Women of the Night

I have always liked this movie. I liked the idea of a beautiful women operating a pirate radio crew from the back of a semi-truck that is traveling from dusk til down around Los Angeles.

Yes, there is much nudity, but its tasteful but most of the eroticism actually comes from the sultry voices of Shawnee Free Jones and Sally Kellerman.

The 3 stories of the lawyer, the comedienne and the heiress at first seem distinct and later intermingle. Several of the characters introduced earlier turn out not to be whom you expect them to be.

The scenario of this film - different stories showing the aspects of a personality - in combination with good sound usage give this film a very fluid and attractive presentation.

Sweet inviting voices give the idea that your conscience is guided to the next part of the story - in an attractive way.

Trauma is hidden in the story. It comes out when the father of the main character surrenders to his daughter's neediness. Father murdered her mother and that had been at the root of his daughter's pain. She did not know he murdered her mother and her doubt made her want the answer. The way the neediness of his daughter came to him is done with an original approach : an illegal radio station.

I reviewed the film several times and every time i liked it better.

This is an excellent movie with great entertainment value. When I saw it recently on Television I was riveted by its haunting melody and compelling content. The actresses were believable and great in the execution of their craft. MS Shawnee William Free Jones especially has a beautiful delivery which kept me in my chair. I recommend this movie to anyone.

Boring. Even for fans of Zalman King's earlier works, this film might be hard to swallow. You have the usual amount of gratuitous sex and nudity, but it's cobbled together behind a strange story of a young girl's druglord family, who grows up to be a blind, pirate radio hostess, telling stories about sex and intrigue. However, logic holes abound.

For one thing, her story-telling follows a beatnik rhythm that, without the video portion, would not make much sense so the only people listening would be insomniacs or those infatuated with her voice.

Also, scenes flash and scream, reminiscent of X-Files or Millennium, adding a very unsettling quality to the imagery. This is a total turn-off because you think less about whether a couple would get together, but whether they would be hideously murdered somehow.

The stories don't really follow each other and just end and begin suddenly, with each lasting maybe 12 minutes or so.

Eric Clapton is known as "slow hands", and Zalman King could be called that as well, except for one important point: Eric Clapton writes good songs.

This would have to be one of the worst movies that i have ever seen. Hard to follow and just plain pointless it is definitely not worth watching. Some of the songs are nice but that is about the best i can say for this tragic excuse for a film.