Un magnate del parque de atracciones ofrece a un grupo de personas diversas un millón de dólares por pasar la noche en una casa embrujada con un pasado horrible.Un magnate del parque de atracciones ofrece a un grupo de personas diversas un millón de dólares por pasar la noche en una casa embrujada con un pasado horrible.Un magnate del parque de atracciones ofrece a un grupo de personas diversas un millón de dólares por pasar la noche en una casa embrujada con un pasado horrible.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 4 nominaciones en total
Bridgette Wilson-Sampras
- Melissa Marr
- (as Bridgette Wilson)
Bruno Angelico
- Patient
- (sin créditos)
Carrie Lauren
- Theme Park Guest
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The similarities between William Castle's campy 1959 original and this typical Hollywood remake are kept to a minimum. We have the premise of 5 people who're offered a million $ if they survive spending a night in 'the house' and Rush who brings tribute to Vincent Price (who played the lead role in the original). Other than this, Malone just follows the routine remake-standards meaning bigger, louder and more spectacular. If you're not too harsh, this actually is a pretty enjoyable movie and at times a successful mixture between an old-fashioned 'haunted house' chiller and a modern special effects playground. Thanks to some sort of miracle, Malone managed to cast class actor Geoffrey Rush and a more than decent supportive cast. Rush is talented enough to make his performance of eccentric impresario Steven Price look like a homage to Vincent Price instead of doing a lame impersonation. To me, however, the absolute star of this film is Jeffrey Combs (Re-Animator) who plays the small role of the demented Dr. Vannacutt. As usual, Combs' character is the cause of all horror and his grimaces are more diabolical then ever. He's an amazing horror icon and I simply can't get why he isn't enjoying an immortal success-status. Until about 5 minutes before the ending, the use of CGI is imaginative and not irritating at all. The finale is overly fake and kinda ruins the film. If you're not too demanding, The House on Haunted Hill guarantees a lot of fun and a few scares. Definitely a better remake than Jan De Bont's The Haunting and Steve Beck's 13 Ghosts.
Rich but eccentric millionaire Steven Price is looking for the ultimate scares. He invites a group of people to spend the night in the former Vannacutt Psychiatric Institute for the Criminally Insane where the inmates revolved in a orgy of violence against the cruel regime of Dr Vannacutt. The one who does spend the night will get $1million dollars. However it soon becomes evident that not all the scares are set up by Price himself.
This remake of the old 1958 movie sees the plot expanded and made a lot more creepy and enjoyable. In fact the end point of the original is only the halfway mark of this one. The plot may not be imaginative but the delivery is very good for this type of film. I'm not a big fan of horror or this type of Hollywood slasher movie as I find them too obvious and not scary. However here the gore is well used and the general creepy mood wins the film. The movement of the deceased Dr Vannacutt is very creepy and is much better than some of the gore.
Sadly the final 20 minutes feels it needs to reveal a bigger evil and the secrets of the house are brought to life in boom of CGI beasties. At this point it reverts to form and because just another Hollywood creature feature and it is a bit of a let down. However up to this point it works very well and it's real creepy.
The cast are all pretty good and do `camp' when necessary but don't take away from the terror that's coming later. Rush plays nicely to the camp in his homage to Price's role in the original. Jensen, Diggs, Gallagher and Kattan all do well and the cast do better than the scream queens that usual inhabit these films.
Overall the film starts like any other Hollywood horror but the clever direction, creepy music and imaginative visuals of Dr Vannacutt all create a creepy feel to the film that is better than the gore that also comes. The final section slides back into standard fare with the old CGI evil coming to get us but up till then it's surprisingly good stuff.
This remake of the old 1958 movie sees the plot expanded and made a lot more creepy and enjoyable. In fact the end point of the original is only the halfway mark of this one. The plot may not be imaginative but the delivery is very good for this type of film. I'm not a big fan of horror or this type of Hollywood slasher movie as I find them too obvious and not scary. However here the gore is well used and the general creepy mood wins the film. The movement of the deceased Dr Vannacutt is very creepy and is much better than some of the gore.
Sadly the final 20 minutes feels it needs to reveal a bigger evil and the secrets of the house are brought to life in boom of CGI beasties. At this point it reverts to form and because just another Hollywood creature feature and it is a bit of a let down. However up to this point it works very well and it's real creepy.
The cast are all pretty good and do `camp' when necessary but don't take away from the terror that's coming later. Rush plays nicely to the camp in his homage to Price's role in the original. Jensen, Diggs, Gallagher and Kattan all do well and the cast do better than the scream queens that usual inhabit these films.
Overall the film starts like any other Hollywood horror but the clever direction, creepy music and imaginative visuals of Dr Vannacutt all create a creepy feel to the film that is better than the gore that also comes. The final section slides back into standard fare with the old CGI evil coming to get us but up till then it's surprisingly good stuff.
