The League of Gentlemen

'The League of Gentlemen' is a work of genius. Not only is it completely original, but it manages to combine horror with laughs, resulting to perhaps, a new breed of black comedy. Deterring from the reality-based storylines of the common modern comedy shows, the LoG goes on another direction, twisting the boundaries of the trite 'real' world, so as that it becomes a whole new freakishly morbid and surrealistic dimension. Don't get me wrong, it really isn't THAT twisted... or maybe it is... Anyway, its up for you to decide...

'The League of Gentlemen' is also strongly addictive. Yes, the tagline is correct... Welcome to Royston Vasey. You'll never leave!

90% of British sitcoms bore me to tears but when they're good, they are very, very good. This is one of the very best. L.O.G. has to be the most inventive and original comedy series I've seen since the heyday of 'The Young Ones'/'Comic Strip Presents', and personally I find it much more consistently funny.

Set in the bizarre, isolated Northern town of Royston Vasey, L.O.G. mixes classic surreal Brit humour fans of Python and 'The Goodies' grew up on with dark and disturbing touches closer to David Lynch. There are nods to 'The Wicker Man', 'Dr Who', Quatermass, 'Tales Of The Unexpected' and the like, so fans of weird 1970s TV and movies will get more out of this than those unfamiliar with the territory. A very strange mixture that works brilliantly. Black, eccentric and extremely funny. I'm hooked!

The League of Gentlemen is one of the most consistently entertaining series of recent years. Without a doubt, its finest hour (literally) came in the Christmas Special. This hour-long TV movie is based on the Amicus "portmanteau" horror films of the 1970's (cf. Tales from the Crypt, Asylum, The Uncanny et al.). Typically, these films would see a host (generally Peter Cushing) encounter a series of hapless individuals who would relate their horrific experiences, before the "unexpected twist" framing-story climax. This Christmas Special sticks religiously to that formula, with lugubrious vicar Bernice lending an unsympathetic ear to cheese-dreaming Charlie, vagrant Matthew and incompetent vet Dr Chinnery. Each of the three tales is as darkly comical as we've come to expect from the League, with Charlie's tale mixing line dancing and voodoo, Matthew's tale spoofing Hammer vampire movies, Romero's Martin and German expressionist films, and Chinnery's tale a piece of classic Victorian melodrama involving a cursed pair of monkey's testicles. But what raises this special far above the level of a beautifully made and affectionate pastiche is that all the tales (and particularly the first two) are not only genuinely frightening, but more convincingly so than most of Amicus' own efforts. The gory, unremitting horror of the climax of Charlie's tale, and the truly creepy sequences set within the Lipp household in Matthew's story have a real power to them. And the final, terrifying twist - 'It's nice to see you again, all grown up...' - is one of the most disturbing moments in TV history (no wonder it ended up in Channel 4's Top 100 Scary Moments programme).

Lavish, dark and compelling, The League of Gentlemen Christmas Special stands alongside Threads and Ghost Watch as innovative and frightening television, and is perhaps the best one-off programme made by the BBC in the last decade.

If you haven't encountered the League of gentlemen before *whats wrong with you*?? In short, its like what would happen if Kids in the Hall performed Twin Peaks playing all the characters (Mark as Log Lady or Bruce as Nadine the eye patch lady). And all this set in the moorland backwaters of Northern England much beloved by previous writers like James Herriot or The Brontes. The show has also been described as Twin Peaks-Mervyn Peake-Peak Practise which is also apt. You don't have to come from Northern England (like me) to 'get it' - most jokes are universal to those with similar senses of humour.

Anyway - the story is as follows. the League are Mark Gatiss, Steve Pemberton, Reece Shearsmith and Jeremy Dyson (writer who does not perform). The show started out at Edinburgh fringe (where it won the Perrier award), then BBC Radio 4 and then on to BBC TV. The 3 series so far follow the lives of various residents of Royston Vasey, the town you will never leave. All characters (male and female) are performed by Gatiss/Shearsmith/Pemberton.

this is an amazing feat and shows the versatility and talent of each performer.

Characters include a homicidal snub-nosed couple who run a local shop, a bigoted vicar, a lesbian ex-con once proud restart officer and an inept vet with strong shades of that Herriot creation Tristan Farnham amongst others. Papa Lazarou is one of the most enduring creations - he is like a bizarre hybrid of a black & white minstrel, Jerry Sadowitz, Pennywise from IT and a white-slave-trader. The show is also a must for any fan of horror and cult movies as the references to classics like "The Wicker Man", "Don't Look Now", "the Jungle Book", "The Railway Children" and more humble fare like 80s kids show "Pipkins" will keep film fans eager and happy for a long time. Above all its very funny and very clever - from visual jokes (animal face painting and draining the swede being favourites) to subtle in-depth homage (the portmanteau style of Xmas special echoes Amicus classics like "Asylum")

Series one and two followed a similar pattern whilst the Gents departed with form and took a brave step with series 3 making some dramatic changes. The Xmas special was perhaps key in this change also. Gone were some old favourite characters and new ones were introduced. Episode formula was less sketch driven and story lines were longer. And also a new theme tune was introduced with shades of "Scheulmadchen report" with it grooviness. But some 'fans' hated the changes (dullards) because they broke with the norm and indicated a bold change in direction. I personally **love** the new changes(like a lot of fans) and think that Series 3 contains some of the best work done so far. Thank god they got rid of the laughter track!!!!! Kudos to the guys for not being formulaic and always challenging expectations and actually *thinking* about what to bring along next. The work is thus fresh, complex and keeps you on your toes. Hooray to that as there is nowt as bad as stale comedy.

NOW BRING ON THE FILM!!!!!

The League of Gentlemen are Jeremy Dyson, Mark Gatiss, Steve Pemberton and Reece Shearsmith. The latter 3 act and write while Dyson writes. In 1999 the quartet unleashed their eponymous TV series on us.

Every town has "odd" people – the suicidal army reservist, the toad fancier or the butcher who seems to take his job too seriously. And then there is that couple who keep themselves to themselves. And turn out to be brother and sister!

Roston Vasey is the real name of blue comic Roy "Chubby" Brown (who appears as the mayor in series 2). It is a mystery why the League chose his name as the fictional town in this series. But in Royston Vasey, being odd is the norm. With most of these characters played by the 3 acting Leaguers.

Series 1 is essentially a series of sketches set in "Vasey". Most of the characters do not interact other than in opening sequences although several are transported in the taxi of local transvestite Barbara. A very hairy man who is waiting for "the operation" and regales her customers with details of what is to come. This series is mostly offbeat comedy with a few blacker moments thrown in.

While there is a tenuous story holding series 2 together it carries on in a similar vein. Some sketches abandon the humour to explore a darker side. And the BBC makeup department are kept busy providing facial disfigurements for a number of characters. "Vasey" really needs a good dentist.

Series 3 is more of a "comedy drama". Each episode dealing with an individual character and a theme running through the end of each episode.

At first I was disappointed with series 3 as I wanted more of the same. The "best" characters are killed off and series 3 concentrates on minor players. On reflection though, each story stands up in its own right. A brave move which works.

Sick humour? Fantastic humour with good stories? The L of G pushed comedy in a new direction.