Todo sobre mi madre

Almodovar has really matured. 'Women on the Verge' was a lot of fun, but ultimately fairly superficial. In recent years, he seems to have started to turn his back on kinky sex and excessive behaviour, and probe the human psyche with a lot more depth and subtlety. This tender film is the latest stage in this ascending path, and very welcome it is, too.

Cecilia Roth's performance is utterly convincing - profound, varied, humane. The other characters are strongly drawn, too. The photography is excellent, and even the tricksy shots aren't too distracting. The narrative is not without surprises (the tragic event early in the film is called to mind constantly without ever becoming maudlin). It's a little slow in places, and there are moments of unintentional humour, but overall this represents the best work of this director that I have seen.

This time of the year, when we talk about movies, we have to talk about Oscar. The nominees will be announced this Tuesday, but there are already favorites in some categories. Some people still doubt that "American Beauty" will win as best picture- which I don't, because I think it was the best film of the decade- but almost everyone agrees that this wonderful movie "Todo sobre mi madre"/ "All About My Mother" will win as best foreign language film. And it really deserves that.

I've always recognized Pedro Almodóvar's talent. Most of his films are very weird and quite surreal, but sometimes I don't understand him. So I couldn't decide if I would see "All About My Mother" on the movies, or if I would wait for it to come out on video. It was released in Brazil last October, and only yesterday I went to see it at a local cinema. And... What did I think about it? Well... A true, true masterpiece!

The story of the film is about Manuela (wonderfully played by Cecilia Roth), a nurse who works at a hospital in Madrid, Spain, and has a 17 year old son, Esteban, who doesn't know the identity of his father. On the day of his birthday, he dies in an accident and Manuela gets desperate. She reads his notes and finds out that he wanted to know at least the name of his father. So she goes back to Barcelona, where she got pregnant, trying to search for her ex-husband, but some surprises will change her life.

What Almodóvar makes to this movie is just incredible. He makes us cry and laugh- specially in the scenes where the transvestite Agrado is. But, in fact, the film is a deep drama, studying carefully the female universe with strength and realism, and also explaining the importance of a mother. All the main characters are very well developed and each of them has some importance in the plot. It's really amazing how Almodóvar knows women so well, and how he loves and cares about them. His film is a very complex masterpiece, with some important messages and a wonderful story, and should be seen by everyone, even for the American people who don't like subtitles. But pay attention- the dialogues are fabulous!

"All About My Mother" is surely on my Top 10 of 1999. And... let's wait for the Oscar nominees on Tuesday, but I'm sure it will be nominated, and certainly win. It's much better than last year's winner as a foreign language film, "Life is Beautiful", and is a serious must-see. Just do me a favor: DON'T MISS IT!

Rating: 10/10

As this was my first Almodovar movie I didn't quite expect that much,was I ever going to be surprised.Almodovar is widely seen as the greatest Spanish cineast since Luis Bunuel,which I really like,and I must say that I concur with that.The resemblances between the two directors are also there,both use intense drama and comedy in one scene to great effect and both attack the church in a big way.

TODO SOBRE MI MADRE is simply one of the best drama's I've ever seen because of it's superb acting and difficult but inventive storyline.The characters are also very well worked out. Leading lady Cecilia Roth is sensational as the mourning mother and the rest of the cast isn't any worse.The supporting roles by Penelope Cruz,Marise Paredes and especially Antonia San Juan are great.San Juan is a real time transvestite which makes it even more realistic. Almodovar caused quite a commotion with this provocative film although it never goes over the line(at least not in my taste)but you should not be old fashioned or truly religious because then it will offend you.

The humor that is put in the film makes it an even better experience.The mixture of intense drama and comedy is perfect.Another brilliant addition is the great soundtrack.The mixture between harmonic classical pieces and jazzy compositions is magnificent.

I can't wait to see more of Almodovar's work. 9/10 (currently number 39 in my all time top 100 list)

I've watched this masterpiece by Almodovar four times. Each time I unearth new sequences of pure unadulterated truth, beauty, and genius. It is just a totally compelling and amazingly insightful comedy-tragedy that works on so many levels.

Cecilia Roth is an Almodovar favorite, and there's no mystery as to why this is the case. She can express tragedy, wisdom, and an appreciation of dark humor only with her eyes and facial positioning, and express all three vividly at the same time. Her voice also is as commanding of respect as it is sexy and fragile.

Almodovar eye for visual poems of incongruity reaches a new pinnacle in this masterpiece. First, there is the haunting by-play of darkness and light preceding Roth coming to the rescue of El Agreado. Much later, we are treated to the brightness of the upscale restaurant Roth where Roth waits for her ex-husband Lola juxtaposed with a merciless exploration of the vast dark despair of Lola's eyes. Between these bookend-style frames, the profound dualities abound.

If you see one foreign language film per year, make this your next one.

What I like most about Almodovar's films, this one in particular, is the way he will grab you and pull you into a world you would not normally know and then, confront you with people's lives, emotions, relationships. Manuela, the mother who at the beginning seems so in control and clinical, earnest in her love and with the best intentions for her son, is shown to be much like you and me... full of doubts, questions, a need for answers and trying to understand how her life course has brought her to the present day and made her who she is. Barcelona in winter is richly filmed and serves as a backdrop for the renewing of old satisfying friendships and the budding of new ones, happening simultaneously and somewhat unexpectedly. It rings so true. The slow realisation that we are never really complete, that it's the people we love and live with, or avoid and later regret having done so, that makes us who we are. Almodovar sees the human condition and paints it carefully in this film.