Agrega una trama en tu idiomaThree friends from Hamburg spend one last night on the town before one of them leaves the city forever.Three friends from Hamburg spend one last night on the town before one of them leaves the city forever.Three friends from Hamburg spend one last night on the town before one of them leaves the city forever.
- Premios
- 5 premios ganados y 2 nominaciones en total
- Walter
- (as Antoine Monot Jr.)
- Dieter
- (as Mischa Sideris)
- Bewährungshelfer
- (as Alfons-Andreas Lütje)
- Alfa-Fahrer
- (as Joshua Peters)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
What should I say? It's a wonderful small big movie.
This is one from the heart. It's got everything, the riotous humor and fun of outrunning the crew of an Elvis stuntshow, the tempo and jumpcuts of a strobelight punkclub, a heart as big as the V 8 Walter puts in his Ford Granada and the thrill of a deathmatch...in foosball !!
The film reminds us how intoxicating friendship can be and how good it can feel to be that drunk from a toast to a leaving friend. Like the perfect song: happy in its rhythm, sad in its melody. Floyd says early into the film something like" I wish everyone could have his own soundtrack, that there would always be music. So that if you're really down, there would still be the music...and when you're the happiest in your life the record would skip and the moment would never end..." After their last night, when Floyd looks up into the Hamburg sky one last time, the soundtrack to the film DOES skip and captures that perfect moment, the essence of parting, that loss that really isn't and that unbearable inevitability that tomorrow your best friends will be far away.
I can only hope that this total charmer finds a distributor in the U.S.. I'm sure it would find an audience somewhere in the same aisles that loved that "Big Wednesday" coming of age urgency, the tempo and irreverence of "Go", the unpretentious humor of "It's a jungle out there" or " No more Mr. nice guy" and the unspoken loyalty in any of the "Winnetou" movies. As for Sebastian Schipper the Director, whose eloquence in talking about his film ( and cars ) at the German Filmfestival in Los Angeles rivals the ease with which this film speaks to you - In a way I'm already sorry to see him becoming famous. He'll soon join Tom Tykwer as the posterboy for the new german film and I'm afraid he'll lose his genius eye and savant heart much like he lost his enthusiasm for foosball........
Hamburg, complete with its drab industrial foreshores and sometimes uninviting urban decay, is the setting for Gigantic and is as much as character as the three friends Lloyd, Walter and Rocco. It's no surprise, once we've trawled past the faceless apartment blocks and rusting waterfront sheds, that Lloyd wants out. What is a surprise is that he springs his news on his great friends with no time to prepare them for the shock. He leaves tomorrow, at sunrise.
In spite of their anger, and fear, Walter and Rocco go along with Lloyd's desire to have one great final night together. It begins fervently, excitingly, but as events go awry and daylight slowly inches over the horizon, the crushing reality of what is to follow sets in for the trio, who along the way also pick up their next door neighbour, the gorgeous but self destructive Tesla.
Debut director/writer Sebastian Schipper knows the value of understatement. Instead of stuffing his screenplay full of worthy but dull ruminations on the meaning and importance of friendships, he lets his characters do the talking for him. Boldly, Schipper uses a single, funereal piece of music over and over to signify moments of emotional crisis for his characters. The move is risky but pays dividends - Lloyd, Walter and Rocco don't have to say much to get across what they are really feeling. It's also a testament to the abilities of the actors playing these parts that you feel greatly for their pasts, presents, and especially futures.
The finale of Gigantic is heartbreaking, and deliberately ambiguous. Not only is it the perfect conclusion to the chaotic night before it, which is in itself a metaphor for the inherent turmoil of close friendships, it is enough to make you want to go out and phone every friend you haven't spoken to in years to find out how they are doing. Few films have the ability to move and entertain as well as say something about the pain and joy of simply being alive and knowing other people. Gigantic is one of them. It's a masterpiece.
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- Citas
[last lines]
Floyd: The first thing that I can remember is when I got a sparkler from my mother on New Year's Eve. The sky was full of rockets and fireworks that exploded and sparked. That was loud. But I wasn't afraid. I just held my sparkler up to the dark sky... and shook it like crazy. I shook it so hard, so incredibly hard, as hard as I could. And even harder. Until I couldn't any more and on and on. Senseless and harder and harder. And I was small. And so was the sparkler. But I was part of the biggest and most incredible thing... I've ever seen. The greatest and biggest ever, and I was there. Without me knowing it, without me knowing anything. I think, I've never done anything like that in my life again. So hard and uncompromisingly and totally. I think, I never experienced anything in my life again, that was so big and so gigantic. What time is it, by the way?
- ConexionesFeatured in Falk, Ferris MC & Das Bo: Wer hätte das gedacht? (1999)
- Bandas sonorasThe Things That I Used To Do
Written by Garrett Dutton, Jeff Clemens, James Presscott
Performed by G. Love & Special Sauce
Courtesy of MELODIE DER WELT, J. Michel KG / Rondor Musikvertag GmbH Sony Music Entertainment (Germany) Gmb
Selecciones populares
- How long is Gigantic?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- DEM 2,500,000 (estimado)
- Tiempo de ejecución1 hora 20 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1