Queer as Folk

It's easy to see where this original British version of "Queer as Folk" generated talk when it debuted in the UK. Its liberated tone and sassy manner flings itself at the viewer with uninhibited abandonment.

It's certainly time for more honest depiction of alterative lifestyles, even though these characters may represent a cultural minority. Russel T. Davies' script is pointed and efficient, and Charles McDougal's and Sarah Harding's direction (of episodes 1-4 and 5-8, respectively) keeps the action moving and the dialogue sparkling.

Harding's direction is particularly effective, as Davies escalates character development as the series moves toward the end. The viewer begins to understand the selfish arrogance of Stuart, and the dependent relationship of Vince, to the viewer's dismay. Even the young Nathan emerges as a bit of a disappointment in the ethical department.

The driving rock beat of the score adds a flippant touch to these characters whose lives are closely attached to the flashy bar scene and superficial materialism. One night shagging, drug taking, and regular boozing complete a pretty empty portrait.

Selfish, self-centered, and immature, these characters are more to be pitied than censured as they engage in "La Ronde"-type laisons several nights a week. There's very little Canal Street has to offer, other than elaborate distraction, and these fellows play into its fold with addictive verve.

Turn up the volume, spin the crystal, boogie til dawn . . . it's all part of the escapist route-of-no-return. No matter that a mate ODed on heroine, as a result of a quick, irresponsible pickup. The funeral is as routine and unfeeling as as the last relationship. A stark and thought-provoking drama has been fashion by Davies, and played up a storm by a highly talented cast, headed by Aidan Gillen, Craig Kelly and Charlie Hunnam.

Gillen's work seems particularly reminiscent of Gary Oldman's in "Prick Up Your Ears." It's a highly detailed characterization that seems to come from the inside out. Both Kelly and Hunnam are seasoned professionals, and provide skillful insight to their presentations.

If anyone thought the cockney in "Beautiful Thing" was difficult to understand, give a listen to the dialect here. It can be uniformly cut with a knife, yet it also adds to the authenticity of its blue collar setting.

"Queer as Folk" certainly did what it set out to do: set a genuine precedent in mature and intelligent television filmmaking.

Just saw the first episode on Showcase last night... I guess I won't be getting to bed before midnight for the next few Mondays. This is a show worth staying up for... easily one of the best TV shows I've seen (not -the- best, but up there). I've heard it described as "gay drama", but that makes it sounds as if it's an agenda show (anyone ever watched "Christian movies"?)... it's gay... way gay... shockingly explicitly sexually gay... but above all it's good TV.

And since it's out uncut in Canada, there may be hope for our more sensitive neighbour to the south :)

Having never watched this back when it was on TV back in the late 90's I finally caught this on Netflix. I guess I thought it was irrelevant being far from gay and not really being particularly interested in that scene. I'm happy to say I was wrong. Gay, straight, in-between, whatever...this is a story about love and sex and how you deal with those emotions in a modern world. It is very clever - cleverly written and cleverly acted. Especially Aidan Gillen stands out and carries the role of the emotionally shut off Stuart with the perfect mixture of charm and arrogance. He is a real anti-hero. Just when you're convinced he is a right bastard, he surprises you.

The show is also interesting to watch these almost 15 years after it aired. I keep reading about how shocking it was and times must have changed because I didn't find it shocking at all. Sure, there is partial nudity but nothing explicit and sure: it deals with homosexuality - doesn't shock me. It's sort of a "Sex and the City" for the gay man.

Also I find it refreshing that Queer As Folks for the most part stays clear of the stereotypical over-the-top and almost feminine "gay man" as seen in shows like "Will and Grace". Different times back then perhaps?

The ending was, giving no spoilers, not really up to par in my opinion. But I guess they had to end it somehow and it feels like they were in a hurry. It did seem a little far fetched.

In some ways I would kinda like to see how Stuart and Vince live life in their 40s but at the same time a reunion done poorly would be devastating when the original is so enjoyable. Cannot do anything but recommend watching it. Gay, straight, whatever...

I am a straight woman who was fortunate enough to see "Queer as Folk" at the Los Angeles Outfest. I found it absolutely the best television series I've ever seen, on a par with HBO's "Oz," only more explicit and weaving comedy into the mix. The characters are painstakingly developed, and will capture your interest immediately. We all know a Stuart (arrogant sex freak hiding inner doubts and insecurities), a Vince (sweet, self-effacing, afraid to ask for what he wants), and a Nathan (15, impossibly romantic and willful). Though these are the main players, there are also wonderful supporting roles, including Nathan's concerned and sympathetic mother, his best school chum (wise-beyond-her-years "fag-hag" Donna), and Keith's irrepressible parents. The heady excitement of clubbing is captured perfectly; it made me itch to go to discos again! The production is altogether a class act. It's a shame that we here in the States are so under the thumb of the "family values" hypocrites that we may never get a series of this quality. Call your friends in England for a copy of the video, go to your local gay/lesbian center, do whatever you have to do to see this.

I am straight and I remember when this first "came out" and the debate and host of press articles it generated in mainly the lifestyle sections of our newspapers about the explicitness of the gay sex scenes. The debate was mostly positive but I remember thinking how brave C4 were to put this on, we had all seen explicit straight sex scenes on television series before which was nothing new' but never explicit gay sex scenes which at that time was new.

I watched the second ep and I was gripped from the start. To me it was about a sizeable minority out there whom us straights knew little about. The sex scenes were to me at that time shocking but sex scenes are just part of any adult drama so I was not disturbed as some where at that time. But the seminal and brilliant thing about this was the writing, Russel T Davies is a big name over here and always writes quality TV.

At that time I thought all gay people were just the Larry Grayson effeminate stereotypes, it never occurred to me that there are gay people who are as "queer as "Folk"", as in, just normal people with the same drives and ambitions who just want to live happy and hassle free lives. I also remember learning that Aiden Gillen (a fellow Dub) was not gay but straight and being minorly shocked by that.

I recently watch this again which prompted this review and I can say that this was one of the best and most educating TV shows I have ever seen. It got good ratings and I believe "added" to our more accepting attitudes to homosexuality. This is what TV dramas do at their best and this is one of the finest examples.

It is still worth a watch.