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Agrega una trama en tu idiomaDorothy Dandridge's way to fame and fortune as a dancer, singer and actress.Dorothy Dandridge's way to fame and fortune as a dancer, singer and actress.Dorothy Dandridge's way to fame and fortune as a dancer, singer and actress.
- Dirección
- Guionistas
- Elenco
- Ganó 5 premios Primetime Emmy
- 22 premios ganados y 28 nominaciones en total
Obba Babatundé
- Harold Nicholas
- (as Obba Babatunde)
LaTanya Richardson Jackson
- Auntie
- (as LaTanya Richardson)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I've been a fan of Dorothy Dandridge for years and when I saw that Halle Berry brought her life to the big screen, her performance was very credible. If someone other than Halle would have done that part, the movie wouldn't have been as great as it was. It takes a hell of a lot of talent to pull off someone else's life and that couldn't have been very many actress in Hollywood. So, any old' actress wouldn't have done the job that Halle did. There were some aspects of Dorothy's life that weren't covered, but those weren't as important as the one's capture in the movie. When I saw Halle Berry playing Dorothy Dandridge, it was like I was seeing the real thing, because Halle Berry was very convincible. Plus, I see Halle and Dorothy Dandridge having a lot in common within their lives, and what Halle gave off wasn't anything rinky-dink, but the real thing. And it gives others who knew nothing about Dorothy Dandridge an insight on her life. Of course there were going to be things left out, of course there were going to things exaggerated, it wasn't going to be perfect, if you want to know how Dorothy was in temperament, read books on her, because those are where the real information comes from. Movies don't always tell everything, but Halle's performance wasn't based on looks, but how she gave off the image of Dorothy Dandridge on screen. So, Halle Berry did work hard to that story to life, and her I found it amazing that she went to such lengths and did it.
Long before Barack Obama wasn't considered "Black" enough, Dorothy Dandridge suffered the same criticism. Black or not, she was beautiful and could sing like a meadowlark.
Looking at old pictures of Dandridge, you could see why Halle Berry was chosen. She is Dandridge brought back to life. She may not have the pipes of Dandridge, but she sure can act, and has the Emmy and Golden Globe to prove it! Playing the First African American actress to get an Best Actress nomination (for Carmen Jones) was the First African American actress to win the Oscar for Best Actress (for Monster's Ball).
Klaus Maria Brandauer (Out of Africa) was magnificent as Otto Preminger, one of the men who used Dandridge.
This film is extremely important, not only for the fact that is chronicles the life of one of America's best, but also for the reminder that most of us never had to pee in a cup or watch a pool drained because we put our toe in it.
Looking at old pictures of Dandridge, you could see why Halle Berry was chosen. She is Dandridge brought back to life. She may not have the pipes of Dandridge, but she sure can act, and has the Emmy and Golden Globe to prove it! Playing the First African American actress to get an Best Actress nomination (for Carmen Jones) was the First African American actress to win the Oscar for Best Actress (for Monster's Ball).
Klaus Maria Brandauer (Out of Africa) was magnificent as Otto Preminger, one of the men who used Dandridge.
This film is extremely important, not only for the fact that is chronicles the life of one of America's best, but also for the reminder that most of us never had to pee in a cup or watch a pool drained because we put our toe in it.
Admittedly, it's probably unfair to call Dorothy Dandridge unknown, as I've just done in the title. She was, after all nominated for an Academy Award and had a fairly long resume of parts, even if the majority of them were small ones. Many probably know her. I, however, aside from this movie, have no knowledge of her whatsoever. I've never seen any of her movies and was not familiar with the name until I came across this bio-pic. The title of this movie would seem to suggest that I'm not alone - she has to be introduced to us, after all. And - what an introduction!
Halle Berry was absolutely perfect in this role. To me, she became the character with all the right moves and all the right emotions and presented a fascinating portrait of her subject. I find it hard to believe that so much was introduced in a little under two hours. Dandridge's problematic relationships (especially her relationship with the great director Otto Preminger) were interesting; her troubled upbringing being abused by whoever "Auntie" was supposed to be to the family was sad; her devotion to her mentally retarded daughter; the subtle look at the reality of racism in the era (she dips her toes in a hotel swimming pool, and the pool has to be drained and scrubbed as a result); her growing drug and alcohol dependence; her ultimate tragic death. In some respects she's portrayed as a black Marilyn Monroe, who does pop up from time to time in this movie. You would think that trying to show so much in so little time would lead to a shallow presentation, but it didn't. The movie leaves you wanting more, but not because it hasn't given you a lot.
