H.M.S. Pinafore

Love the show and love rita in it but 1 bad thing i didn't get around buying the video they made of it and they have no copys left so i upset tat i could not get a copy of it. but i loved the show and rita in it.

The principles and Ensemble make this one of the truly memorable versions of HMS Pinafore I have ever seen. It is hilarious as a performance, and all credit for making this one version that I personally, as well as all my friends enjoy most.

It is the type of production that makes the audience appreciate G&S.

G&S wrote in order to poke humour at the government of the day and the people, sailing close to the wind with their humor.

How sad it is that when a show such as this, that has the opportunity to make people laugh almost all the way through is condemmed by a minority for not being a fully authentic version faithful to the exact letter of the original.

As a dyed-in-the-wool G & S fan, I'm always happy to see any version of the operas, and will find merit in just about all (speaking as a participant in the "Starship Pinafore" so disliked by Hannah here!). From traditional to updated, bring them on! I hadn't come across this one until very recently, and am DELIGHTED that a friend introduced me to it.

It's camp, hugely energetic and a romp pretty much from start to finish, and as such, a very successful piece of undiluted entertainment. I couldn't help but feel sheer goodwill to it. It's not flawless, and there were things that irritated me - some of the tempos seemed pulled about for no good reason (especially in the "straighter" numbers), and some of the dialogue cuts and rewrites seemed intrusive and/or unnecessary - but at the same time, many of the changes were hilarious, and I certainly had no objection to the interpolation of some numbers from different G and S shows. The acting performances were in keeping with the overall over-the-top nature of the production, and only occasionally grated, and in general I loved the raunchier interpretations. Particular pleasure was derived from the three fabulous "sisters and cousins and aunts", whose costumes were a delight and whose energy and slickness in the dancing I could only admire.

Strict purists will hate it- D'Oyley Carte it's not. And yes, the synthesized accompaniment does not bear comparison with a full orchestra. And yes, some of the singing could be criticised technically. But this uber-Broadway, almost cartoonish rendition fitted those things, and this version of Pinafore stands in its own right as fabulously entertaining. Some, I'm sure, will imagine Gilbert and Sullivan turning in their graves. Others of us will wonder whether it's not in fact just how they might do it if they'd been writing for the musical theatre today.

This version of Gilbert and Sullivan's operetta is a fabulously comedic and musical show! Essgee Entertainment performed H.M.S Pinafore, The Pirates of Penzance and The Mikado as a trilogy starring Jon English.

The live show was performed throughout Australia and New Zealand in 1997, and whilst people from other countries will enjoy watching this, the recognizable Australian and New Zealand stars will entertain their home audiences on a higher level.

I saw all 3 shows live in Australia when I was seven years old, and have since become a die-hard fan of all GnS operas. I bought the videos shortly after, and having a permanent recording of this fantastic show means I can enjoy these musicals for a long time to come.

Having already enjoyed Essgee's version of 'Tne Pirates', I came this production open minded and ready to be entertained. And was not disappointed. O.K it's not for G&S purists, but then Doyle Carte production can be a little (whisper it) boring. This was anything but. Great fun from the rollicking opening, with fantastic dancing from the chorus,to the irreverent and different ending. Jon English as the promoted 'Dick dead eye' kept the action moving at a fast pace, no time to think of the daft plot. I enjoyed all the performances.The Sister, cousin and Aunt, made a refreshing change from the usual ladies chorus. Drew Forsythe was a very funny and camp'Sir Joseph', David Gould warmed to the part of 'Captain Corcoran', not surprising as 'little Buttercup' in the hands of Amanda Muggleton, was far from the usual rotund Bumboat woman. Josephine and her Ralph, played by Helen Donaldson and Simon Gallaher, made a lovely couple, their singing a high point of this production.I have no gripe with using songs from other G&S shows.(W.S Gilbert was known to do the same when it suited). I am very glad I bought the DVD.

I've rarely seen any kinds of theater-plays, operettas and the like, most because it doesn't really appeal to me. But I must say I truly enjoyed this one.

I became aware of this play (HMS Pinafore) while re-watching Star Trek: Insurrection, where an android goes crazy after been by a weapon and it's (his) captain tries to catch it (him). To do so, the captain distracts the android by singing "A British Tar" from HMS Pinafore, which the android has prepared a performance of. The song appealed to me, and I found a version on it on YouTube, from the Esgee production.

I have not seen any other performances of the play before or after, but I have done some research. This helped me notice, that there ARE minor differences between this version and the original, mostly in the music. And while some may call such changes "blasphemy" or close to it, it is my opinion that it have been integrated quite nice.

The actors for the different roles have been well-chosen, each giving a fine performance as their respective characters. Additionally, the different actors who perform the duets compliment each other perfectly; especially where the Captain and Little Buttercup sing "fair moon" and "things are seldom what they seem".

Other reviewers have stated that the Little Buttercup in this play, especially when played by Rima Te Wiata, is not the "plumb" type as she was supposed to be. Instead, she is rather slim and fit, and rather saucy/sexy at times. I'm especially impressed by how she manages to vary her tone of voice, from almost "squeaky" at times, to a more "normal" tone and at some points rather "deep"; and how she performs those changes quite nice. As I wrote above, she (Buttercup, that is) and the Captain really complement each other when performing "fair moon" and "things are seldom what they seem"; with Buttercup's varied tones of voice and the Captain's deep, dark voice, absolutely beautiful.

All in all a great performance, and well worth watching more than once.