I was expecting the worst--a remake of a lousy 1950s Vincent Price flick (I HATE the original--talk about boring!) and there were no previews--never a good sign. I was surprised to find an intelligent, scary movie. There was gore and violence, but they didn't overdo it (except for the part when someone was given shock treatment--talk about harrowing!). The script was intelligent--all the characters talk and, sometimes, act like real people. And, thankfully, no stupid in-jokes or character to provide "comic" relief. Everything is dealt with seriously which just adds to the tension. The setting is scary--the "house" (actually an abandoned asylum) LOOKS evil, and inside it's all darkness and cobwebs. The acting...well...Rush is having a GREAT time in his role, and it rubbed off on me. Every time he was on screen I enjoyed it. The rest of the cast is OK, but anyone could have played these roles...they were just mostly reacting to special effects. The only real disappointment here was Taye Diggs. He showed that he had charisma, could act and has a GREAT body in previous flicks ("How Stella Got Her Groove Back"; "GO"; "The Wood"). So why does he give such a so-so performance here--he's even worse in "The Best Man". Hopefully he'll start acting again...soon.
I also heard about lousy CGI effects in this movie. When the CGI effects go barreling out of control at the end though, I was scared! I'm a veteran of hundreds (literally) of horror films so I don't scare easy. The only weak part was a real stupid "surprise" at the end that comes out of nowhere. Other than that it worked.
So, this is a good, scary horror film. Worth shelling out full price at a cinema--DON'T wait for the video. This works great in a dark theatre with excellent stereo sound--it won't work on a TV.
I also heard about lousy CGI effects in this movie. When the CGI effects go barreling out of control at the end though, I was scared! I'm a veteran of hundreds (literally) of horror films so I don't scare easy. The only weak part was a real stupid "surprise" at the end that comes out of nowhere. Other than that it worked.
So, this is a good, scary horror film. Worth shelling out full price at a cinema--DON'T wait for the video. This works great in a dark theatre with excellent stereo sound--it won't work on a TV.
I won't go into a full review, since there are countless others and they all say about the same thing, which is that the movie is actually pretty good until the last 5 or 10 minutes, and I'd recommend it to anyone who enjoys scary movies. It really has a nice mix of suspense, horror, gore, and levity, without overdoing it on any of those, or with the special effects (except for the ending). The score is also pretty good, and I liked the use of Marilyn Manson's eerie remake of "Sweet Dreams Are Made Of This".
Unfortunately, it wasn't enough for the filmmakers that the house just be evil or haunted... someone involved with the film decided the "evil" should have some sort of actual form. I think that was a very bad idea, but it was a bad idea made much MUCH worse by some very cheesy fractal/mirrored CGI effects. Maybe they blew their budget on the set and the actors (quite possible), and didn't have enough left over to properly give form to the "evil" with CGI, so they just settled for what they could get. IMO it would've been much better if they'd never given any form to it at all.
I gave this movie a rating of 7 in this review, but I'd really give it a 6.5 if I could. If not for the horrible turn the movie takes in the last 10 minutes, with the absurd mirrored fractal CGI effects, I'd actually have given it a 7.5 to an 8. Everybody's comments about the ending are spot on.... it's just a huge let down.
Btw, that sun rising over the ocean at the end is a pretty big goof. The movie is set on the west coast, where the sun SETS over the ocean.
Unfortunately, it wasn't enough for the filmmakers that the house just be evil or haunted... someone involved with the film decided the "evil" should have some sort of actual form. I think that was a very bad idea, but it was a bad idea made much MUCH worse by some very cheesy fractal/mirrored CGI effects. Maybe they blew their budget on the set and the actors (quite possible), and didn't have enough left over to properly give form to the "evil" with CGI, so they just settled for what they could get. IMO it would've been much better if they'd never given any form to it at all.
I gave this movie a rating of 7 in this review, but I'd really give it a 6.5 if I could. If not for the horrible turn the movie takes in the last 10 minutes, with the absurd mirrored fractal CGI effects, I'd actually have given it a 7.5 to an 8. Everybody's comments about the ending are spot on.... it's just a huge let down.
Btw, that sun rising over the ocean at the end is a pretty big goof. The movie is set on the west coast, where the sun SETS over the ocean.
