Agrega una trama en tu idiomaA sailor falls for the daughter of his captain, while being unaware of the love a young country girl holds for him.A sailor falls for the daughter of his captain, while being unaware of the love a young country girl holds for him.A sailor falls for the daughter of his captain, while being unaware of the love a young country girl holds for him.
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When first I obtained this VHS from the library I was hopeful that opera world would be able to give a decent presentation of this classic Operetta. I was sorely disappointed. I will start with Frankie Howard's performance of Sir Joseph. I cannot say that he preformed the part badly, because that would imply that he actually did the part. He said very few of Gilbert's words (he seemed to ad-lib most of the duologue) and he sang none of Sulivan's notes. If one does not say the lines of a part, or sing the music of it, it cannot be said that one performed the part at all. What he did do, was not very entertaining. As Captain Corcoran, Peter Marshal was not nearly as horrendous as Mr. Howard, but was still far from good. He sang the part well, but his acting, both in his interpretation of his lines and his facial expression, was very annoying and of a rather silly nature. Alan Watt was a mediocre Dick Deadeye at best. He would randomly make oddly silly faces for no real reason taking any power from his lines. He also popped our from random objects for no apparent reason. For the character to have any humorous effect he must be serious about what he is doing, and between the random jumping, and odd faces, it was obvious that he was little more than a clown. Ralph and Josphine were both decently portrayed, singing well and acting sufficiently. As a whole however this production had very few good scenes and many that made me wince. Therefore I cannot recommend it to anyone.
I think that the general mood of criticism about this production of HMS Pinafore and of Frankie Howerd's performance in particular is very unfair indeed. Generally speaking this production is an excellent straight adaptation of Gilbert and Sullivan which is beyond reproach with regard to the various leads (I believe the actor playing th Captain was an American game show host but having no reference to this I just think he is a perfectly good singer) and on my DVD version the sound is super. Frankie Howerd in the role of Sir Joseph Porter has come in for a lot of criticism but having heard so many baritones sing the role from Henry Lytton onwards I absolutely loved the performance. I accept that he does not sing (he speaks with a good sense of rhythm) and that he injects his own mannerisms into the role but I personally think it riffs well with the tone and is very funny (watch his reaction when delivering the line about the common sailor being bulwarks of the empire). I think that G & S are treated with such (understandable) reverence that productions can sometimes become rather stilted and encased in aspic and that Howerd's performance whilst not to everyones taste at least constitutes a good attempt to inject a bit of personality into the role.
This was the worst presentation of HMS Pinafore I've ever seen. My high school drama class performed this musical and did a lot better job than these jokers. Peter Marshall as Captain Corcoran dances around like a loon. As mentioned elsewhere, Frankie Howerd talks the lines of his songs instead of singing, which is awful. And the actor who plays Josephine, Meryl Drower, looks like she's as old as Peter Marshall. It's not believable that she could be his daughter. They should have gotten a lot younger actor to play Josephine. I was very disappointed with this. With the actors who actually could sing pretty well, Ralph (Michael Bulman), Dick Deadeye (Alan Watt) and Buttercup (Della Jones), the instruments in the music are too loud and it almost drowns out the words of the songs.
The dancing was good, the set was perfect, the orchestra was just right.
The cast was also perfect, except, unfortunately, for two individuals who appear only to be cast in an attempt to garner greater views: Peter Marshall as the captain and Frankie Howerd as Sir Joseph.
Peter Marshall overacts far more than necessary for the role, and frankly there are plenty of more than qualified English actors that could have been found, since his accent is distracting. So it's clear that he was chosen simply because he is a name that people would have recognised.
Frankie Howerd clearly didn't learn his lines and can hardly pronounce them. He improvises enough words to get him through the scene, bearing only minor resemblance to what is in the script. He also didn't sing, but rather, a la Rex Harrison (though not half as gracefully) just speaks them generally near to the note, looking annoyed and occasionally sighing in the process. It's also clear that he doesn't care for the lines, and he's not trying to add to Sir Joseph's character by acting like that, as one can see by watching the behind the scenes feature. However, it is rather funny when Sir Joseph cannot remember the Captain's name, a mistake that I could almost believe was unintentional, since Howerd is about as much a buffoon in real life as Sir Joseph was in fiction.
