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G:MT Greenwich Mean Time

  • 1999
  • TV-14
  • 1h 57min
CALIFICACIÓN DE IMDb
6.6/10
702
TU CALIFICACIÓN
G:MT Greenwich Mean Time (1999)
CrimenDramaMúsica

Agrega una trama en tu idiomaSix London school-leavers attempt to make it in the world, balancing the challenge of trying to make a name for themselves in the music industry against the pressures and tragedies of everyd... Leer todoSix London school-leavers attempt to make it in the world, balancing the challenge of trying to make a name for themselves in the music industry against the pressures and tragedies of everyday life.Six London school-leavers attempt to make it in the world, balancing the challenge of trying to make a name for themselves in the music industry against the pressures and tragedies of everyday life.

  • Dirección
    • John Strickland
  • Guionista
    • Simon Mirren
  • Elenco
    • Steve John Shepherd
    • Ben Waters
    • Alec Newman
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    702
    TU CALIFICACIÓN
    • Dirección
      • John Strickland
    • Guionista
      • Simon Mirren
    • Elenco
      • Steve John Shepherd
      • Ben Waters
      • Alec Newman
    • 25Opiniones de los usuarios
    • 2Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos6

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    Elenco principal37

    Editar
    Steve John Shepherd
    Steve John Shepherd
    • Sam
    Ben Waters
    • Bean
    Alec Newman
    Alec Newman
    • Charlie
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Rix
    Anjela Lauren Smith
    Anjela Lauren Smith
    • Sherry
    Melanie Gutteridge
    Melanie Gutteridge
    • Lucy
    Georgia Mackenzie
    Georgia Mackenzie
    • Rachel
    Alicya Eyo
    • Bobby
    • (as Alicia Eyo)
    Freddie Annobil-Dodoo
    Freddie Annobil-Dodoo
    • Elroy
    Alun Armstrong
    Alun Armstrong
    • Uncle Henry
    Geoffrey Beevers
    Geoffrey Beevers
    • Building Society Manager
    Annette Bentley
    • Sharon
    John Blundell
    John Blundell
    • Brian
    Debbi Blythe
    • Sophie
    Karl Collins
    Karl Collins
    • Clinton
    Joe Duttine
    • Mick
    Christine Ellerbeck
    • Alice
    Perry Fenwick
    Perry Fenwick
    • Ant
    • Dirección
      • John Strickland
    • Guionista
      • Simon Mirren
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios25

    6.6702
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    Opiniones destacadas

    chris-711

    Listen up! This movie is the zeitgeist!

    Greenwich Meantime is one of the freshest, most invigorating films to come out of the UK in years. It tackles head on the issues and emotions involved with being a young person at the end of the century in London - living in the city, having no money, no direction and being in the same boat as many others. This is Simon Mirren's real strength - the ability to write honest, compelling and emotionally powerful relationships. There are several moments in this film which pass the 'tingle' factor with flying colours. I look forward to seeing Mr. Mirren's future work with bated breath and in the certainty that it will accurately reflect these times.
    7Rabbit-41

    Why was it only in the UK for one week? SHAME...

    Great viewing - young talent doing well. First third was a little slow, with the historical whiteness quite difficult to differentiate the fresh young faces. By the time the Beenz had met up with his old school friend who'd turned to less desirable habits - I hadn't remembered him for the school screans. Some gratuitous nudity - to support the young and free state of the team? The racial perspective was accurate, the paraplegic perspective also desperately sad but accurate, the music was fantastic, the plug for the Virgin air ambulance was quite commercial - a full frontal of the helicopter - in London, we'd have all known it was virgin's just by the red tail? The shootouts at the end were also a little gratuitous. I enjoyed the line about being able to see the garden. Pleased to have seen and would recommend others to see it too - should have been round longer. Hope it resurfaces to ride on the millenium wave in December.
    bob the moo

    Becomes too exaggerated and contrived to really be as involving as it needed to be

    When they left school, six friends were full of hope and dreams of success. Four years later they are still trying but mostly their lives are still on the same track – with their same partners and playing in the same experimental jazzy funk combo. However when Charlie gets involved in an accident it sends shockwaves through an already troubled group; Bean goes off the rails when he sees his girlfriend with another man, becoming hooked on drugs and dealing; Rix get his girlfriend Sherry pregnant and has to try and hold the band together as Sam wants to drop the jazz aspect and bring in a new vocalist to become more commercial.

