Mientras lidia con la muerte de su prometida, un joven se hace amigo de sus padres y debe descubrir qué quiere de la vida.Mientras lidia con la muerte de su prometida, un joven se hace amigo de sus padres y debe descubrir qué quiere de la vida.Mientras lidia con la muerte de su prometida, un joven se hace amigo de sus padres y debe descubrir qué quiere de la vida.
- Premios
- 1 premio ganado y 6 nominaciones en total
- Server #1
- (as Robert Clendenin)
- Photographer
- (as Ed Lachman)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Like I said the subject is handled in a very good way. May be the movie makes some easy choices, especially near the end, but the acting is so good and real here that the movie is easily forgiven. Gyllenhaal plays the same kind of part as he did in 'Donnie Darko' and 'The Good Girl', not the most happy one. He has the best single scene, although overall veterans Hoffman and Sarandon are as good as he is. The best thing though is Ellen Pompeo. Her character has a certain sweetness and nice way of dealing with things and Pompeo finds the perfect note for playing this part. See it for the acting and you will find a lot more.
While not quite a great movie (it just barely misses the mark), Moonlight Mile is still an excellent drama that showcases some of the finest acting talent around, wrapped amidst a beautifully told story of a young man (Jake Gyllenhaal) who's trying to do what everyone expects out of him, but against the desire of following his own heart.
Moonlight Mile plays as a cathartic experience. The premise bears truth to it, as it parallels writer/director Brad Siberling's own real-life experience when his girlfriend was murdered by an obsessive fan. But most importantly, almost every part of this movie feels natural in its emotions and storytelling, not the result of some sentimental hackjob put together by a big studio. Siberling's intent is to portray a normal family dealing with life, loss, and love and whatever obstacles may come their way and he does a fine job of it.
There are moments Moonlight Mile doesn't entirely ring true, but those moments are glossed over by the acting. From Gyllenhaal to Ellen Pompeo to Dustin Hoffman and Susan Sarandon, the cast is uniformly superb. Even though the climax is set in a courtroom (typically the setting for cliche hell in dramas), Gyllenhaal's emotional outpour makes the scene work almost magnificently.
An admittedly very irksome element of the film is the score, which is yet again another rip-off of the music to American Beauty. Moonlight Mile's straightforward, honest approach doesn't match the quirky tone of the score, resulting in a few off-kilter moments of balance. But otherwise, this is a first-rate, truthful drama, and certainly superior to the overrated and similary themed In the Bedroom.
Anyway, "Moonlight Mile" is highly enjoyable. What exactly makes this movie so great? It's the acting. The cast is outstanding. Susan Sarandon and Dustin Hoffman are truly amazing as always. Jake Gyllenhaal, who we know from "Donnie Darko", was excellent as well. But, like I already said, Hoffman and Sarandon are the true stars in this one. They were both so funny from time to time! "Moonlight Mile" is definitely worth watching! A true indie with great performances!
8/10
Jake Gyllenhaal is quietly brilliant, inhabiting the space of his grieving and frustrated character with an assurance and maturity that wasn't guaranteed from his earlier performances--a big step forward for him as an actor. And Susan Sarandon is sharp as hell in her best role in years--Hoffman has the most difficult task, portraying a man who is completely submerged in denial, but he serves the film well and handles the inevitable Big Moments late in the narrative with the class and skill you'd expect.
This movie has some genuinely original points of view about the reality of losing a loved one, and the complexity of human emotion: especially how that complexity is usually at odds with how we're expected to behave in such situations.
There is a tortured romance with Gyllenhaal's character that is cliched to begin with, and nearly altogether bungled by the writing. Unfortunately, this part is central to the story, so you're stuck with scenes that seem like a cross between Adrian Lyne sex-drama and an episode of The Wonder Years. This story string also leads > to an ending that will likely be far too neatly tied for many discerning filmgoers, as it was for me.
But when the movie sticks to the messy yet electric triangle of the dead girl's parents and her fiancee, it's really something. Unless you simply can't abide by a movie that's unapologetic about its mainstream Hollywood nature, excellent performances, consistently interesting touches in the writing, striking photography, and more than a few original ideas make this movie worth a look.
When the story begins, you might find it confusing. Joe's girlfriend had been killed....though this isn't obvious and when you find out, exactly how seems pretty vague as well. What is clear is that Joe (Gyllenhaal) is living with her parents (Dustin Hoffman and Susan Sarandon) and he seems like he's simply going about his life in order to make them happy...sort of like a substitute for his dead fiancee. What's next? See the film.
Considering the film is about a family and boyfriend responding to the the brutal murder of a girl, it obviously is NOT a fun movie to watch. But the performances are very good and the film is unique....reasons to possibly watch it. Well made...and rather unpleasant...though fortunately the film is NOT violent and doesn't show any violence.
¿Sabías que…?
- TriviaLoosely inspired by writer and director Brad Silberling's own experience. He was dating Rebecca Schaeffer at the time she was killed by an obsessed fan in 1989.
- ErroresMassachusetts did not have the death penalty in the early '70s.
- Citas
Joe Nast: I'm sorry, I can't, I can't do this. It didn't happen. We loved each other, we broke it off. If I don't-Jesus, if I don't say this now, it'll never-she'll never be a part of this. What are we-what are we doing here? I don't even-I don't even know this guy. She-she didn't even know this guy. What's he got to do with her? I don't-look, you asked me to bring her in the room, and she's not here-she's not. And whatever happens here, whatever happens to this guy, she's not here. And the only way that you're gonna bring her in here is with the truth. I don't know-I don't know what else to say. You just tell me what to say, and I swear, I'll try, but if you want her, you got to keep it honest. You have to understand that Diana had this thing, this way of bringing out the real in people, not just the best, you know-their honesty. And I guess she's doing it again now cause there's no way I'd be sitting here saying these things I can't believe are coming out of my mouth. It was Diana who finally had the courage. *She* was the one who told *me* that I didn't want to go through with it. And I guess she's-she's doing it again, cause all of this-all of this is everything that she wouldn't want. She wasn't a bride-to-be. She wasn't a victim. She was strong and real and messed up and wickedly honest, just like her mother. And if I sit here trying to paint it any other way, I... Oh, I'm sorry, I'm sorry. I just-I thought-I thought that if I could just... paint the pictures that you needed, you know, that... that somehow... that somehow you'd bring these people some peace, finally, and they'd have their daughter back, or... But, uh... that's not how she'd wanna be. The truth is hard. Sometimes it looks so wrong, you know-the color's off, the style's wrong, but I guess it-I guess it's where the good one's live.
- Créditos curiososThe credits end with "For all our loves...departed, or yet to arrive..."
- ConexionesFeatured in Moonlight Mile: A Journey to Screen (2002)
- Bandas sonorasI Want to Take You Higher
Written by Sly Stone (as Sylvester Stewart)
Published by Warner-Tamerlane Publishing Corp. o/b/o Mijac Music (BMI)
Performed by Sly and the Family Stone
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Selecciones populares
- How long is Moonlight Mile?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Moonlight Mile
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 21,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 6,835,856
- Fin de semana de estreno en EE. UU. y Canadá
- USD 329,771
- 29 sep 2002
- Total a nivel mundial
- USD 10,011,050
- Tiempo de ejecución1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1