The secondary characters were also interesting: from Dandridge's first husband (Obba Babatunde) - who is captivated by her beauty but can't agree with her on what they want out of life, to her manager Earl Mills (Brent Spiner) - who quietly falls in love with her, to Preminger (Klaus Maria Brandauer) - who also seems to love her, but who finally turns away from her, possibly because she wanted more of a commitment than he wanted to give or perhaps because he felt that creating personal distance between them would help him to further her career.
I'm shocked that this movie doesn't have a higher rating here. I think this was absolutely marvellous. 10/10
Halle Berry was absolutely perfect in this role. To me, she became the character with all the right moves and all the right emotions and presented a fascinating portrait of her subject. I find it hard to believe that so much was introduced in a little under two hours. Dandridge's problematic relationships (especially her relationship with the great director Otto Preminger) were interesting; her troubled upbringing being abused by whoever "Auntie" was supposed to be to the family was sad; her devotion to her mentally retarded daughter; the subtle look at the reality of racism in the era (she dips her toes in a hotel swimming pool, and the pool has to be drained and scrubbed as a result); her growing drug and alcohol dependence; her ultimate tragic death. In some respects she's portrayed as a black Marilyn Monroe, who does pop up from time to time in this movie. You would think that trying to show so much in so little time would lead to a shallow presentation, but it didn't. The movie leaves you wanting more, but not because it hasn't given you a lot.
The secondary characters were also interesting: from Dandridge's first husband (Obba Babatunde) - who is captivated by her beauty but can't agree with her on what they want out of life, to her manager Earl Mills (Brent Spiner) - who quietly falls in love with her, to Preminger (Klaus Maria Brandauer) - who also seems to love her, but who finally turns away from her, possibly because she wanted more of a commitment than he wanted to give or perhaps because he felt that creating personal distance between them would help him to further her career.
I'm shocked that this movie doesn't have a higher rating here. I think this was absolutely marvellous. 10/10
This movie is all about Halle Berry - to look at it from any other point of view would be to overlook the most powerful force in the movie. Berry is brilliant in her portrayal of Dorothy Dandridge - her acting is flawless and we witness the greatness of Dandrige and exprience the pain of her downfall with Halle Berry as our guide. What a tremendous coincedence that Halle Berry would play the first African-American woman to be nominated for an Academy Award when she herself would later become the first African-american woman to actually receive the prestegious award! She is supported by a strong cast which all help to make this a movie to remember. 7/10
Haile Berry is radiant in the title role. An excellent job is done of separating the woman from the myth. Klaus Maria Brandauer is quite memorable in a key supporting role. Brent Spiner is also good. But, Berry's tour-de-force performance is the reason to watch this made-for-HBO biographical feature.
It is not often that one has the opportunity to take in such a movie. After her night club career took off, Dandridge eventually found her way to Hollywood where she appeared in the movie version of George Gershwin's famous opera, Porgy and Bess. Next she co-starred with up-and-coming singer Harry Belafonte in the fascinating Carmen Jones. Such talent is rare indeed. Indeed, it is rare to find such a talent.
It is not often that one has the opportunity to take in such a movie. After her night club career took off, Dandridge eventually found her way to Hollywood where she appeared in the movie version of George Gershwin's famous opera, Porgy and Bess. Next she co-starred with up-and-coming singer Harry Belafonte in the fascinating Carmen Jones. Such talent is rare indeed. Indeed, it is rare to find such a talent.
¿Sabías que…?
- TriviaDorothy Dandridge was the first African-American woman to be nominated for a Best Actress Academy Award (Carmen Jones (1954)). Halle Berry is the first African-American to win a Best Actress Academy Award (El pasado nos condena (2001)).
- ErroresSprite soft drink bottles appear on the set of a movie shot in the 1940s. Sprite was first marketed in 1961.
- Citas
Earl Mills: [notices thick makeup on Dorothy's face] What happened to your face?
Dorothy Dandridge: Guess I wasn't black enough to lead the tribe.
- ConexionesFeatured in The 57th Annual Golden Globe Awards (2000)
- Bandas sonorasYour Red Wagon
Written by Don Raye, Gene de Paul, Richard M. Jones
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Detalles
Taquilla
- Presupuesto
- USD 9,200,000 (estimado)
- Tiempo de ejecución2 horas
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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