These choices, unfortunately, make this production stick out poorly in the Brent Walker collection, which does have some fairly decent videos, and some fairly decent talent that one wouldn't have otherwise expected. It is also clear that the direction and other aspects of the production did as best as they could, and it is unfortunate to have two stains on what could have otherwise been a good rendition.
Speaking in terms of what could have been, for instance, Keith Mitchell who the series had cast as the Major General, Robin Oakapple, and Don Alhambra del Bolero would have made the perfect Sir Joseph. Likewise, Donald Adams or Derek Hammond-Stroud who played a number of Brent Walker baritone parts would have been suitable captains. If they wanted a household name to bring in the views, at least someone who could sing and memorise the lines, like Clive Revill, would have been more sufficient than Frankie Howerd.
The cast was also perfect, except, unfortunately, for two individuals who appear only to be cast in an attempt to garner greater views: Peter Marshall as the captain and Frankie Howerd as Sir Joseph.
Peter Marshall overacts far more than necessary for the role, and frankly there are plenty of more than qualified English actors that could have been found, since his accent is distracting. So it's clear that he was chosen simply because he is a name that people would have recognised.
Frankie Howerd clearly didn't learn his lines and can hardly pronounce them. He improvises enough words to get him through the scene, bearing only minor resemblance to what is in the script. He also didn't sing, but rather, a la Rex Harrison (though not half as gracefully) just speaks them generally near to the note, looking annoyed and occasionally sighing in the process. It's also clear that he doesn't care for the lines, and he's not trying to add to Sir Joseph's character by acting like that, as one can see by watching the behind the scenes feature. However, it is rather funny when Sir Joseph cannot remember the Captain's name, a mistake that I could almost believe was unintentional, since Howerd is about as much a buffoon in real life as Sir Joseph was in fiction.
These choices, unfortunately, make this production stick out poorly in the Brent Walker collection, which does have some fairly decent videos, and some fairly decent talent that one wouldn't have otherwise expected. It is also clear that the direction and other aspects of the production did as best as they could, and it is unfortunate to have two stains on what could have otherwise been a good rendition.
Speaking in terms of what could have been, for instance, Keith Mitchell who the series had cast as the Major General, Robin Oakapple, and Don Alhambra del Bolero would have made the perfect Sir Joseph. Likewise, Donald Adams or Derek Hammond-Stroud who played a number of Brent Walker baritone parts would have been suitable captains. If they wanted a household name to bring in the views, at least someone who could sing and memorise the lines, like Clive Revill, would have been more sufficient than Frankie Howerd.
As a life long fan of Gilbert & Sullivan, I was appalled at this production which I personally found to be terribly "high camp".
The singers were surely miscast - age wise - and Frankie Howard as Sir Joseph Porter KGB is the biggest piece of miscasting I have ever encountered.
A funny man does not necessarily make a funny part any funnier - and in this case - it fell totally flat as far as I am concerned.
I would not recommend this purchase to anyone who has a true love of G & S - you will be sorely disappointed - as I was.
I bought this to use as a model for a production of this work I will be mounting in Tennessee in March-April 2007, but I will not let my cast look at this production.
I am sorely tempted to throw it in the trash can.... This may sound harsh - but true lovers of G & S will, I believe, find this production unworthy.
The singers were surely miscast - age wise - and Frankie Howard as Sir Joseph Porter KGB is the biggest piece of miscasting I have ever encountered.
A funny man does not necessarily make a funny part any funnier - and in this case - it fell totally flat as far as I am concerned.
I would not recommend this purchase to anyone who has a true love of G & S - you will be sorely disappointed - as I was.
I bought this to use as a model for a production of this work I will be mounting in Tennessee in March-April 2007, but I will not let my cast look at this production.
I am sorely tempted to throw it in the trash can.... This may sound harsh - but true lovers of G & S will, I believe, find this production unworthy.
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- ConexionesReferenced in Bergerac: A Cry in the Night (1984)
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