Light It Up

"Light It Up" is smart, heart pounding and filled with suspense that will keep everyone on the edge of their seat. This is a truly smart thriller drama that takes a look at one of the biggest problems facing America.

Everything about "Light It Up" worked from the performances from relative newcomers such as Usher Raymond and Robert Ri'chard to veterans like Forest Whitaker and Vanessa L. Williams. One thing I must say about the cast of "Light It Up" they took the script and performed with the heart and intent of making this film a success.

The best thing about this movie was not the action but the message that it was trying to send the message that everyone deserves to be treated equally and with the same amount of respect.

Also, the characters were richly developed with honesty and integrity that seems to be missing from films I have been watching recently. I'm glad I got the opportunity to watch "Light It Up" because it taught me not to make judgements based upon first impressions.

Whether you like "Light It Up" or not it will touch you and move you to action. This truly is a movie that has spirit and deserves to be watched.

Someone finally tells the truth.

Light it Up is the story about a group of high school kids pushed to their very witts end. First they're given a learning facility with no heat and not enough text books, then the window breaks and brings in all the cold. When their burocratic principal ignores the complaint and leaves the class taught by prof. Knowles (played by Judd Nelson) but to continute the class at a warmer and more nourishing establishment.

When the principal finds out about the last minute field trip that he allowed, he suspends Mr.Knowles. Mr.Knolwes devoted students voice their discontent for these actions and the principle continues to throw his weight around by suspending the protesting students. When the few students grow in numbers, school policeman Dante Jackson handles things his way. To make a long story short (too late) Jacksons' prejudice judgements forces the students fordge the ultimate revolt and hold Jackson hostage in the school library.

This is a film that doesn't spare any expense to tell the truth about the urban school system and youth culture. The story is powerful, provacative, and true to life. It spotlights the students using sound judgement in the face of ignorent adults.

Usher Raymond gives his best performence to date, and Rosario Dawson shows her versital talent as a character that is far different from her Valerie Brown character in "Jossie and the PussyCats"

It is unfortunate that this film came out when it did, in the mist of the Colombin massacre, or it would have been received better by the public. My only problem with this film is that it took the "Kramer vs. Kramer" route in its epiloge. I felt that this story would have made more of a public statement had it ended without the last ten minutes, but the overall presentation was still good and the message was still there.

This is a film more for the adults interest then the teens, even though teens will be eager to see Usher and Dawson. The film does have a good deal of strong language, drug-use and urban themes that under 17 viewers will need to watch with their parents.

I give this film one of my highest acclaims. It is a must see.

I just saw this movie tonight. The incident that leads to the seige of the school was such a small thing that at first I didn't think it was possible for so much to come out of so little. But, after thinking a tad longer I realized that it is so easy for things to be blown out of proportion because of what someone says or an accidental occurrence. I thought the storyline was a good one. The movie was entertaining due to the quite frequent jokes and the tension/affiliation between the characters. Part of the reason, however, that the whole thing seemed a bit implausible was because it wasn't revealed until the situation escalated why the characters did what they did. I guess that happens a lot in movies...but it took too long to happen here and holding it off so long didn't really add suspense, increasing interest or anything like that. It made me confused and a little peeved.

On the whole though I liked this movie a lot but it would have made a better TV-movie. I am seriously feeling the soundtrack though...especially Ja-Rule's "How Many Wanna Die," which pulls you in being played during the trailer.

Everyone seems to be putting this film down, but I honestly cannot get enough of it. Not only does this film have a strong message behind it, but it also strips away every defense that people can possibly have for inner-city life (some city areas, not all), and shows the unbearably real lives of teenagers today. The characters are real. Usher Raymond (Lester) gives a believable performance of a young adult, simply doing whatever it takes for Ziggy (Robert Ri'chard), a perfectly portrayed teen, escaping from his father and himself through his talents. Forest Whitaker (Officer Dante Jackson) seems to have captured the confusing officer, who was only out for himself at first. Sara Gilbert (Lynn) is without a doubt perfect in her role as an outcast teen who only wants to be wanted, and silently begs for understanding. Stephanie and Rivers (Rosio Dawson and Clifton Collins, Jr.) are well played and well rounded characters. Stephanie, counting the days until graduation and Rivers, who's motto is "the rules are meant to be broken". The only character flaw in my opinion was Rodney (Fredro Starr), a painful stereotype. As the movie goes on and the plot becomes more intense, we are slowly exposed to the raw lives of the teens. Ziggy (Ri'chard) is severely abused by his father and has taken refuge in the attic of the school. Lynn (Gilbert) only wanted a kiss from the jerk who got her pregnant. He never kissed her or talked to her after. Lester (Raymond) witnessed police officers shoot his innocent father to death. And Officer Jackson (Whitaker) lost his wife and son. The messages in this movie are clear. Stand up for what you believe in. Give everyone a fighting chance despite their age or race. The darkest people have the darkest secrets. These are messages our country desperately needs to hear, especially now.

Four students at a run-down New York City high school lead a riot. When the cops show up, they take wounded school cop Forest Whitaker hostage and try to figure out what they want.

The flip description of this is a prison riot movie with the cast of The Breakfast Club, but that would be denigrating it. Despite the ubiquitous low-lighting levels for modern urban dramas, writer-director Craig Bolotin has several serious points to make, and an able cast that includes Usher, Rosario Dawson, and Judd Nelson turns in some good performances. Unhappily, Bolotin's choice of making the characters versions of John Hughes' comedy-drama characters simultaneously makes them more recognizable and distracts from his purposes (aside from the satirical).