    Opening with the same actors supposedly playing 16/18 year olds, this film quickly moves onto four years later where, aside from school uniform, they look exactly the same – however this jump in creditability is the least of your worries in a film that never stops adding to the plot in an effort to replace real emotion with pace. The story introduces to a collection of characters quite quickly and seems to have aimed to be realistic of life for young people in London but, as the film goes on, the base premise is opened up as each character has all manner of tragedy happen to them resulting in the film feeling far too busy as it spins towards a rather overblown conclusion. It's a shame because the people are quite interesting at the start but the script doesn't allow them to really develop as real people and so puts them in extreme lives and covers for the material's inability to really grip and involve by simply having it move very fast and always having something happen on screen. It is pacy enough to keep watching though and I'll say this for it – I was never bored, but I also never really cared for the people or found myself involved in these lives.

    The direction is pretty good though, using London quite well without becoming a tourist trade film. The atmosphere of lost lives is well put across and it keeps a downbeat tone even as the plot twists become decreasingly like any life I've ever lived! The music is pretty good though even if it will probably have dated pretty badly in about ten years time – personally I quite liked the jazzy sort of jungle stuff and I like the vocalist even if she did turn it very poppy (which was the point I suppose).

    The cast find themselves with good basic characters and are left with the challenge to keep them real people while their lives become increasingly exaggerated. Newman does well with his loss and makes it believable even if he has little time to put complex feelings across. Shepard is OK but his character is quite bland and it shows in his performance. I did feel a bit sorry for Waters, whose character goes the farthest and becomes rather silly and OTT by the end of the film. Ejiofor is pretty good and works well with a lot more time and dialogue than he was allowed in Love Actually (hasn't he put on a lot of weight by the way!) but it's a shame the same isn't offered to Smith who is only given a bump to carry around and little else.

    Overall this is a reasonable British film but hardly any great shakes. It has pace and energy and it has tried to create an ensemble drama featuring 'real' lives but the emotion and drama is not as real as it thinks and involving stories are replaced by exaggeration as the film is unable to stop adding to it's drama. If it had been better written it could have rested on smaller events but as it isn't, it needs to keep moving for fear of stalling. In this regard it does keep moving and is never really boring but it isn't that good a film as a result but should please those who are easily won over by soapy dramas as the like.
    anita-28

    Refreshing and Honest

    A group of youths in London, an accident, a hold up, drugs and life in the big city. Could have been dark, depressing and tokenistic but it WASN'T. Mirren's fully drawn characters and fantastic undercutting of sentiment (a very british way) made this film one of the best (unsung) british movies I've seen in ages. It's honest, informed and has such heart, no one could fail to be engaged.

    I got it out on video this weekend, sadly didn't see it on the big screen. Why was that? Where was the publicity and why haven't we seen more from this guy??

    Get it out and enjoy.
    oferv750

    excellent movie excellent music - thanks A 1,000,000

    i saw this film on VHS five years ago & still loving it a very good casting the actors gave me the sense of a true story good directory work not only that it was one of the best films ever it had a fantastic music . (well done Hinda hicks & been it is your music) this film shocked me on the detailed work of the director in order to display a realistic image of ones life . the high light of the film comes through the music excellent choice of style

    please if anyone knows where can i find the soundtrack for this film contact my mail. thanks - Ofer .v.

    Argumento

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    • Trivia
      As his character becomes a crack addict, Ben Waters embarked on a crash diet to make him look like he was drug dependent.
    • Citas

      Charlie: Death is an absolute, their ain't nothing absolute about life. Anytime you want out the door is always open.

    • Bandas sonoras
      Rachel's Song
      Written by Guy Sigsworth

      Performed by Lester Bowie with GMT

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de octubre de 1999 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Greenwich Mean Time
    • Locaciones de filmación
      • Greenwich, Londres, Inglaterra, Reino Unido
    • Productora
      • Anvil Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 57 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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