El aro

I watched The Ring before Ringu and was sorry that I did. Everybody thinks that the US always does things better. This is one example of how wrong those people are. Now, don't get me wrong, The Ring was a good flick. I enjoyed it very much, BUT, it really fell short of the original. So much was lost in the translation and in remaking it. If you have never seen The Ring, do yourself a favor and see Ringu first. It really shows how the Japanese can make good horror. The story is based on a novel written by Koji Suzuki entitled "Ringu". If you get the chance, you can pick this up over at Amazon, it's a very good read and shows you how the story was meant to be told. The Japanese film was a better adaptation of the movie. I give Ringu 8.5/10

Afterwards the horrible death of some adolescents and her niece Tomoko , the journalist named Reiko begins to investigate rumors about a videotape that causes the strange murders . As she discovers that whenever a teenager spontaneously dies with a horrifying look on his face after hearing a supposedly killing videotape and one time the phone rings ,telling he had only one week to live . The TV reporter shows up to investigate these deeds . Reiko is helped by his ex-husband and later they face a race to save their lives from spooky creature . Reiko tries to get the bottom of mystery and discovers the secrets of life of Sadako and her father . Besides mysterious events are happening at home her husband and both of them are caught up by ominous Sadako.

Based on original Japanese novel by Koji Suzuki , it was a real success in the Asian cinemas and all around the world . This horror film provides great load of screams, grisly killings and creepy atmosphere which becomes pretty sinister with the Sadako appearing . The picture is a sleek production with average budget by approx 1.200.000 dollars , and packs genuine chills , suspense, tension , and shocks , it's a terror-thriller very exciting . The film is paced with intelligent edition, special use of color and slick utilization of shock images . This frightening movie displays thrills , chills , hard-edged drama and ghastly images . While the look is suitable atmospheric and eerie, the argument stretches plausibility to the breaking point. This is an acceptable adaptation of the novel and movie that took successfully Japan . The movie has some special effects describing series of weird and otherworldly happenings and a magnificent make-up specially reflected on the hair-raising countenance of dead . Eerie musical score and tenebrous cinematography with the TV surrealist images filmed in 35 mm and in super 8 style . The motion picture is professionally directed by Hideo Nakata in similar style to Takashi Shimzu movies . Nakata is an expert on horror cinema with eerie phantoms of pale complexion and long hair and directed its following ¨Ringu 2 (1999)¨ ; furthermore he directed US version ¨Ring 2¨ with Naomi Watts. Of course ¨The Ring¨ followed its American version directed by Gore Verbinski whose argument copies exactly the Japan original movie without surprises.

The storyline is based around an Urban legend that involves a piece of footage that causes the eventual death of anyone having watched it. A female news reporter, Reiko Asakawa , investigates this case after her niece is the latest victim of the alleged curse. From here on, the film follows the female lead's search for clues as she races against time to find salvation. Caught up in the events is former husband, Ryuji Takayama , who possesses latent psychic abilities which come in handy later on as things start to spring to light. The film is made in typical Japanese horror genre style that plays on the mind as well as including sudden shock effects. Fans of urban legend type horror will take delight in this offering from director Nakata Hideo and whilst the film does lack substance somewhat, it makes up in suspense and mystery. You are also made to sit on the edge of your seat by the film's soundtrack which is disturbingly quiet, subtle and sinister. The atmosphere is the key part of the film that makes it a horror masterpiece. The story is cleverly written to move at a rate which keeps the audience interested and finally end in a twist that sets itself up for a sequel.

This movie was considerably hyped up, so I saw it eventually. My personal opinion is that this is more of a good mystery movie than a horror movie - it really wasn't that scary, to me at least. The only really scary moments were spoiled for me because I had already seen them before on things like "The 100 Scariest Movie Moments" on TV or something, and the notes by a critic inside the DVD box also spoiled it.

Sound design was one part of this film that struck me - quite good at doing what it was supposed to, sometimes unsettling. I didn't feel a lot of character to be honest - just people making their way through the story.

In my opinion, worth seeing just to investigate the hype, but don't expect to need a new change of underwear after seeing it. For that, you might want to consider The Grudge.

Unlike some reviewers here, I'm happy to have seen Hollywood's 'The Ring' first. Now that I've seen both I would have to say that 'Ringu' is the better film (marginally).

The Hollywood version was quite an unsettling experience in it's own right and having seen it first I rather expected 'Ringu' would be a 'ruined' experience as I was already familiar with the overall story and, of course, THE scene. After all, when the scene finally occurs in 'The Ring' the unexpectedness of it very much increases the shock of it. I hadn't been truly frightened by a scene from a horror movie for a very long time so I was unequivocally impressed.

So when I got around to watching 'Ringu' my expectation was low. I assumed that the absence of surprise would diminish the experience greatly but, as it turns out, the difference in the styles (and some of the substance as well) was adequate enough to scare me all over again even though I thought I knew what to expect. Somehow I doubt that this would have been the case if I'd watched these movies in reverse order. I believe 'The Ring' would have been less enjoyable as it likely would have suffered from comparison.

The familiarity actually served as a primer for watching the original. I've found that reading subtitles often detracts from the complete enjoyment of a film as one's appreciation of the visual content usually suffers from the distraction. In this case though, I found it to be less of a problem. Of course it certainly doesn't hurt to have the ability to rewind and in instances where I was unable to finish reading the dialogue completely you can be sure that I made use of it.

The first difference that struck me was the teens found in the car. Like the girl in the closet in 'The Ring' their faces are frozen into grotesque masks, but the more terrifying aspect is that they have been 'gotten to' outside of their homes and all at the same time. This really drives home the realization that there may be no way to escape this thing. Safety in numbers? Nope. Don't go home? Nope, won't help.

'Ringu' is somewhat more detailed in providing background than is 'The Ring'. The demonic child is shown in a scene that was omitted from the copied version and it adds a little something extra to our understanding of this terrifying entity. Also, I found that the valiant attempt to lift the curse by trying to 'free' the spirit from the well was more intense and claustrophobic (not to mention yuckier) than the American film.

But what is it exactly that is so disquieting about both versions? Well, to begin with, the seemingly unrelated, disjointed and positively eerie imagery that is seen on the mysterious videotape really gets under the skin. The first time we see these we are troubled by the strangeness of them and thoroughly perplexed as to their meaning. We come to realize that a seed of uneasiness has been planted within us. The direction is masterful at nourishing this seed not only by showing short repeats of these images, but also by giving us incremental hints of what is still to come. We are briefly shown the well. Briefly again, the beginning of emergence. Briefly again, it's almost out. More and more I found myself getting cold shivers at each progression. The uneasiness is becoming dread.

But there's something else that frightens apart from the film's construction. Is it the ultimate realization that this thing will not be placated no matter the heroic and well-intentioned efforts of the film's principal leads? Yes, that's an acutely chilling slant to be sure. But ultimately, I feel that the most disturbing element is that, were we to find ourselves in this position, we would be faced with a terrible choice - face the horror ourselves or deliberately inflict it on another. Escape it and you condemn your own soul. Now that's some scary sh*t