable.

Let's get this out of the way: This television version of Charles Dickens's classic story is not the best acted nor the best produced, and it's special effects are (quite frankly) laughable even by the standards of the time. It's gifted actors seem like they're rushed to deliver all of their lines in the course of a commercial television production (because they are). None of that is what makes this such an outstanding version of the teleplay.

The secret sauce here is that this is filmed in 1970s BBC studios, and that means you get the wonderful effect of the PAL video technology at the time, with its overblown highlights, deep blacks, and high refresh rate. These qualities inherent in the technology of the time make this (in my mind) the spookiest version of this story ever put to screen. The ghosts are just more ghostly, and matte-background London looks much more gritty than any other version. The atmosphere is palpable and feels oppressive, and that is what you want in what is arguably the most famous ghost story ever told.

This was at least the 14th screen adaptation of the classic Charles Dickens tale that I have watched (the others being those made in 1935, 1938, 1951, 1962, 1964, 1969, 1970, 1971, 1983, 1984, 1988, 1992 and 2006) with another (dating from 2009) following only 2 days later! While the 1951 version is universally acknowledged as the finest rendition (though one cannot really put a finger on why it works so well, given its modest credentials!), a few of the rest (including the 1983 animated Disney short!) are well enough regarded as well. Incidentally, while several actors have attempted to give life to the miserly Ebenezer Scrooge, Alastair Sim's portrayal was so vivid and perfectly-realized (he would also voice the character in the 1971 animated version by Richard Williams) that all later remakes would have to be judged against it, and this is were the film under review decidedly comes up lacking!

Ironically, the otherwise reliable character actor involved – Michael Hordern – had played Scrooge's partner Jacob Marley in both adaptations involving Sim (Marley, then, is here incarnated by John LeMesurier, another welcome presence), but his contribution in this case comes across as no more than workmanlike. The main reason for this, I guess, also has to do with the script's scrupulous adhering to the letter of the original source which, again, was superbly-delivered – in his inimitable fashion – by Sim! I am sure it is not necessary for me to relate the plot line: with this in mind, the many familiar characters are adequately-filled (most impressively perhaps by Patricia Quinn – fresh from THE ROCKY HORROR PICTURE SHOW {1975}! – as the Ghost Of Christmas Past, with Bernard Lee – 'M' in the first 11 instalments of the James Bond franchise – also on hand as the Ghost Of Christmas Present). Besides, the eerie elements of the narrative (which, admittedly, is what really draws me to this piece, as opposed to the sentimental subplot involving the fate of Tiny Tim!) are given their due…but, all in all, the film merely sticks to the standard of British TV productions of the era i.e. generally tasteful in approach and undeniably practised in execution, it is also inherently dull!