Asylums. Crazy people. Insanity. Mental therapy, mental hospitals, mental patients have been used time and time again in horror fiction and horror films. Why? I'm not sure; maybe, it is the normality of being like those that are insane which brings a more genuine horror to us. Whatever it is, House on Haunted Hill certainly uses all the mental derangement cliches to full effect. I could easily pan this film by saying(and rightly so) that its predecessor, the original House on Haunted Hill directed by William Castle, is a far superior film. That Castle's film was filled with better acting, better timing, and easily a better script. But I liked this film, which is not really a remake entirely. It has many elements that are not in the first film; most of them centering around the mental aspect aforementioned. The house in this film was once an asylum where people...thousands perhaps..were brutally butchered in the name of mental good health. The house is scary. Empty corridors, large, vast rooms, incredible special effects all add to the frightening aspects of the film. The biggest problem with the film is that much of it just doesn't add up in terms of making sense of the plot. The film fortunately is more special effects driven than plot driven, and at least is able to deliver the goods in that arena. The acting is pretty good with all the leads really doing quite a good job. Geoffrey Rush gives his best Vincent Price impression(pencil-thin mustache and all) delivering lines with bravura gusto. The other exceptional standout is Chris Kattan as Watson Pritchard. Kattan is just wonderful in the role showcasing his obvious talent. As far as great horror films go...this film is adequate, yet very thrilling, exciting, and entertaining. If you are like me and love the old one...just look at this film as a totally different entity. It is. One thing is for sure...it is one heck of a rollercoaster ride!
¿Sabías que…?
- TriviaGeoffrey Rush was never meant to look like Vincent Price (star of the original film Mansión siniestra (1959)). The original screenplay described Stephen Price as a regular looking businessman. Rush didn't care for this, so he suggested that his character look like the film director John Waters. The director agreed to test this look out. After his transformation, he ended up looking so much like Vincent Price the director decided to keep the look.
- ErroresSome of the warnings in the basement are in very bad German - it seems somebody just used a dictionary and translated the English lines word-for-word. For example, one sign has the phrase "Steh zurück!" which means something like "Stay back!". A correct translation would be "Zurückbleiben" or in this context "Eintritt verboten" ("No admittance").
- Créditos curiososAfter the final credits, there is an additional scene that features Steven and Evelyn strapped down on Vannacut's vivisection table. The scene ends with Vannacut watching as one hears Steven and Evelyn's screams.
- Versiones alternativasDue to numerous circumstances (i.e. running time constraints and what not) a great deal of footage was excised from this motion picture. Three of the most important scenes were returned for the DVD release. They are:
- two different versions of the same scene involving the real Jennifer Jenzen (Debi Mazar), a haughty, foul mouthed, arrogant movie producer and her assistant Sara (Ali Larter), who are on the set of a cheap drama Jennifer is producing. In one version, the set is in the courtyard of a regular house where a woman is telling a man, who is suffering from a seemingly terminal illness, to embrace life in spite of his condition. In the other version, a young couple, who seem to be medieval peasants, are frolicking on a meadow, falling to the ground and making out. In both versions, unhappy with the lack of sex and nudity in the film that could bring in the teen male audience, Jennifer curses the director out. Sara then arrives with a strange Art Deco music puzzle box that came in the mail for Jennifer. Despite Sara's advice and a warning label on the box, Jennifer arrogantly opens it the wrong way just because she was told not to, and cuts her finger on it. Sara laughs at this so vengeful Jennifer fires her on the spot and gives her the box to get rid of it. Sara however, finds the invite for the party on Haunted Hill in the box, and, although shocked by Jennifer's impromptu decision to fire her, she still tries to tell Jennifer about it, but when Jennifer refuses to hear her out, Sara just takes the invitation for herself and leaves, smiling.
- a scene towards the climax when Eddie Baker (Taye Diggs) and Sara are running from the shadow demon exploding the floorboards, they are led into a dead end. Eddie jumps onto a hanging light fixture, holding onto Sara as the floor beneath them explodes. He loses his grip on Sara and she falls through the hole into a subterranean cavern beneath the house where the remains of Doctor Vannicut's victims lie. The shadow creeps into the cavern and reanimates the dead bodies causing this huge zombie attack. Eddie drops down and saves Sara and the chase continues from where it left off in the finished cut of the film (however, if you notice, in the finished cut of the film during the chase scene there is a continuity error when Sara's running. In one shot she's wearing her jacket and in the other it's mysteriously vanished, it's vanished because during the cut portion of this climactic chase, Sara loses her jacket when she falls into the cavern. Her jacket is then used by Eddie to pull her up and out to safety).
- an epilogue was also cut from the film involving the real Jennifer Jenzen (Debbie Mazar) inheriting the house on haunted hill. When she goes to check it out with real estate agent Dick (played by Jeffrey Combs (who is also Dr. Vannicut!) we see her enter the house and then a horrifying scream follows. The scene was cut because director William Malone felt the scene was a bit too humorous for the film and that it did not fit what was filmed at all).
- Bandas sonorasSweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart
Performed by Marilyn Manson
Courtesy of Nothing/Interscope Records
Under License from Universal Music Special Markets
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- House on Haunted Hill
- Locaciones de filmación
- Griffith Observatory - 2800 E Observatory Rd, Los Ángeles, California, Estados Unidos(House on Haunted Hill entrance)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 37,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 40,846,082
- Fin de semana de estreno en EE. UU. y Canadá
- USD 15,946,032
- 31 oct 1999
- Total a nivel mundial
- USD 42,593,455
- Tiempo de ejecución1 hora 33 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1(original ratio, open matte)
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