The Pirates of Penzance

I am 17, and love classical music. I love Pirates of Penzance, sadly this production while good at times, could have been so much better. The best thing of this production was definitely Keith Michell's General, who put real expression and gusto into his performance, and it was a pleasure to watch him. Janis Kelly does a respectable job as Mabel, if slightly flat at times, but Gillian Knight's Ruth was a bit too deep in voice for my liking. I have a recording of Monica Sinclair singing the role, and she was much more ideal. Peter Allen looked the part of the Pirate King, and brought some wit into the role, however his singing voice was too weedy and very un-G&S; Alexander Oliver acquits himself better but lacked charisma. The production does have some lovely costumes and one or two nice sets, but the direction was very sluggish and did very little for a rather amateurish production. The woman's and pirates chorus are wonderful, but sadly the policeman were very flat in pitch so were not as impressive. The music and dialogue is very, very good, and the story while silly is fun. Unfortunately the dialogue is certainly unrehearsed, and one or two of the numbers like "Paradox" went at a rather peculiar speed, I personally would have done "Paradox" steadier than it was. Overall, the production was okay, saved by Michell, the music and some excellent chorus singing on the whole, but marred by plodding direction and casting peculiarities. 5/10 Bethany Cox.

A truly awful film. I first saw the Kevin Kline version and went looking for others, but so far have found none as good. This version is particularly flat. Peter Allen's Pirate King dashes off his lines as if reading them for the first time. Frederick could hardly seem less concerned about the beloved comrades he's doomed to death. The fortissimo 'With Catlike tread' is barely audible. The leap year recitation in the crypt is hurried through without any attempt to develop its comic potential. The dancing is poor when it's there at all. The only good thing was the singing of Mabel, better by far than Ronstadt's performance.

It was in high school when I first saw the Pirates of Penzance. But it was performed by high school students who were, as a whole, unexperienced in the medium of musical theater. Some of them could sing, some of them could act, but not all of them could do both. (It was also kind of hard to make out what they were saying). So naturally, I didn't enjoy the performance all that much. Years later, in the present day, I rediscovered this opera after seeing a college production of The Mikado which sparked my now dominant interest in Gilbert & Sullivan. When I bought this video, I had no idea what was in store. For almost two hours, I was glued to the television and afterwards I could only utter a single word: "Wow". The performers are exactly as I picture them whenever I listen to the soundtrack. One stand-out in the cast is Keith Mitchell in the role of the Major General. He came right in and executed that famous patter song, "I am the very model of a modern major general," with absolute gusto and expression. The only real complaint I had with this video is that one man in the gentlemen's chorus was noticibly flat, which didn't make the policemen's song, "when a foeman bares his steel," as enjoyable. Other than that, the opera was perfectly cast, each performer giving a very solid performance.

Of the five productions I have seen of "The Pirates of Penzance," two of them being high school productions, this is the worst. Most of the actors simply dash off their lines without any expression whatever. Keith Mitchell in the role of the Major-General is an exception, I thoroughly enjoyed his performance, and Gillian Knight as Ruth was an absolute delight. I did not enjoy Alexander Oliver as Frederic. He seemed bored with the character. The Pirate King, played by Peter Allen, was passable, but not exceptional. The chorus of women was excellent, but the men were mediocre. I would recommend the 1985 version done by the Stratford Company or even the ridiculous 1980 TV move over this production.

This is a filming of a stage production, and not a very good stage production. The sets looked nice but that's about it. Frederic is played but a middle-aged effeminate man; we're supposed to believe he's 21 and in search of love. The Pirate Kings' (and the majority of the casts')lack of acting skills leave every comedic line flat, dropping the audiences interest to boredom. The leads' vocal talent is severely lacking; Frederic, Pirate King, Ruth... all horrid. The show should be energetic and full of life and excitement, but the lack of direction leaves you yawning and waiting for intermission. Seek out the Kevin Kline & Linda Ronstadt, Angela Landsbury version (1983), you'll be much happier.