Cowboy Up

This film is very well written by one of the finest writers in the business. The direction is clean, precise and still on the edge of what the story calls for, drama and action. The character development leaves nothing to complain about. Sullivan in the lead is fantastic. Under-rated. Under-rated. James Redford. Under-rated. Under-rated. Whether you are a rodeo buff or just a fan of great American cinema don't miss this tremendous original story. However this is my opinion, feel free to post your own. Make sure you actually watch the film. I've actually watched it twice and its one of those films that don't become boring. Check Keifers other work, its well worth the time.

OH come on...it wasn't THAT bad. I actually liked Keifer Sutherland in this role. He seemed more human and down to earth than anything I've seen him in lately. Not hyped up like he does when he plays a villian or in 24. Newcomer Marcus Thomas did a very good job. I was surprised to find out he was from Belgium!!

Ok.. so it was not an accurate movie, which ones are...TRAINING DAY??? DARK BLUE???? Good god...8 SECONDS???!!!!

And I LIKED Darryl Hannah in ths one. Even Molly Ringwald did the best she could. It definately needed more scenes like the one with Marcus Thomas and Pete Postlewaite. Ok, so Mr. Redford still has to work on writing skills, and character development, but this was still entertaining. No, its not JUNIOR BONNER but then that was a Sam Peckinpah film and ya can't get better then that!!

I was the Sound Effects editor on this film. In fact it was the first film that in my career that I was given the full responsibility to find or in this case create the sound effects for this film. I really enjoyed the process that I had to go through on this film and the unique way I had to use what I had to really make the bull riding come alive.

So in short I think this film is pretty good. I mean with all the junk out there I don't understand why this film has not made it to the theaters. Kiefer Sutherland and Marcus Thomas work very well together and Xavier Koller clearly knew how to direct them to get the best part of the story onto the screen without cluttering it up. Ring of Fire has all the elements to make for an enjoyable movie gong experience. It has been a long time since I have seen the film and I look forward to seeing it again.

Hank Braxton (Kiefer Sutherland) is an experienced rodeo clown and former bullrider. His younger brother Ely Braxton (Marcus Thomas) gets injured on a ride. He recovers and together with his brother slowly becomes a rising star. Their champion bull riding father Reid Braxton (Pete Postlethwaite) is a hard man and often fought with their mother Rose Braxton (Melinda Dillon). Ely fights with girlfriend Connie (Molly Ringwald) about his bull riding. Celia Jones (Daryl Hannah) is a barrel racer on the circuit that Hank falls in love for. However along with Ely's success comes the affections of Celia. Hank is jealous. The relationship eventually ends. Ely is set to ride Hank's bull, the unrideable Zapata. Hank gives Ely the address to their father to ease his mind. Ely meets his father but it isn't what he expected.

This is filled with a lot of rodeo family melodrama. There is just too much. The story overflows. After awhile, this feels like a bad cowboy soap. It needs to simplify a little on something. I think the girl trouble could be cut out and simply make this movie about daddy issues. Also I don't think Marcus Thomas has enough charisma. He is certainly outmatched by Kiefer.

It is hard to understand that this film has received such a modest rating. The construction of the film is first rate, starting with the script by James Reford, and continuing with an excellent cast of experienced actors, direction which keeps a pace designed to hold the attention of the viewer, and camera work with both close-in and long shots that convey the action of the rodeo.

Led by Kiefer Sutherland, the support team of actors "works" to reveal a contemporary twist of classic story lines---competing brothers whose love for one another is stretched to the limits, an ego centric father who deserts is family and wallows in self pity, a mother who deals with the realities daily life, lovers that are courted, spurned, and hurtfully do their own rejections. And all this is subtly tied together by a bull---the object of obsession within the community of rodeo aficionados, and a symbol of challenge that goes back thousands of years to the island of Crete.

While some "urban" or actual working cowboys of today may choose to pick at the text, acting, or realism of Cowboy Up, the film really captures the idea of why rodeo enthusiasts still keep the myth of the west still alive---even in Las Vegas! Cowboy Up deserves greater recognition than it has heretofore.