Juana de Arco

It's not often that television movies compete with big screen productions, but this one does.

Leelee Sobieski's performance is one of the best I've seen by a young actress. She really looked like someone who had seen a vision of divine power, and yet she also looked like a young girl, driven beyond her personal strength by the force of the visions. Many of the other performances were good also, but hers was so outstanding that the others paled next to hers.

The script writers took some creative license with the history. In some cases they did it for length and clarity, improving the storytelling at the expense of the history. In other cases, I didn't see how the story as written improved on the story as understood by history (although they didn't weaken the story either). But overall, the story was excellent storytelling and still good history. And since Leelee's performance was so spectacular, it was good that the script kept her on screen through most of the story.

The battle scenes show how medieval warfare was often more a matter of morale than casualties or tactics. They manage to capture the mood and chaos of battle, without the unnecessary gore that would make the movie inappropriate for children (or television). Most important, the battles feel like they're decided by the morale of the soldiers, and that those soldiers' morale depends on the presence of Joan.

This movie far outclasses almost all television movie-making. Even by the tougher standards of big screen movies, it's still an excellent movie. It makes me want to see more about the Joan of Arc story.

There are few movies that bring me to tears. Epic movies such as "The Mission" and "Braveheart" succeeded in that. However "Joan of Arc" surpassed them all. I taped the mini-series, and it is the only movie that has me sobbing EVERY SINGLE TIME I watch it. Coming from an actor, this is wonderfully written and beautifully acted by Peter O'Toole, Neil Patrick Harris (far from his Doogie Howser days!), Chad Willet, and, of course, Leelee Sobieski. She didn't play the Maid of Lorraine...she WAS the Maid of Lorraine. I give credit to the people behind the musical score, it fits the movie perfectly, and 12-year old Charlotte Church's vocals were just the thing for the battle scenes. This is one movie I will cherish always.

This is great stuff. Like everyone else, I loved Leelee as Joan. She is a very good young actor. The story is well done, much better than most big budget movies (that usually end up as just dreck aimed at idiots). The acting is good, the script is great, etc, etc--what I really loved about it was the period detail. Awesome. These guys have full plate armor that makes the guys in 'Excalibur' seem underdressed! Gotta love that. If only for the battle of Orleans, this movie is worth a look. Such intensity in a battle is so rarely matched, and they did it without overexcessive gore and blood, so I can let my kids watch it without flinching (too much). This is good, because a story like this, tragic as it is, is important for everyone to hear. Not only that, the story is TRUE. I'm sure some liberties were taken in this version, but it doesn't matter, the heart of the story is about idealism in the face of bitter cynicism. Joan brings hope and victory with her vision, and for her effort is betrayed and murdered in a gruesome fashion. But she never backed down, never withdrew her convictions, and never succumbed to doubt or self pity. We should all think about that--especially in today's world of sarcasm and scorn. I'm not very religious, but this story inspires me nonetheless. And...I love midieval battle scenes with plate armor and huge swords :)

In a stroke of good fortune for those of us who like a good historical religious story, this film and "Messenger" both came out in 1999. They are both excellent, both relate the same story, but in quite different ways. Here, Joan is depicted in the more traditional manner, a young girl who is both humble and headstrong in her wanting to follow God's will, and help set France free of the English. As I did for "Messenger", I rate this one a strong "8" of 10.

I own the DVD, and it is a very nice one. No extras, but the picture and sound, in ProLogic, are both excellent. The movie was originally broadcast as a "mini-series", as I recall, but the DVD is one continuous presentation 3 hours and 5 minutes long. However, there are no wasted scenes here, and the entire story is captivating.

To add a great touch of realism, much of the filming was obviously done in unheated churches and castles. As a result you can see the breath of the characters in the cold as they speak. It probably was really like that during the 1400s. Also, the colors chosen for the costuming remind me of the colors in old masters' paintings. The deep rose, muted royal blue, the earth tones, all added to the realism.

Leelee Sobieski really became Joan for this role. Plus, all the other veteran actors were in top form. There isn't any flaw in the film version of the story of Joan of Arc.

Joan is perhaps the most female difficult role to cast. The actress must be attractive but not conventionally alluring; magnetic but not intellectual; a towering figure but physically slight. You must understand why people would die for her. Above all, the performer must convey an authentic sense of religious piety, a virtual impossibility for young actors today. Sandrine Bonnaire--a wonderful star in every other respect--tried her hand in the recent French version but was too sexy for the part.

As Joan, Sobieski juggles the disparate requirements astonishingly well. This is emphatically not the kind of movie in which the actress can merely show up and look decorative; you have to work at it, but as Sobieski revealed in Uprising, she has the capacity for challenging period roles. And that also means that in contrast to her female peers in the business, she has a long professional future.

Watch out for O'Toole in an astonishing performance as a Cardinal who gradually realizes that Joan is the real thing.

The culminating scene--no details provided, you must see it yourself--is curiously uplifting and properly theological rather than merely unpleasant.